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Post by chessparov on Aug 30, 2024 9:40:33 GMT -6
Thought it might be interesting to discuss how we're training, or planning to train. (Along with our past training background) Can't forget the Signal Chain(s) we're using. I'd be lost without my Original Fairchild! Chris
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Post by skav on Aug 30, 2024 9:50:50 GMT -6
How do you practice singing?
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Post by chessparov on Aug 30, 2024 10:08:51 GMT -6
Carefully. I'm refining/retraining what (little ) I know. Realizing more the value of starting with more gentle Warm Ups/Exercises Had a fine Vocal Instructor off/on for both his Community College group classes. And some private instruction, off/on till my early 30's. Then met Dr. Hernan Pelayo. Studied with him for just over a year and a half. He was both a Basso Profundo and Dramatic Baritone. Had a superb High A!! Felt a little guilty about his helping to set up a Met Chorus position for me. I kept it private for many years (Pelayo passed last October) But the Met was going to "hold" that-without a formal Audition!! At least they did hear me sing a couple of Pop songs at The Wiltern in L.A. (Still had to complete 1 1/2 to 2 years more Classical Training to be accepted by The Met) But my then Fiance (later Wife/died in 2004)... had a serious underlying medical condition. Therefore went a different work path. So I'm supplementing what I remember with... Ken Tamplin's monthly subscription. Tamplin has a nice 30 minute workout, for example. And cherry picking Freya Casey and Justin Stoney's excellent catalog of Videos. Tamplin has a kicka** Rock High Baritone voice. But my inclination is towards more melodic "Baritenor", Singer/Songwriter territory. The "Baritone-Martyn" tonality. (Think Sinatra when he was "Frankie") This was one of the training paths Maestro Pelayo approved of. He helped train Placido Domingo, when Placi was a Teenager BTW. They became lifetime good friends. Chris
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Post by lowlou on Aug 30, 2024 11:58:18 GMT -6
Learned singing while a kid with my father (a classical singer, Gerard Lesne). Then at the conservatory, in a choir once a week (super boring).
Trained for six months with my father later on, around my 20s, because we felt there was a path, but I don't really like classical music, and we got into an argument, so we gave up.
Right now just singing from time to time, usually try to see if I can reach The Weeknd's high register or Jack White's.
But when & if I train, I do the very basic exercices I did with my father, to get all the pitches in their right places, octave by octave, from top to bottom, bottom to top (rinse and repeat).
A, E, I, O, U. BA, SA, TA, KA, RA, VA, JA, XA. etc etc etc
It's pretty basic stuff really, and if I do that everyday I usually get in full possession of my voice in a week or so. "Les vocalises" in french. Heard my father do them almost everyday for years.
When I sing I try to relax all the body, don't force a certain timber (darken it brighten it or whatever), and get to my "true" voice. Which is quite complicated really because of internal & external influences.
"Never work too hard on it, or you can damage it", is what I've been told. And not too loud, that can be dangerous too.
And don't fucking smoke of course. This I did for six years, and it's a bad idea if you want to keep the voice pure.
xxxxx
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Post by thehightenor on Aug 30, 2024 12:20:55 GMT -6
First drum lesson 12 years old. Turned pro working drummer at 18. (glad I learned to sight read music!) Piano, can’t remember not be able to play, my mum says as I kid I sat behind the piano and could play jazz figures and tunes just by instinct and ear - it’s odd how these things are sometimes pre-installed. Later I my 20 I formally studied jazz harmony and composition - those things definitely do not come pre-installed! Always wanted to be an instrumentalist so played drums in bands and sessions and piano in wine bars (you hum it I’ll play it Never wanted to be a singer, but band members when I was young always said to me … “mate you sound like Sting - you should sing” - being a jazzer back then I replied “who’s Sting!” So I listen to Sting and thought yeah I can kinda do that and stated fronting bands and thought - this is fun. Studied singing with a Kiwi (New Zealander) for three years as I didn’t want to damage my voice and 30 years later I’m still at it murdering my songs and a few covers Still study music and singing as often as I can.
