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Post by hasbeen on Jun 27, 2021 12:14:32 GMT -6
I just plugged it right in and didn't need a ground wire. The 4665 is odd shaped and I think I had to remove the metal tube cover next to it. I ended up selling both the 1567a and the 4665 after the prices were at least triple what I paid for everything.
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Post by hasbeen on Sept 5, 2018 7:19:48 GMT -6
I hated mine for years until I put them closer together. Now I love them. Yamaha P2200 amp. Mixing rock and pushing them just to the edge of distortion.
Yes I know I violate all kinds of MAX DB rules for mixing but it moves me and I feel the bass in my gut. What more could I axe for?
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Post by hasbeen on Jun 27, 2018 9:01:10 GMT -6
thanks everyone so far. 8mm is the size. Is that the same as M8?
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Post by hasbeen on Jun 27, 2018 6:49:22 GMT -6
I have a pot that has a threaded shaft too short to comfortably grab with a hex nut on the faceplate
Is there a threaded sleeve with a hex or flat head that will reach through the panel and grab the thread on the pot?
The control shaft is plenty long.
Thanks
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Post by hasbeen on May 27, 2018 18:39:42 GMT -6
I put a 5 Star GL6072 in mine. That is all I did. Best I have ever used? Can't answer that. I have a U47 that I love. I have Gefell UM70 that I love. And I have others that I love too! But if you have decided on a 251 style then it would be great if you found someone near you with an Upton. I am happy with mine and feel no need to tweak other than maybe another tube. The Electro Harmonix makes it a tad darker. I have not tried any other brand yet. Good luck. Yeah - some people might love the Upton stock. It had a beautiful top end, great all around. I could just collapse it...hence my replacement search. My suggestion to people that want a 251 is to start with the Upton (at my astronomically good price), try it and if you don’t like it, replace the capsule. You’re still $6000 below the Telefunken price. Here is something I am not clear about. I thought that these capsules could be 'tuned' to customize desired characteristics? If that is true then why not send the mic back to Dallas for a tune up? Or am I not fully understanding that whole process?
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Post by hasbeen on May 22, 2018 14:29:19 GMT -6
My UPTON 251I can't figure how to make the photos appear here so I posted a link to my UPTON 251. Beautiful!!! I am south of Boston if there are any interested parties for some kinda shootout. I will be comparing with my U47 soon. I just saw these old pictures of yours, that looks beautiful inside! Then it really is a 1:1 recreation of the original with the same headbasket size, shape and diameter... so did you only change the tube to a white paint 5 star nos 6072a ? Or did you modify something else? would you say it is the best mic you’ve used ever? I can only aford one high end mic and I’ve already settled on the 251 style. I put a 5 Star GL6072 in mine. That is all I did. Best I have ever used? Can't answer that. I have a U47 that I love. I have Gefell UM70 that I love. And I have others that I love too! But if you have decided on a 251 style then it would be great if you found someone near you with an Upton. I am happy with mine and feel no need to tweak other than maybe another tube. The Electro Harmonix makes it a tad darker. I have not tried any other brand yet. Good luck.
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Post by hasbeen on May 10, 2018 13:14:40 GMT -6
I really want to check the Heritage HA73EQ next to my AML ez1073.
Please anyone in RI or Boston city or South Shore let me know.
Thanks
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Post by hasbeen on May 10, 2018 12:29:35 GMT -6
this sort of addresses the internal vs external argument and I think its really well done. I would like to see what happens if he inserts a sheet of MuMetal between units.
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Post by hasbeen on May 2, 2018 8:48:18 GMT -6
why does the uptown need all these mods? Weird.most guys who’ve bought em get em “tweaked” $$ I would never think to tweak the Bock right out of the box. The only 'mod' mine got was a GE 5 Star tube!
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Post by hasbeen on Apr 28, 2018 9:49:13 GMT -6
I don't think so hasbeen. Man, what are you waiting for? Logic X has been around like... 4 or 5 years now. Has it been that long? It seems like just yesterday I said "Maybe I will upgrade tomorrow"
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Post by hasbeen on Apr 27, 2018 18:56:02 GMT -6
The SM7 is the only one I could say with confidence wouldn't need a pad....but it might if you put it close on snare drum. The others definitely would need a pad many times. You can't put a 0 to -10 mic signal into a 28dB preamp that overloads at +8 without it. Is this answer about the Dizengoff? Or I ideally should be using a 20db pad between for instance a U87 and other modern creations of a vintage preamp ? For instance I have a Tab V78M and a Mercury M72s. Both replicate a classic V72 preamp stock at a specific setting.
