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Post by guitfiddler on Nov 29, 2023 1:21:09 GMT -6
Are they abandoning the Satellite? How are you liking the Capitol Compressor, I couldn’t find anything on this when I did the search?
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Post by kcatthedog on Nov 29, 2023 2:34:28 GMT -6
The only difference is what they run on and where they are stired on your computer: two different folders.
As of a few months ago, Drew stated they are still committed to cards, the large majority of its plugs are not native, why would they abandon selling what processes those plugs?
There are demo videos of Capital, you can demo it for 14 days through ua connect, what’s the issue: am demoing it here now.
I am liking it, compared it to using my warm ssl clone on 2 bus: am selling the Warm.
Will likely buy it and sound city with 2/99$.
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Post by guitfiddler on Nov 29, 2023 3:14:14 GMT -6
The only difference is what they run on and where they are stired on your computer: two different folders. As of a few months ago, Drew stated they are still committed to cards, the large majority of its plugs are not native, why would they abandon selling what processes those plugs? There are demo videos of Capital, you can demo it for 14 days through ua connect, what’s the issue: am demoing it here now. I am liking it, compared it to using my warm ssl clone on 2 bus: am selling the Warm. Will likely buy it and sound city with 2/99$. Came back to UA for a hot minute, and still trying to get UA Connect to work. I followed all steps meticulously and it just locks up and nothing works. I put in a ticket. Hopefully, this isn’t a new direction UA is taking, nothing works? Since I still have a UA interface lying around I thought I would see if it’s any better, seems to have gotten worse. I know their customer support has taken a huge hit
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Post by kcatthedog on Nov 29, 2023 3:19:25 GMT -6
for sure yo have your ilol links in place between your ua account and ilok?
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Post by niklas1073 on Nov 29, 2023 4:56:33 GMT -6
Yeah, I have not either seen any difference in native vs. dsp versions soundwise. I run sometimes native when i run out of dsp, hitsville chambers can push me into this eventually and it sounds the same in both versions.
The downside is the versions don't communicate with each other preset wise.
Regarding the discussions now going around about will uad drop the dsp I would think the following. Without dsp uad becomes redundant, just one plugin company among others. The sole reason to run uad is the dsp. Their whole business is pretty much built on the idea to digitalize vintage gear and being able to run them in dsp and record thru. Also not to forget about the live usage. I do also use the uad pretty much due to the dsp off loading cpu to minimize latency until the end of production for overdubs etc. as i am running native not hdx. Without the dsp uad would loose being midway between hdx and native. Most times i feel the debate between spark vs dsp never touches the reason for dsp, mostly people thinks its just an ancient way of running plugins.
Sorry for the flood despite its not my thread but thought it could make a valid angle in discussing spark vs dsp and throw on the table an argument why they would notoose the satellite and dsp structure.
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Post by viciousbliss on Nov 29, 2023 7:00:47 GMT -6
Given what I've read about single core speed still being an issue even with processors that have twice as much as this Ryzen 1700 I have, I'd prefer if they kept making DSP plugins. And if they could adapt something like Satin for DSP, get more companies to port stuff over.
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Post by phantom on Nov 29, 2023 9:10:59 GMT -6
Satellites will die or be almost not used.
That's for sure, no turning back.
Now, when will that happen? I predict more than 2 years, less than 10 years.
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Post by niklas1073 on Nov 29, 2023 9:53:15 GMT -6
Satellites will die or be almost not used. That's for sure, no turning back. Now, when will that happen? I predict more than 2 years, less than 10 years. What would substitute them? Even a fully pimped up MAX in native will run into latency issues pretty fast without a sat, especially with increasingly cpu hungry plugs uad puts out. I would believe uad3 might be the next step.
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Post by lowlou on Nov 29, 2023 10:52:34 GMT -6
Music processes are partly serial, partly parallel. But real-time serial calculations will always be the culprit. Clocks can only go so fast.
Hardware is great to have : it doesn't tax the CPU ( + it usually sounds fucking stellar <3 ; and if it does it also retains its value) GPU Audio is great : it harvest the GPU idle power instead of beating the CPU. I hope they'll grow. Satellite is great. it calculates on its own.