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Post by chessparov on Aug 30, 2024 12:48:23 GMT -6
Oops! Another instructor I like a lot is... Jeffrey Allen. He's probably still teaching at USC. His "Secrets of Singing" Book/CD's are quite good IMHO. Also have E. Herbert Caesari's book about Singing Technique. (Best Gollum/LOTR voice) It's my "Precious"! Chris
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Post by thehightenor on Aug 30, 2024 13:03:46 GMT -6
Oops! Another instructor I like a lot is... Jeffrey Allen. He's probably still teaching at USC. His "Secrets of Singing" Book/CD's are quite good IMHO. Also have E. Herbert Caesari's book about Singing Technique. (Best Gollum/LOTR voice) It's my "Precious"! Chris Roger Love is very good - his book on finding the “middle” voice is excellent - especially for male voice.
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Post by chessparov on Aug 30, 2024 13:47:25 GMT -6
True. Interesting though that Tamplin is SO "anti-Gug" exercises.
Overall was super influenced by Pelayo. Who was an actual Bel Canto artist. But who specialized in heavier Italian repertoire. Kind of voice for Wagner!
Some Speech Level stuff I like. But IMHO not fully sufficient for Opera or (night after night) heavy Popera Broadway.
Even Linda Rondstat had to study with Marge Remington to do "Pirates of Penzance".
Manuel Garcia (Baritone)was against humming! But younger Dramatic Mezzo sister Pauline, was "for it". Both great.
Their sister Maria, was also fantastic. Chris P.S. I haven't found any Roger Love singing yet. He'd be interesting to hear. Sounds great demonstrating his exercises though.
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Post by thehightenor on Aug 30, 2024 15:02:11 GMT -6
True. Interesting though that Tamplin is SO "anti-Gug" exercises. Overall was super influenced by Pelayo. Who was an actual Bel Canto artist. But who specialized in heavier Italian repertoire. Kind of voice for Wagner! Some Speech Level stuff I like. But IMHO not fully sufficient for Opera or (night after night) heavy Popera Broadway. Even Linda Rondstat had to study with Marge Remington to do "Pirates of Penzance". Manuel Garcia (Baritone)was against humming! But younger Dramatic Mezzo sister Pauline, was "for it". Both great. Their sister Maria, was also fantastic. Chris P.S. I haven't found any Roger Love singing yet. He'd be interesting to hear. Sounds great demonstrating his exercises though. For pop/rock styles Roger Love just gets it. The whole Sting, Don Henley etc light tenor thing that I also like to sing is based on balance between air and muscle. The middle voice (IME) is what so many guys have missing in their voice. Ken Tamplin, mmmh not my kinda thing - though he seems to be quite a good singer. I think you either connect with someone or you don’t. My singing style is pretty straight forward - light lyrical tenor - occasional blues belter. I do an amusing operatic voice too
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Post by chessparov on Aug 30, 2024 15:33:35 GMT -6
I understand. Tamplin comes on pretty strong in general. Got that Rock as Theatre thang going on. But... I think he's sincere in his path. And cares about his students. (As the other "Big Dogs" already mentioned) Just following the 30 minute workout teaching, has been helpful. Whereas Freya's personality is very sweet. Chris
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Post by drumsound on Aug 30, 2024 22:41:51 GMT -6
My dad's Uncle Mario was a drummer and gave me my first sticks and practice pad with I was 3 or 4. My dad got me my first snare at the baseball league rummage sale in 2nd grade (I think). I joined school band in 4th grade and played all the way through a music performance degree. I swear from some time as a kid until I graduated college I played every day almost every day. I had a rule to never skip more than one day of practice or performance.
I still play most days, though when I'm deep into a project that I'm not playing on, there are sometimes longer periods (a few days-to a week). I keep a university dance accompanist gig during the school year. It's basically practice...with a paycheck.
I have a practice pad next to the couch, so even if I don't want to go to the studio, I can get in some sort of workout at home.
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Post by gwlee7 on Aug 30, 2024 22:54:59 GMT -6
Oops! Another instructor I like a lot is... Jeffrey Allen. He's probably still teaching at USC. His "Secrets of Singing" Book/CD's are quite good IMHO. Also have E. Herbert Caesari's book about Singing Technique. (Best Gollum/LOTR voice) It's my "Precious"! Chris Roger Love is very good - his book on finding the “middle” voice is excellent - especially for male voice. I have been doing his daily warm ups (about 30min worth) on my way to work in the mornings religiously for almost three years. While very helpful, I also began working with a local vocal coach about a year ago and that’s what really started my rapid improvement. She likes coming out and see me play (she did that tonight) and when I told her I wanted to work on harmony singing, she wrote out some harmony parts for me and then we went and sang the songs at an open mic. She is all about performing. Oh, and about the guitar.. I was a little kid when the Glen Campbell Good Time Hour used to come on and he’s why I wanted to start playing. A few years later I had bought a fender bronco guitar and champ amp. I palyed along with Kiss and the Allman Brothers mostly. My playing is a cross betweem Ace Frehley and Dicky Betts. 😂
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Post by chessparov on Aug 30, 2024 23:00:48 GMT -6
Awesome!!
