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Post by Johnkenn on Oct 7, 2024 20:49:41 GMT -6
Anyone have a link? One above doesn’t work.
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Post by Quint on Oct 7, 2024 21:09:59 GMT -6
Meh... Been needing another 16 channel interface. Guess I'll pick up a used 1st Gen x16.... It took six years (since the 1st gen was released) just to change the faceplate? Pretty bummed they didn't improve the routing. On a positive note, now you'll be able to run Sonarworks on Apollo DSP (1st or 2nd Gen X series). But I was told to just learn my speakers UA/Drew has never let a contradiction with things they've said/done in the past prevent them from saying/doing whatever suits them now.
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Post by Johnkenn on Oct 7, 2024 21:58:46 GMT -6
But I was told to just learn my speakers UA/Drew has never let a contradiction with things they've said/done in the past prevent them from saying/doing whatever suits them now. Now, now…that was good natured ribbing. Drew has a complex job navigating all these snake pits…er…message boards.
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Post by ragan on Oct 7, 2024 22:29:30 GMT -6
I kind of suspect that they're just re-focusing what the onboard DSP should be branded as. It's good for live tracking, via the Apollo/Console/maybe Luna someday (if it matures). Now that they've ported most everything to native, they don't need to try to prop up the branding proposition that external DSP is a smart option for mixing (that's been a hard sell for like 10+ years). They can just sell the ecosystem, including realtime/live DSP for tracking, and then sell native plugs for cheap like everybody else.
Look at how many other interfaces have actually moved into onboard DSP for live tracking. It's a pretty attractive option for lots of folks.
I've never thought the Apollos, any of 'em, sound bad. It was a hugely popular, disruptive thing when the Apollo came out, and I think people kinda just like to take shots at whoever is in that position. There is better stuff out there, sure. But Apollos are a huge bang for the buck package and have sounded good enough from the get go to not be the reason anyone's record isn't getting listened to.
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Post by andersmv on Oct 8, 2024 5:58:19 GMT -6
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Post by kcatthedog on Oct 8, 2024 6:43:30 GMT -6
“each model now has improved D/A converters, monitor outputs, and headphone outputs for improved critical listening. This also provides even lower THD than before and increased digital noise reduction.”
Using sound id consumes 1 sharc chip: not good, why wouldn’t that be native?
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Post by andersmv on Oct 8, 2024 6:49:41 GMT -6
“each model now has improved D/A converters, monitor outputs, and headphone outputs for improved critical listening. This also provides even lower THD than before and increased digital noise reduction.” Using sound id consumes 1 sharc chip: not good, why wouldn’t that be native? Because most of us want it running inside the console app in the background, so that absolutely everything running through the Apollo has the correction and you’re not having to worry about constantly bypassing it inside your DAW master track when bouncing mixes. That workflow got old for me, that’s why I switched to the IK ARC hardware box for speaker correction. If you want to run SoundID natively, just use their app and plug-in. UA is never going to have native processes running inside the console app, all of that runs off of DSP.
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Post by phantom on Oct 8, 2024 7:07:21 GMT -6
Running SoundID via DSP is a much better solution. Sonarworks System App is horrible and using the plugin inside the DAW is a workflow mess.
I think DSP should be used for this. Nowadays you can do all the tracking and mixing native with a very good performance.
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Post by kcatthedog on Oct 8, 2024 7:24:59 GMT -6
I understand how console and Sonarworks work: think losing a sharc chip, instead of turning off one plug in: a high dsp price to pay.
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Post by phantom on Oct 8, 2024 7:32:19 GMT -6
I understand how console and Sonarworks work: think losing a sharc chip, instead of turning off one plug in: a high dsp price to pay. Well, they are 20 years old chips. Calculators nowadays have more powerful processors.