Try to be nice to your CPU. It needs to calculate everything all the time, and it can only do so much... The challenge is real if you compose, produce and mix all on the same sessions. The project must stay reactive, so that you can move swiftly. The CPU must cope with all and everything.
Anything that spares the CPU is great in my book.
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Post by ericn on Nov 29, 2023 11:25:13 GMT -6
What will UAD do long term ? That’s the million dollar question? Native and low cost will mean growth, but will it be profitable growth? If and when you decide to go completely native how much of your DSP market will you lose? Will it affect Native growth because your native growth was based on the reputation built on DSP? What are the costs of going native and the growth.
First, personally I think UA in general is trying to be too many things at once, guitar pedals, trying to establish 3 mic lines ( Bock, their lower priced mics and the modeling mic ) at once, Luna, Native and low cost interfaces is just to much. My evidence, we have a thread about customer service! Someone at UAD is probably crunching the numbers on how much more of a premium Apollo owners were willing to pay vs how much more would these same customers pay for the same box without DSP? They need to take a deep dive into how many DSP customers are buying their plugins, not because they are good but because it’s part of the ecosystem, UAD has existed on an island where the plugins sell the interface and the interface sells the plugins. A lot of UAD’s reputation in the marketplace is based on mid level guys who have found it’s scalable DSP a reasonable priced alternative to HDX with reasonable latency, the second you get rid of the DSP your just a generic interface and plugin vendor with a DAW ( think MOTU). If I was in charge before going native I would probably have developed some more basic upgrades for my DSP based customers, a easily integrated monitor mixing system, a nice matching affordable 8 ch Converter for those who want more I/O, either my own controller or made sure my native plugins were going to be supported by Softube Console 1. Ease of incorporating these obvious growth opportunities would have been worth a premium price.
I’m sure at some point UAD will try to move to just native, but there will be 3. Tells 1. A full featured rack mount interface that feature wise are rack mount Apollo’s without DSP 2 a new plugin that is introduced for native before a DSP version. 3. The Native version of a plugin where they license the copyright drops under a Generic name ( in other words API becomes “ Classic American Console”) this is a single that their license didn’t include native. When either or both of these happens start rethinking your UAD investment.
The Goodnews they have a pretty deep catalog that they have to code for native before they abandon DSP. They will never admit this but their timeline can be interrupted at any time by a major OS or CPU change .
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Post by Quint on Nov 29, 2023 11:37:44 GMT -6
What will UAD do long term ? That’s the million dollar question? Native and low cost will mean growth, but will it be profitable growth? If and when you decide to go completely native how much of your DSP market will you lose? Will it affect Native growth because your native growth was based on the reputation built on DSP? What are the costs of going native and the growth. First, personally I think UA in general is trying to be too many things at once, guitar pedals, trying to establish 3 mic lines ( Bock, their lower priced mics and the modeling mic ) at once, Luna, Native and low cost interfaces is just to much. My evidence, we have a thread about customer service! Someone at UAD is probably crunching the numbers on how much more of a premium Apollo owners were willing to pay vs how much more would these same customers pay for the same box without DSP? They need to take a deep dive into how many DSP customers are buying their plugins, not because they are good but because it’s part of the ecosystem, UAD has existed on an island where the plugins sell the interface and the interface sells the plugins. A lot of UAD’s reputation in the marketplace is based on mid level guys who have found it’s scalable DSP a reasonable priced alternative to HDX with reasonable latency, the second you get rid of the DSP your just a generic interface and plugin vendor with a DAW ( think MOTU). If I was in charge before going native I would probably have developed some more basic upgrades for my DSP based customers, a easily integrated monitor mixing system, a nice matching affordable 8 ch Converter for those who want more I/O, either my own controller or made sure my native plugins were going to be supported by Softube Console 1. Ease of incorporating these obvious growth opportunities would have been worth a premium price. I’m sure at some point UAD will try to move to just native, but there will be 3. Tells 1. A full featured rack mount interface that feature wise are rack mount Apollo’s without DSP 2 a new plugin that is introduced for native before a DSP version. 3. The Native version of a plugin where they license the copyright drops under a Generic name ( in other words API becomes “ Classic American Console”) this is a single that their license didn’t include native. When either or both of these happens start rethinking your UAD investment. The Goodnews they have a pretty deep catalog that they have to code for native before they abandon DSP. They will never admit this but their timeline can be interrupted at any time by a major OS or CPU change . 1. I don't see this happening anytime soon, simply because Luna is a big piece of the UA puzzle these days, and they need DSP in the Apollo to do the realtime thing. 2. This has already happened. 3. This hasn't happened yet, but the writing seems to be on the wall that some or all of their licenses don't include the option to release on native. In particular, it's heavily speculated that this is the case with UA's Neve licensed products. Frankly, at the lower prices that they are selling plugins at today, I'm not sure that UA could even pay the licenser and still make a profit, even if the licenser would agree to license their name/product for native release in the first place.
