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Post by hasbeen on Mar 23, 2018 11:41:27 GMT -6
haven't ventured into this domain personally ,even though my interface is capable,but it seems like the one I read the most often about is the AD8200.Anyone else chime in? Yes, Behringer ADA8200 with Midas mic pres and Cirrus Logic A/D - D/A. Great price. Perfect companion for ADAT input with my Apollo.
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Post by hasbeen on Mar 22, 2018 15:58:48 GMT -6
1567a-schematic.pdf (1.22 MB) I was looking at the wiring and schematic and noticed that the first 2 inputs use pins 4,5,6,7,8 on the octal transformer Inputs 3 and 4 add pin number 1 as well to the wiring. That is about as much as I can understand. Can anyone explain why the difference between inputs 1 and 2 vs 3 and 4? Also I use a Peerless 4665 transformer on input one instead of a 4722. Would there be any benefit using it with any other input? This question stems from the different wiring schemes of the octal plugs. I almost posted in the DIY forum but ended up here. Thanks
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Post by hasbeen on Mar 21, 2018 14:46:07 GMT -6
Hey John
Does preamp A have an input and output/trim? Also where was the input set in relation to the output/trim on the Heritage?
Thanks
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Post by hasbeen on Mar 21, 2018 14:26:17 GMT -6
Got any amp sims? Send the track to a variety of amplifiers and also try a touch of distortion pedal either directly or on a buss.
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Post by hasbeen on Mar 17, 2018 16:18:55 GMT -6
I used one for years. Had it modified by Jim Williams. I used HD24 Tools software with a fireport to transfer to Logic. Never had a problem. But it was certainly more time consuming than other methods. But I loved the sound and the way the interface was like using tape machines I had been accustomed to.
When UAD started using thunderbolt I finally switched to Apollo. But still used the ADAT conversion for the extra tracks and that wonderful sound. Jim Williams did a great job.
I sold it for a good price last year but really miss using it with the Apollo.
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Post by hasbeen on Mar 17, 2018 16:10:06 GMT -6
Are either of you guys willing to give us a peek at the inside of this thing? I am interested in the components used and general construction. Thanks [ I was planing on unscrewing the top and posting picks before doing anything else! Thats great news! I am thinking about selling my ez1073 500 series pair and going rackmount. Thanks
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Post by hasbeen on Mar 17, 2018 15:49:41 GMT -6
yeah - like I couldn't tell you that it sounds ANY different from the two 1073-500 three spacers I've owned. I've also owned several 73jr's and just from memory, this unit sounds LESS bright. (Of course, I have better quality ADDA now.) As for EQ, I used it line in and just played around with vocals. Really impressive and nothing sounds harsh...in fact, I much preferred the 12 kHz shelf on this HW compared to the UAD 1073 plug...I guess that's to be expected, but it literally sounds like two different curves. The tone of the pre is super-balanced - like pretty much a ready to go sound with the right mic. The ONLY negative I see on it are the knob-resistance. My blue HPF knob is obviously stepped, but the resistance is poor and almost feels variable. Not sure if there's something I can tighten up or what. The face and knobs LOOK gorgeous...and as prideful as that sounds, that was kind of important to me. Just got the email mine shipped today! Are either of you guys willing to give us a peek at the inside of this thing? I am interested in the components used and general construction. Thanks
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Post by hasbeen on Oct 28, 2017 18:14:38 GMT -6
This RAP thing is just a trend.
It won't last long.
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Post by hasbeen on Oct 28, 2017 18:07:31 GMT -6
a Track that were playing , suddenly I couldn’t hear but could see the wave file. I hadn’t adjusted the master volume fader but it was all the way down. Of course, when I raised it I heard things fine. I had no automation on so I still don’t know why the fader went to zero but all good now ! Thx! Love it! Believe me I've had my share of these things. Even a similar experience except my problem was the mute button...
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Post by hasbeen on Oct 28, 2017 17:49:50 GMT -6
I use Logic all the time, but I can't really understand what you are trying to explain.
How can your master volume 'tank'?
What ended up happening, did you figure it all out?
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Post by hasbeen on Oct 12, 2017 11:36:26 GMT -6
Not buying a mic but....I need to send a UM70 capsule and its body to Gefell for repair.
If you know anyone else that can help share the cost of you guys shipping it there please PM me?
Anyone else need their Gefell repaired or maintained ??
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Post by hasbeen on Jul 28, 2017 9:25:40 GMT -6
JLM Audio. I built a pair of LA500 and Joe Malone is very quick to help with any problems in the forum and by email
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Post by hasbeen on May 2, 2017 12:39:57 GMT -6
Can you sign me up for all of your demo programs, BradM ? The chop shop list is great, but you are pumping out some great things to try. Hey, Of course! Although the Silver Bullet demo program is something you just have to do through the website whenever you are ready. It's up and running by the way. So who has the Chop Shop currently? We need to get this thing rolling to the next guy. thanks, Brad YES!! Thanks, still waiting
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Post by hasbeen on Feb 27, 2017 15:01:00 GMT -6
I picked up a Tab-Funkenwerk V72s. This thing had taken a fall during a previous shipping and because of that, it was selling at a price too good to pass up. I got 'er up on the bench and with some careful soldering (and a lot of patience), I was able to patch it up nice. Sounds friggin' fantastic! Thanks for posting the pics! I remember seeing this for sale. I have a pair of Olivers V78M and a pair of the Mercury V72 single channel versions. Although both are touted as 'faithful reproductions' I can tell you that they are different from one another. The Mercury is probably closer to a V72 module but the TAB differs in that it offers input sensitivity and make-up gain attenuation. With the knobs at 60/40 the TAB emulates the V72. The ability to tweak the settings makes it a total beast. Crack open the cases and you can see the love that Oliver poured in to his transformers illustrated by the pics posted by indiehouse. RIP Oliver. Sad.