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Post by andersmv on Oct 8, 2024 7:55:52 GMT -6
I understand how console and Sonarworks work: think losing a sharc chip, instead of turning off one plug in: a high dsp price to pay. Have you used Sonarworks with an Apollo? Like Phantom said, it is a royal pain in the ass and I was constantly running into problems (which again, is why I switched to the ARC Studio hardware box so it was all being done externally). It absolutely sucks that you have to burn a chip to do it, but this was absolutely the right decision workflow wise.
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Post by kcatthedog on Oct 8, 2024 8:57:41 GMT -6
Year’s ago yes.
I understand about turning SW on and off, didn’t find it that a big deal, but losing 1 of 6-8 chips seems a high dsp price to pay: really happening cus UA just won’t update the sharc used and design, which seems short sighted to me. Perhaps, the situation is as Ragan described above.
To each their own, hopefully peeps like the newish apollos.
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Post by gravesnumber9 on Oct 8, 2024 9:22:14 GMT -6
Year’s ago yes. I understand about turning SW on and off, didn’t find it that a big deal, but losing 1 of 6-8 chips seems a high dsp price to pay: really happening cus UA just won’t update the sharc used and design, which seems short sighted to me. Perhaps, the situation is as Ragan described above. To each their own, hopefully peeps like the newish apollos. I find Sonarworks system-wide or whatever it's called kind of glitchy. If the UAD version is more stable and gets me more value out of my Satellite, I'm all about it. I'd consider buying that for sure. Naturally I'll wait until it's $29 though.
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Post by brenta on Oct 8, 2024 9:39:01 GMT -6
I’m interested to hear how much of an upgrade the converters are.
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Post by andersmv on Oct 8, 2024 9:51:42 GMT -6
They could have at least crammed two more chips in there or something... They're really milking things, hopefully a lot of idiots will start dumping their old and outdated GEN 1 X16's so I can grab one for cheap used.
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Post by Quint on Oct 8, 2024 11:16:15 GMT -6
I kind of suspect that they're just re-focusing what the onboard DSP should be branded as. It's good for live tracking, via the Apollo/Console/maybe Luna someday (if it matures). Now that they've ported most everything to native, they don't need to try to prop up the branding proposition that external DSP is a smart option for mixing (that's been a hard sell for like 10+ years). They can just sell the ecosystem, including realtime/live DSP for tracking, and then sell native plugs for cheap like everybody else. Look at how many other interfaces have actually moved into onboard DSP for live tracking. It's a pretty attractive option for lots of folks. I've never thought the Apollos, any of 'em, sound bad. It was a hugely popular, disruptive thing when the Apollo came out, and I think people kinda just like to take shots at whoever is in that position. There is better stuff out there, sure. But Apollos are a huge bang for the buck package and have sounded good enough from the get go to not be the reason anyone's record isn't getting listened to. The reason I'm not so sure anymore is because, though we've been repeatedly told by UA (Drew) that DSP "will continue to be the backbone of UAD for years to come", there is mounting evidence to the contrary. There hasn't been a UA developed plugin for DSP for the last two years. There has, however, been quite a few plugins released exclusively for native during that same time period. UA has offered up a number of different self contradicting excuses for why none of these native-only plugins were also developed for DSP, but it's easy enough to read between the lines and see that it's at least partly because the Sharc DSP simply can't handle these latest plugins. They're too big. Also, only roughly 50 of the over 200 previously DSP-only plugins have been ported over to native. The majority of the pre-2022 library remains as DSP only, especially those plugins which are less popular or older. I was willing to accept, at least temporarily, that these newer plugins couldn't run on the old Sharcs, but I also assumed that UA would eventually release new DSP which WAS capable of hosting these newer larger plugins. DSP was the "backbone" afterall, right? Also, the proof of concept was already in place with the UAFX pedals using ARM processors to host DSP hungry plugins. So, when these new Apollos were released, and UA didn't upgrade the DSP at all, that kind of changed things. To me, that sends a message that DSP is not in fact the "backbone" because, if it was, UA would have released new Apollos which could actually handle the newer plugins instead of effectively drawing a line in the sand for any further development of DSP, by releasing a new crop of Apollos which haven't advanced the DSP at all. If UA is going to tell me that DSP is the "backbone" or the "premium" option, then I expect that to include continuing development. That's a big part of the reason I've stayed a customer. If DSP won't be developed any further, at least to any significant degree, then DSP customers are not really getting what they were promised. If so, why should DSP customers continue to buy Apollos and Satellites if they're just going to be left behind for native? So DSP may not be going away today, per se, hence why I called it a "slow walk". I'm sure UA is happy to keep milking this for as long as they can, without having to upgrade the DSP or release any new DSP plugins. But will they advance DSP any further? I think the writing is starting to show up on the proverbial wall, unfortunately.