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Post by phantom on Nov 29, 2023 13:18:25 GMT -6
Satellites will die or be almost not used. That's for sure, no turning back. Now, when will that happen? I predict more than 2 years, less than 10 years. What would substitute them? Even a fully pimped up MAX in native will run into latency issues pretty fast without a sat, especially with increasingly cpu hungry plugs uad puts out. I would believe uad3 might be the next step. Better processors. First, if UA releases all their plugins for Native tomorrow, I bet that more than 50% of the Satellites users would sell their Sats. Second, in the future processors will be faster, that's a certainty, so less reason to rely on DSP. * In summary we have 2 facts: UA is going to release their plugins as Native and CPUs will get faster. That's all you need to "kill" (or almost kill) DSP. But, like I've said, that can take years to truly happen.
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Post by ericn on Nov 29, 2023 13:31:22 GMT -6
What would substitute them? Even a fully pimped up MAX in native will run into latency issues pretty fast without a sat, especially with increasingly cpu hungry plugs uad puts out. I would believe uad3 might be the next step. Better processors. First, if UA releases all their plugins for Native tomorrow, I bet that more than 50% of the Satellites users would sell their Sats. Second, in the future processors will be faster, that's a certainty, so less reason to rely on DSP. * In summary we have 2 facts: UA is going to release their plugins as Native and CPUs will get faster. That's all you need to "kill" (or almost kill) DSP. But, like I've said, that can take years to truly happen. There is another possibility, take a look at Blackmagic/ Fairlight they let you run VST and AU on DSP via a built in codec. Now having to use a codec is going to introduce some latency but let’s say you take a lesson from them and insert a “digital dongle “ in your code so you can only run your plugins on your DSP you get the best of both worlds. While essentially native, Waves / Digico has a Digital Dongle in their Soundgrid so you can only run waves on a Soundgrid Server, but the DIY builds have something written in the modified firmware so you can run any VST. The Question is this: is it cheaper to constantly keep up with the hacks & and run VST on DSP or write and support your own plugin format.
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Post by niklas1073 on Nov 29, 2023 13:43:11 GMT -6
What would substitute them? Even a fully pimped up MAX in native will run into latency issues pretty fast without a sat, especially with increasingly cpu hungry plugs uad puts out. I would believe uad3 might be the next step. Better processors. First, if UA releases all their plugins for Native tomorrow, I bet that more than 50% of the Satellites users would sell their Sats. Second, in the future processors will be faster, that's a certainty, so less reason to rely on DSP. * In summary we have 2 facts: UA is going to release their plugins as Native and CPUs will get faster. That's all you need to "kill" (or almost kill) DSP. But, like I've said, that can take years to truly happen. Sure, but that would mean that uad would drop the whole idea of recording and performing live thru uad plugs, changing impedance of mics, set aside the sole philosophy of uad that defines the brand today. That would likely turn luna redundant too as it will never take off as a standalone daw outside uad ecosystem. i am not saying you are wrong, you might be spot on. But then the debate is rather will uad seize to excist as more than just a generic plugin vendor. Taking into account that quite a few of their plugs are not theirs but just licensed to dsp. I think something to spin on also is that the uad eco system has been rather niched until very recently when the native versions appeared. I come across plenty of people who got into uad thru native system and has absolutely no idea about the uad system. That also tend to be a loud user group on several forums including uad’s own. So it depends a little from what perspective we look at the issue. From one side dsp makes no sense and from the other the native plugs are just a marketing way to get a new user group interested in uad. Now the question is how does uad look at it? Building a legacy or doing an Apple, in other words, turning a professional tool into a toy… We can see certain similar developments as the customer service going to shits, reaching out to masses trying to compete with freeware… ignoring the professional users with possible life long commitments to the brand. Uad is not quite yet there.. but if the chosen path would be down the 99cent for all plugs per month, it could easily be just another waves. Waves dropped the dsp, but they didn’t have a hybrid system behind it and a solid legacy.