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Post by indiehouse on Aug 31, 2024 9:20:37 GMT -6
Any recommended online drumming programs? I’d like to learn.
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Post by chessparov on Aug 31, 2024 16:45:28 GMT -6
Postscript... Like late 30's Sinatra started to do... Renewed my $20(!!) Yearly membership at 24 Hour Fitness. So... I can go "Underwater Lap Swimming". Just like when Frankie wanted to emulate Harry James and Tommy Dorsey. Can't hurt! Chris
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Post by ninworks on Sept 1, 2024 7:06:10 GMT -6
My condensed musical biography. First, I just turned 67. All of my vocal training has been on-the-job. I consider myself more of a background singer who can do the occasional lead vocal. I'm a guitar player who sings. Not a singer who plays guitar. I was figuring out songs from the radio on piano when I was 6 or 7 so my mom thought it would be good for me to learn how to do it properly. I took classical piano for 3 years. Starting when I was 8. Then I got a guitar and piano was no longer my thing. Now I wish I had stuck with piano as well. Classical piano had no appeal to me at the time. I wanted to rock. I still play some keys but not as well as I would like to. I started playing guitar full-time in 1967 when I was 10 and never looked back. I was extremely driven. Lucky to have been born with a good set of musical ears, I would learn songs and solos from records. My dad had a reel-to-reel tape deck so I would record the songs onto tape. I figured out that if I slowed the tape to half speed it lowered the pitch exactly and octave and I could figure out fast guitar solos and parts. I would play for hours every single school day and all day and night on the weekends. I did that until I was 15 when I started jamming with friends. Started playing in bands when I was 16 and did that until my 40's. Did countless recording sessions as a guitarist and as an engineer. I had taken music theory and harmony classes all through high school as well as played in the stage-jazz band every day as one of my classes starting my 11th grade year and did that for 2 years. Took my first jazz guitar lesson when I was 22 and when it was over the teacher wanted me to give him a rock lesson. So I did. Other than that one lesson I didn't take any more guitar instruction until 2004 when I was 47. I had developed severe carpal tunnel in both wrists and had all but stopped playing for about 5 years. AFter I had the surgery to correct that I took steady lessons from a shredder guitarist who was absolutely amazing. I did that for about 2 years to get my playing back up to speed after being on "guitar player health leave" for so long. During the time I couldn't really play I had my own live sound company for a number of years and did FOH sound. Still had my home studio. As a kid I had done some sound-on-sound stuff with my dad's deck and had also bought another reel-to-reel machine and would record 2 tracks and play that back and add another part while dubbing it to the other machine. I would do that over and over until the fidelity was completely gone. Did my first recording session in a commercial studio when I was 19 and was totally hooked. Me and a friend combined all our recording gear and made our first home studio. Bought a TEAC 3440 and went nuts. Then bought an Otari MX5050HSD 1/2" tape machine and went more nuts. Then a Mac with a sequencer and multiple synths and drum machines. Went nuts even harder. I am mostly a self taught but trained musician. I don't gig anymore and haven't for about 15 years but I still practice almost every day and still work on my musical knowledge as well as technique. By now I have a pretty good technical working knowledge of music but still play mostly by ear. Still have a home studio and can't get enough of it. Thus, my reason for being here. I can still play guitar, but since I haven't gigged for so long my live chops are rusty but I can still get it done. It just takes me longer than it used to. If you want to hear my golden speaker-singing voice you can go here. That's all me from the ground up. realgearonline.com/thread/17533/new-buuuuuutrealgearonline.com/thread/17581/basically-finished-real-drums
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Post by linas on Sept 1, 2024 7:08:44 GMT -6
Woah, you guys are cool
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Post by linas on Sept 1, 2024 7:09:41 GMT -6
Any recommended online drumming programs? I’d like to learn. Just play like you wanted to kill the guy who stole your high school sweetheart. That worked for me. Kidding. I'm just insane in the brain.