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Post by kcatthedog on Oct 8, 2024 11:48:48 GMT -6
A fair point, when cowboy, Martin, Ragan and I, became early adopters of Apollo sf, it felt like you were buying the now and future of recording .
Now?
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Post by kcatthedog on Oct 8, 2024 13:55:53 GMT -6
Are the guitar pedal plug ins, actually new, ie just released ?
What about the “ new” ssl channel strip and buss comp, the old ones just native?
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Post by notneeson on Oct 8, 2024 14:05:17 GMT -6
A fair point, when cowboy, Martin, Ragan and I, became early adopters of Apollo sf, it felt like you were buying the now and future of recording . Now? Even Avid is DSP/hybrid now with their flagship product. I find that telling. Works great, BTW. It’d be really cool if UAD could go in that direction and have native support for your older plugins, is that the gist of it? Meaning that a world where you only use DSP where you need it is a good place to be in theory. The UX has to be there though. PT’s downside is a lot of plugins aren’t AAX DSP compatible. And the cost.
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Post by notneeson on Oct 8, 2024 14:07:59 GMT -6
A fair point, when cowboy, Martin, Ragan and I, became early adopters of Apollo sf, it felt like you were buying the now and future of recording . Now? Even Avid is DSP/hybrid now with their flagship product. I find that telling. Works great, BTW. It’d be really cool if UAD could go in that direction and have native support for your older plugins, is that the gist of it? Meaning that a world where you only use DSP where you need it is a good place to be in theory. The UX has to be there though. PT’s downside is a lot of plugins aren’t AAX DSP compatible. And the cost. I know this is a UAD thread, just the most relevant exemplar in the market for me personally.
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Post by kcatthedog on Oct 8, 2024 14:13:40 GMT -6
Well, depending on which UA plugs you use, you don’t even need ua dsp, but you pay for it in the Apollo anyway.
They could have made a lower priced Apollo with no card installed and just have it modular.
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Post by Johnkenn on Oct 8, 2024 17:00:13 GMT -6
Wait…the Ruby, Dream et al can’t be used on the chips? Doesn’t that kinda defeat the purpose?
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Post by Quint on Oct 8, 2024 17:04:47 GMT -6
Wait…the Ruby, Dream et al can’t be used on the chips? Doesn’t that kinda defeat the purpose? They can't. And it does. The last new standalone plugin UA released, that can run on DSP, was Hitsville Chambers in Nov 2022. This new Apollo release is very telling. If UA took their "backbone" promises seriously, they wouldn't have released a new Apollo which is incapable of running nearly every new plugin UA has released in the last two years.
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Post by Johnkenn on Oct 8, 2024 17:16:24 GMT -6
If it ran on the DSP, I could sell my Axefx...maybe. Or not.
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Post by kcatthedog on Oct 8, 2024 17:17:05 GMT -6
Why run the guitar plugs on ua dsp, if you don’t need to?
I understand Quint, you are pointing out UA’s inconsistency, which I am sympathetic to: exactly my point a few year’s back when it launched subscription.
That shipped has obviously sailed.
It really comes down to preferred workflow, if you track with UA plugs, you need apollo/dsp, if not, is there any other reason to buy apollo and pay an inflated price for its dsp.
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