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Post by drumsound on Nov 29, 2023 13:54:31 GMT -6
There's part of me that wishes I got into UAD sooner, and a part of me that wonders if I got in too late with dsp. I traded a @gwlee and got a boatload of plugins all at once, and that was nice. I like the things they make, and I find a few of them are on every mix (oddly one of those is a Softube model). I think some things will stay on dsp, possibly as long as they run.
I thought things like SSL and API would always be dsp only because SSL has their own plugins and also licensed to Waves. API also licensed to Waves as well.
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Post by ab101 on Nov 29, 2023 14:01:12 GMT -6
If I am recalling correctly, when I first got my UAD cards more than a decade ago, it seemed that at the time, UAD was a frontrunner in high quality plugs. So getting a UAD card was important if one wanted very good plugins. Now, as you all know, there are many native plugins that match or exceed the ones that required the UAD card. And as stated, the apparent load off the processor many years ago, is not important now. It seems that UA was hoping that they would have some sort of monopoly years ago and to some extent they achieved that years ago. But now that objective is completely unrealistic.
It would seem that the original reason for getting a UAD card, to have access to great plugins, should still be a guiding principle for UAD today - meaning - UAD must have plugins that are better than most on the market. It is likely that such is no longer possible. And if it does not happen, then UAD will just be another Plugin Alliance, or similar distributor of plugins.
I have not discussed the hardware side of this, I do not think that UAD mics or other hardware is going to make much of a mark anymore, as in that area as well, there is intense competition.
I have generally had great experiences with UA, but I am not optimistic about the future for them.
UA must learn from Kodak (who actually invented the digital camera) about how to still be ahead of the pack today. This will require a larger paradigm shift than simply making plugs native. Maybe something revolutionary - like an AI program that only works with UA plugs, that analyzes a track and a mix, and provides recommended presets for tracks and the mix as a whole, and perhaps even a marketing aspect of UA that takes UA plugin used creations and gets it to market to help the users, with a cut to UA? Just thinking out loud here, so to speak.
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Post by ericn on Nov 29, 2023 14:13:15 GMT -6
What would substitute them? Even a fully pimped up MAX in native will run into latency issues pretty fast without a sat, especially with increasingly cpu hungry plugs uad puts out. I would believe uad3 might be the next step. Better processors. First, if UA releases all their plugins for Native tomorrow, I bet that more than 50% of the Satellites users would sell their Sats. Second, in the future processors will be faster, that's a certainty, so less reason to rely on DSP. * In summary we have 2 facts: UA is going to release their plugins as Native and CPUs will get faster. That's all you need to "kill" (or almost kill) DSP. But, like I've said, that can take years to truly happen. CPU’s will get faster, but in order to match DSP for latency we have a long way to go. We still haven’t figured out how to use multicore performance for audio, plus with DSP the chips are not running the OS. Years ago an Avid engineer put it this way “ in theory could a native system match DSP? Yes, but between Chip, Motherboard and OS developers it’s not a priority and never will be, to those companies audio is a pimple on an Elephant’s ass. Look at Apple silicon it’s all about power draw and heat efficiency because that sells laptops.