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Post by hasbeen on Feb 23, 2017 20:54:31 GMT -6
So a lot of the big time mixers say they know when the low end is good on NS10's when they start to hear them Fart . Not wanting to blow up my NS10's , what db level should I be at to safely try this ? How do I feed them audio beans and get them to Fart without over doing it ? What amp are you using? Where are they located? On a console? How far apart? Upright or on their sides? Which model? Original NS-10M? I use my NS-10Ms (with Yamaha P2200) either at very low volume or at the point to where everything is starting to break up , just not quite yet. It is at that point you can feel the bass hitting your chest in a way that you know is 'just right'. That may be what "they" mean by 'start to hear them Fart' perhaps?
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Post by hasbeen on Feb 18, 2017 15:45:26 GMT -6
Give me those hits!! I want some hits!! I need those hits, hit me!!
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Post by hasbeen on Feb 16, 2017 12:08:41 GMT -6
It's possible I have a bad tube in there. I did lose one of the BH tubes a while ago and traded that out, but the general sound did not change. The T4B is original UREI(JBL) T4B. Do those wear out? If so, I wasn't aware that they would.. Yes. My UA LA2A is from the first batch in 2000. I replaced the tubes in 2013 including the T4B. The stock Opto-Attenuator exhibits what may be similar to what you describe. As I push it the audio starts to distort and I could see it as maybe 'fuzzy mushy' After I replaced the tubes and opto it was a real journey of discovery for me. The Kenetek is very smooth in comparison. The 12AX7 can alter the sound in a slight way that makes a real difference between an RCA or Telefunken. I use my LA2A to sort out noisy 12AX7. I can hear differences between tubes on my LA2A better than any of my other tube gear, and I have a bunch of that.
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Post by hasbeen on Feb 14, 2017 14:59:11 GMT -6
I've never experienced that with an LA2a, and there have been thousands upon thousands (the actual number would be staggering) recorded with an LA2a and fuzziness or mushiness haven't been qualities attributed to those tracks. Maybe your experiences might be overly colored by over-use? Nobody really 'bars' an LA2a or CL1b or other optical tube comp. You just use it for smoothing. Tastefully, carefully. Maybe the lack of using it with taste and care results in fuzziness and mushiness? But what do I know? Clearly you know more than me! It's done this since day one, about 10 years ago. The two knobs and a switch is just too much for me to understand I guess. That whole VU is confusing too... Maybe I just don't like what it does I guess. It sounds OK if you're doing less than 6db of compression, but as I mentioned, sometimes the singers get froggy during a take and really step up the volume, and it starts hitting 10-15dB of compression where the problem starts to show itself. If you call that a lot, then there are a lot of "pros" that are doing it wrong.. But then again, I find that it's more usable on mixdown. I think it's something to do with the transients when it's used directly after a preamp, and using it on mixdown works because the transients are already tamed a bit by sampling. Maybe it's time to try a new Opto-Attenuator like a Kenetek or switch out your 12AX7?
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Post by hasbeen on Jan 19, 2017 17:53:10 GMT -6
My Universal Audio 1176 is quiet. On the other hand my LA2A is quite noisy. I haven't heard the other versions. If your LA2A is noisy try swapping out the 12AX7. A noisy tube is quite noticeable on these things.
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Post by hasbeen on Jan 17, 2017 18:38:17 GMT -6
Still needs 'MORE COWBELL"
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Post by hasbeen on Dec 22, 2016 14:30:42 GMT -6
I prefer the GE tubes over the Electro Harmonix in three of my mics, but then again I've not tried an Upton. Maybe I should get the EH back out for some testing in my DIY 251 to see if it tames some of that brightness. I just like the mids on the GE tubes. I also prefer the GE tubes. I found a very nice 5 Star GL-6072 for my Upton. Dallas sent an EH but I have to agree about the GE and mids. I would say that the GE represents all of the frequencies in a pleasant way while my EH tube seems a bit more bottom heavy. I have been using the Upton quite a bit. Sounds big on drums with my U47, Glyn Johns style.
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Post by hasbeen on Dec 22, 2016 14:20:41 GMT -6
Been using the 520 since it came out. In all vocal chains. Love it. I wish it was on sale when I got it. I paid $149. Still a good price.
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Post by hasbeen on Dec 16, 2016 2:09:11 GMT -6
I use one in my vocal chain most of the time. I like it and seem to miss it when I don't use one. I replaced my DBX 920 with the 500 series version. what do you think of the 500 series version. cheers Wiz I like it fine! Seems same as the rack if memory serves. Nice quiet de-essing.
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Post by hasbeen on Dec 15, 2016 22:50:51 GMT -6
I use one in my vocal chain most of the time. I like it and seem to miss it when I don't use one. I replaced my DBX 920 with the 500 series version.
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Post by hasbeen on Dec 8, 2016 12:46:24 GMT -6
It seems like ELP hit Boston every month in the early 70's. Saw them a few times at the Music Hall. Them and Humble Pie were frequent road warriors. What a busy year for the Grim Reaper!
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