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Post by hasbeen on Apr 27, 2018 18:32:15 GMT -6
Define 'most mics', and the source SPL in question. Did you use a 20dB pad up front? Almost all old tech of that era requires that in modern usage. I run all sorts of fixed gain 40dB tube and SS preamps. Most don't have modern headroom, max output is lower. They all usually have a 20dB pad to prevent input overload, and that is true even with the ones having a true interstage gain control. Because the input transformers themselves are 20-26dB, and they frequently clip unless there's a pad. So they are 20dB preamps in reality. And it's fine. Need more gain, use the makeup gain from a compressor or line amp after the fact. The console bus amp is supposed to be doing that part. Maybe there is something wrong with the product, I've no idea not having heard it. Maybe a lot of people just don't actually like working with vintage styled equipment, a very strong possibility. I am confused. I ideally should be using a 20db pad between for instance a U87 and a modern creation of a vintage preamp ?
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Post by hasbeen on Apr 27, 2018 17:55:08 GMT -6
Can I get these plug ins even though I am running Logic Pro 9 and not X???
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Post by hasbeen on Apr 14, 2018 18:53:42 GMT -6
I only see the "Configuration: Carnhill output, no Line input" available for buttons
Could be a mistake on the website? I see no option for the trafo in/out version
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Post by hasbeen on Apr 12, 2018 16:11:52 GMT -6
I have P3 and P4 buss comps. Love them.
That is very impressive. First time I have seen it. Also wow.
I agree about the price though. Crikey.
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Post by hasbeen on Apr 12, 2018 16:05:39 GMT -6
Sorry guys, I say that times have moved on, loudness is what music is today, and hoping for a grand return to your favorite times and experiences isn't likely to happen. I somewhat agree about the times. But not 'loudness is what music is today' . There are still some who prefer dynamics including a growing number of vinyl releases with a return to retro high fidelity . Maybe we will see a choice at purchase with a variety of listening checkboxes. This could even be a business opportunity. Vinyl,CD, reel to reel, cassette and all the digital formats.
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Post by hasbeen on Mar 30, 2018 13:33:53 GMT -6
If anyone ever reads this and has the same question I have an answer.
Channels 3 and 4 use pin 1 to create a feedback path for use with a transformer to provide RIAA equalisation for magnetic type phonograph pickups.
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Post by hasbeen on Mar 30, 2018 13:25:58 GMT -6
Btw - if anyone wants to do a group buy on these things, I could give some damn good deals. I am interested, let me know how many respond. Best current online price is $155 from dealers selling returns. Thanks
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Post by hasbeen on Mar 29, 2018 17:25:14 GMT -6
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Post by hasbeen on Mar 28, 2018 20:05:46 GMT -6
From UA "Classics" Reissue circa 2000 unit number 297. Cool. When it arrives, if my Audio-Scapes isn't too hard to open, perhaps I'll take a picture to compare. In that case here is a pic of the back so you can see the I/O transformers , opto cell , tubes , power trafo etc. Looks like all the AudioScape workings is inside on the PCB. Attachment Deleted
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Post by hasbeen on Mar 28, 2018 18:24:07 GMT -6
Oh, I misunderstood , sorry I am referring of course to UA Reissue from year 2000 for anyone reading. I opened mine up today after I wrote the post earlier. They really did do a nice job. Also shows what a fairly easy DIY this would be! Those guts are from what unit? From UA "Classics" Reissue circa 2000 unit number 297.
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Post by hasbeen on Mar 28, 2018 17:59:37 GMT -6
I was comparing the first batch back in the '90s with UREIs from the '70s. Oh, I misunderstood , sorry I am referring of course to UA Reissue from year 2000 for anyone reading. I opened mine up today after I wrote the post earlier. They really did do a nice job. Also shows what a fairly easy DIY this would be! Attachment Deleted
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Post by hasbeen on Mar 28, 2018 17:44:11 GMT -6
Can you post a pic of this CAPI sum thing?
I just recommended in another thread "Behringer ADA8200 with Midas mic pres and Cirrus Logic A/D - D/A. Great price. Perfect companion for ADAT input with my Apollo." Not really an interface though.
$150
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Post by hasbeen on Mar 28, 2018 15:45:14 GMT -6
I was very disappointed by the UA LA2as and 3as compared to the real UREI ones from the late '60s. Clones ought to sound lots less colored! I bought a UA LA2A from the first batch. I can't say very disappointed. The build is nice and solid. But I was underwhelmed until I replaced the tubes and opto attenuator. I may have gotten a bad batch but it really made a difference , to my ears anyway.
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Post by hasbeen on Mar 25, 2018 11:08:06 GMT -6
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