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Post by ericn on Nov 29, 2023 14:24:52 GMT -6
If I am recalling correctly, when I first got my UAD cards more than a decade ago, it seemed that at the time, UAD was a frontrunner in high quality plugs. So getting a UAD card was important if one wanted very good plugins. Now, as you all know, there are many native plugins that match or exceed the ones that required the UAD card. And as stated, the apparent load off the processor many years ago, is not important now. It seems that UA was hoping that they would have some sort of monopoly years ago and to some extent they achieved that years ago. But now that objective is completely unrealistic. It would seem that the original reason for getting a UAD card, to have access to great plugins, should still be a guiding principle for UAD today - meaning - UAD must have plugins that are better than most on the market. It is likely that such is no longer possible. And if it does not happen, then UAD will just be another Plugin Alliance, or similar distributor of plugins. I have not discussed the hardware side of this, I do not think that UAD mics or other hardware is going to make much of a mark anymore, as in that area as well, there is intense competition. I have generally had great experiences with UA, but I am not optimistic about the future for them. UA must learn from Kodak (who actually invented the digital camera) about how to still be ahead of the pack today. This will require a larger paradigm shift than simply making plugs native. Maybe something revolutionary - like an AI program that only works with UA plugs, that analyzes a track and a mix, and provides recommended presets for tracks and the mix as a whole, and perhaps even a marketing aspect of UA that takes UA plugin used creations and gets it to market to help the users, with a cut to UA? Just thinking out loud here, so to speak. Here is the issue, one very, very powerful dealer always preaches the growth you will see if you go mass market. You will see growth but that dealer doesn’t offer any after sale support so all the growing pains are on the dealer. Mass market looks good when you consider with a stiff MAP program the selling playing field is even. For Amazon, NFM, Microcenter, you don’t need a rep so an extra 7% you don’t need a Spiff program approx 3.5% the seller isn’t paying commission so it’s cheaper to sell. The thing nobody ever points out is your giving up your niche to go generic, generic price wins every time. I honestly would not be surprised if nobody involved in the native push even checked if their licensing agreements covered native, I’ll bet the guys who wrote those agreements are long gone.
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Post by phantom on Nov 29, 2023 18:13:25 GMT -6
Better processors. First, if UA releases all their plugins for Native tomorrow, I bet that more than 50% of the Satellites users would sell their Sats. Second, in the future processors will be faster, that's a certainty, so less reason to rely on DSP. * In summary we have 2 facts: UA is going to release their plugins as Native and CPUs will get faster. That's all you need to "kill" (or almost kill) DSP. But, like I've said, that can take years to truly happen. CPU’s will get faster, but in order to match DSP for latency we have a long way to go. We still haven’t figured out how to use multicore performance for audio, plus with DSP the chips are not running the OS. Years ago an Avid engineer put it this way “ in theory could a native system match DSP? Yes, but between Chip, Motherboard and OS developers it’s not a priority and never will be, to those companies audio is a pimple on an Elephant’s ass. Look at Apple silicon it’s all about power draw and heat efficiency because that sells laptops. I don't get that argument that UAD guys bring a lot. I have tracked a dozen times with Native plugins inserted. There are a gazillion of zero latency Native plugins. Compressors, eqs, reverbs, delays, etc. Can't we just use them and change after for the ones that you prefer but adds latency?
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Post by ericn on Nov 29, 2023 19:10:49 GMT -6
CPU’s will get faster, but in order to match DSP for latency we have a long way to go. We still haven’t figured out how to use multicore performance for audio, plus with DSP the chips are not running the OS. Years ago an Avid engineer put it this way “ in theory could a native system match DSP? Yes, but between Chip, Motherboard and OS developers it’s not a priority and never will be, to those companies audio is a pimple on an Elephant’s ass. Look at Apple silicon it’s all about power draw and heat efficiency because that sells laptops. I don't get that argument that UAD guys bring a lot. I have tracked a dozen times with Native plugins inserted. There are a gazillion of zero latency Native plugins. Compressors, eqs, reverbs, delays, etc. Can't we just use them and change after for the ones that you prefer but adds latency? There is no such thing as a zero latency plugin and especially when tracking with plugins, try explaining why your rig has all that latency and DrBills doesn’t to top talent. If your doing audio for video in ADR and Foley minimal latency is a must.
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Post by smashlord on Nov 29, 2023 19:40:58 GMT -6
More and more plugs are getting added to Spark. I think at least part of their strategy must be to transition more and more to native without alienating their DSP user base.