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Post by skav on Sept 1, 2024 7:49:06 GMT -6
Great thread and great stories, keep it coming!
What has helped my singing and instrument playing the most is having a mindset of doing it every day or as often as I can.
My singing has improved alot lately as I've realised more how to make it flow naturally and without forcing it. Also, having small kids for the last years, it's been natural to sing for and with them. A win-win!
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Post by linas on Sept 1, 2024 7:52:12 GMT -6
Great thread and great stories, keep it coming! What has helped my singing and instrument playing the most is having a mindset of doing it every day or as often as I can. My singing has improved alot lately as I've realised more how to make it flow naturally and without forcing it. Also, having small kids for the last years, it's been natural to sing for and with them. A win-win! It's said that singing to kids at a young age is a very important for developing an ear. My father used it sing to me at bed time, my grand mother loved singing. It's very depressing that I could not have done that more often.
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Post by skav on Sept 1, 2024 8:24:32 GMT -6
Great thread and great stories, keep it coming! What has helped my singing and instrument playing the most is having a mindset of doing it every day or as often as I can. My singing has improved alot lately as I've realised more how to make it flow naturally and without forcing it. Also, having small kids for the last years, it's been natural to sing for and with them. A win-win! It's said that singing to kids at a young age is a very important for developing an ear. My father used it sing to me at bed time, my grand mother loved singing. It's very depressing that I could not have done that more often. All the more reason to pursue having kids (if you don't already). Plus, western european birthrates are and have beeen catastrophically low for a long time, but that's a discussion for another place and time.
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Post by linas on Sept 1, 2024 8:56:01 GMT -6
It's said that singing to kids at a young age is a very important for developing an ear. My father used it sing to me at bed time, my grand mother loved singing. It's very depressing that I could not have done that more often. All the more reason to pursue having kids (if you don't already). Plus, western european birthrates are and have beeen catastrophically low for a long time, but that's a discussion for another place and time. Yes, I want kids very much but I turned 38 on August 15th (free day in many countries ). Too much shit for one man to handle. Anyway, I'm not giving up. My uncle created a second family after he was over 40. Life's life, na na nana na. I live in Lithuania, same shit started happening after we broke free from USSR. Geographically we are in the center of European continent but we are called Eastern Europeans, sometimes - Nordic. Who cares, really. We are the cross road Country.
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Post by chessparov on Sept 1, 2024 10:55:40 GMT -6
Am close to... Adding Freya Casey's monthly subscription ($47). It adds some Interactivity/Evaluation elements. She's a nice counter balance, to Tamplin's teaching style. * I'm enjoying her book right now. Oversimplified. They're kinda like the (Tamplin) Rock Yang and (Casey) Popera Yang Had a blast guest Baritone Belting, with two other Singers last night. (Brother/Sister Duo) Just staying on my bottom Octave for now on that harder percussive stuff. And VERY warmed up! Can't help singing before Scales. On relatively easy going songs. Then the better Legato helps me with all that. Chris * Tamplin's a High Baritone. Casey is a High Soprano. Those are my two main Vocal Registers, in Live Performance.
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Post by chessparov on Sept 2, 2024 1:24:59 GMT -6
Postscript... Am also liking Justin Stoney's Video explanations.
BTW am warming up and practicing mostly "easy" songs (90%+). To first secure Breath Management/Proper Support...
And often use the (sometimes) resulting Vibrato, as a Litmus test. On how well things are balanced. Chris
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Post by thehightenor on Sept 2, 2024 1:41:57 GMT -6
Postscript... Am also liking Justin Stoney's Video explanations. BTW am warming up and practicing mostly "easy" songs (90%+). To first secure Breath Management/Proper Support... And often use the (sometimes) resulting Vibrato, as a Litmus test. On how well things are balanced. Chris I’ve studied voice and taught singing for many years. The number one way to make the most progress with your vocals is to go out as often as possible and rehearse and gig with a band. You have to get out of the class room, away from the vides and screen and behind a mic in front of an audience. There’s something about pitching against live musicians that completely sorts out your pitch, projecting above a band that sorts out your projection, performing in front of an audience that sorts out your performance. Ultimately, now at 60 I’ve come to know my voice what it is and very importantly what it will never be. Everyone has their “thing” and live with a band you get the freedom, excitement and energy to develop that USP. I tell my students. Get out singing with a live band ASAP - it’s in that fire you will truly forge your metal as a vocalist.
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