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Post by Quint on Nov 29, 2023 20:06:42 GMT -6
CPU’s will get faster, but in order to match DSP for latency we have a long way to go. We still haven’t figured out how to use multicore performance for audio, plus with DSP the chips are not running the OS. Years ago an Avid engineer put it this way “ in theory could a native system match DSP? Yes, but between Chip, Motherboard and OS developers it’s not a priority and never will be, to those companies audio is a pimple on an Elephant’s ass. Look at Apple silicon it’s all about power draw and heat efficiency because that sells laptops. I don't get that argument that UAD guys bring a lot. I have tracked a dozen times with Native plugins inserted. There are a gazillion of zero latency Native plugins. Compressors, eqs, reverbs, delays, etc. Can't we just use them and change after for the ones that you prefer but adds latency? Speaking for myself, I don't want to have to swap out the plugins at a later date. I want to basically be mixing from day one, and not worrying about what plugins I might eventually swap out. And I want to do it all without having to worry about latency or CPUs or buffers or any of that stuff. DSP is still king for that sort of thing.
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Post by Deleted on Nov 30, 2023 23:45:15 GMT -6
I don't get that argument that UAD guys bring a lot. I have tracked a dozen times with Native plugins inserted. There are a gazillion of zero latency Native plugins. Compressors, eqs, reverbs, delays, etc. Can't we just use them and change after for the ones that you prefer but adds latency? There is no such thing as a zero latency plugin and especially when tracking with plugins, try explaining why your rig has all that latency and DrBills doesn’t to top talent. If your doing audio for video in ADR and Foley minimal latency is a must. I mean what do you think automatic delay compensation is for? With miminal latency plugins on a sample aligned playback it's neither here nor there, if you can't tell a 3ms RTT when tracking a guitar (which pretty much nobody can) then I'm sure 40 samples on playback isn't going to make that much difference.
The main problems still come down to single core performance & reliability, individual strips are generally threaded to a single core in a DAW and if you slam a strip it's not hard to make a powerful processor weep. Especially if you use modern VI's & plugins on a low buffer / low latency interface, also there's background processes to consider but let's not get too deep here.
Although when it comes to ADC in general, besides HDX it has been a bit of a mixed bag between the DAW's I've used. Logic has only recently sorted out their issues, I've not kept up to date so I'm unsure if their done yet. Pro Tools "studio" back in its earlier iterations lacked features because they wanted you on HDX and even now there's still no ping / RTT tool for external HW integration (Samplitude & Reaper were always better in terms of ADC holistically). Although I'm getting off topic here, even DSP isn't perfect as you still need to transfer data to the DSP device and return so that's why tracking with UA Satellites generally ain't a good idea. UA sort of fixed this problem with the Apollo by using it as a standalone processing facility where audio streams were manipulated before it even got to the DAW or computer.
Ultimately it really always depends on what you're doing, I can run nearly 400 lighter native plugs on a 2019 MBP at 64 samples. If I add VI's, convolution based effects and things like TDR's insane mode, Ozone etc. I expect that to drop dramatically. However Pro Tools Studio will flag the channel red if it adds too much latency, buffer underuns occur or it can't compensate.
Personally this is one of the many reasons I went hybrid, all the channels are assigned to SSL desk strips, I have a digital plugin reverb / delay send sent to an FX loop on the desk so I only need one or two instances and there's no internal DAW routing, in short everything has delay compensated outputs only which can be intelligently moved as I please. From there on I have HW assigned to every channel (including a HW bus parallel compressor) on insert loops which doesn't really add any latency so I offload a lot of processing power AND I have a UA satellite as well however I can get 90% of the way there before I even need to switch that on. Sometimes I don't even bother..
So, there's usually about 40 - 50 tracks all with EQ, a bus or two with reverb / delay, some VI tracks and that's about it. I can keep that permanently on 64 samples and it takes up 10 - 20 % CPU usage across the threads. No issues at all..
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Post by phantom on Dec 1, 2023 10:06:09 GMT -6
Yep. ADC.
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Post by trakworxmastering on Dec 1, 2023 12:02:17 GMT -6
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