|
Post by Dan on Mar 7, 2024 10:35:53 GMT -6
i meant the hardware. the software was made by breakaway steinberg programmers and fender's new corporate overlords seem intent on marketing it to prosumers and musicians instead of fixing the bugs that prevent its adoption. most younger musicians seem to be on reaper or logic if they use any full featured daws and then ableton or fl for the "producers". i still know musicians recording into audacity and garage band. I mean Logic is bug city. I don't use ProTools but plenty of folks complain about years old ProTools bugs. The only DAW that isn't bug ridden is Reaper and that's because they use native graphics instead of building their own UI. That's really smart from a stability perspective but it's also why it looks the way it does. Even at its worst Studio One was more stable than ILLogic. But it really is way, way more stable than before. I say that as someone who bailed because of the dreaded export bug. It's smooth as silk these days. Oh yeah, and someone finally told me to never use AU in Studio One. That helped too. Studio One's manual is good but it's forums and online support are virtually useless. That's one thing Logic and ProTools have going for them, millions of people to point you in the right direction. Reaper had major stability issues until high version 5. something when they fixed everything for me. There was one huge update that stopped a ton of crashes on my end. Also not using wrapped 32-bit plugins for session compatibility. 32-bit era was rough. Logic on older Macbook Pro was more stable than it yet more delay compensation and automation bugs.
|
|
|
Post by Dan on Mar 7, 2024 10:37:20 GMT -6
If we are thinking carbon, would MTRX be smarter for 25% more? Or is Carbon/MTRX still some sort of compromise because it’s not the HDX racks? Dante would be nice for running snakes… unless there’s some downside I don’t know about MTRX is a rebranded DAD AX32 with digilink. DAD is on the AX64 now. If you have like 10000 dollars to blow on converters you can swing for that. Avid doesn't even make their own top end interfaces anymore.
|
|
|
Post by guitfiddler on Mar 7, 2024 10:40:00 GMT -6
If we are thinking carbon, would MTRX be smarter for 25% more? Or is Carbon/MTRX still some sort of compromise because it’s not the HDX racks? Dante would be nice for running snakes… unless there’s some downside I don’t know about I thought about this myself, but as I was researching the prices jumped and it put me out of budget to go that route. I hope someone can answer this.
|
|
|
Post by gravesnumber9 on Mar 7, 2024 10:41:30 GMT -6
I mean Logic is bug city. I don't use ProTools but plenty of folks complain about years old ProTools bugs. The only DAW that isn't bug ridden is Reaper and that's because they use native graphics instead of building their own UI. That's really smart from a stability perspective but it's also why it looks the way it does. Even at its worst Studio One was more stable than ILLogic. But it really is way, way more stable than before. I say that as someone who bailed because of the dreaded export bug. It's smooth as silk these days. Oh yeah, and someone finally told me to never use AU in Studio One. That helped too. Studio One's manual is good but it's forums and online support are virtually useless. That's one thing Logic and ProTools have going for them, millions of people to point you in the right direction. Reaper had major stability issues until high version 5. something when they fixed everything for me. There was one huge update that stopped a ton of crashes on my end. Also not using wrapped 32-bit plugins for session compatibility. 32-bit era was rough. Logic on older Macbook Pro was more stable than it yet more delay compensation and automation bugs. Delay compensation on Logic has never, ever worked. At least not since Apple bought it, no clue before then. Plus... Logic just sometimes freezes for no evident reason and you have to force quit and re-open. C'mon... for a "professional" tool? That's just ridiculous. When Apple Silicon came out, Logic had a chance to capture (or recapture) huge market share cuz they were first to the punch to take advantage of that tech. They should have done a massive new version of Logic to go with Silicon and taken a big bite out of the ProTools market share but nope... instead they rolled out some useless beat making tools that will never be better than Ableton (which they ripped off) and left everything else pretty much the same. Six months later all the DAW's were running native on M1 chips and the opportunity passed.
|
|
|
Post by christopher on Mar 7, 2024 10:41:46 GMT -6
In my mind $4k is kinda a tough spot! Like.. way too much money for a compromise, not enough in Avid world to say ‘no compromises’ 🤣
|
|
|
Post by Dan on Mar 7, 2024 10:47:09 GMT -6
Reaper had major stability issues until high version 5. something when they fixed everything for me. There was one huge update that stopped a ton of crashes on my end. Also not using wrapped 32-bit plugins for session compatibility. 32-bit era was rough. Logic on older Macbook Pro was more stable than it yet more delay compensation and automation bugs. Delay compensation on Logic has never, ever worked. At least not since Apple bought it, no clue before then. Plus... Logic just sometimes freezes for no evident reason and you have to force quit and re-open. C'mon... for a "professional" tool? That's just ridiculous. When Apple Silicon came out, Logic had a chance to capture (or recapture) huge market share cuz they were first to the punch to take advantage of that tech. They should have done a massive new version of Logic to go with Silicon and taken a big bite out of the ProTools market share but nope... instead they rolled out some useless beat making tools that will never be better than Ableton (which they ripped off) and left everything else pretty much the same. Six months later all the DAW's were running native on M1 chips and the opportunity passed. dude i am still dealing with logic's editing issues that are not sample accurate. people comp, edit, fade, and bounce in place and it just doesn't match up compared to pro tools and reaper edits. ableton and fl have issues too but many younger producers are stuck on it and don't know how to use anything else.
|
|
|
Post by gravesnumber9 on Mar 7, 2024 10:48:02 GMT -6
In my mind $4k is kinda a tough spot! Like.. way too much money for a compromise, not enough in Avid world to say ‘no compromises’ 🤣 Totally. It seems like the bottom line is that AVID is trying to clear $500/channel any way you slice it. You want HDX? It's gonna be about $12k for 24 i/o. You want Carbon? Gonna end up being $12k for 24 i/o (not counting ADAT). Somebody must have missed the memo with MBox. Surprised it's not $2k. Honestly, I bet they wanted to list it for $2k but someone at AVID was like "ENOUGH WITH THE INSANITY!!!"
|
|
|
Post by gravesnumber9 on Mar 7, 2024 10:49:09 GMT -6
Delay compensation on Logic has never, ever worked. At least not since Apple bought it, no clue before then. Plus... Logic just sometimes freezes for no evident reason and you have to force quit and re-open. C'mon... for a "professional" tool? That's just ridiculous. When Apple Silicon came out, Logic had a chance to capture (or recapture) huge market share cuz they were first to the punch to take advantage of that tech. They should have done a massive new version of Logic to go with Silicon and taken a big bite out of the ProTools market share but nope... instead they rolled out some useless beat making tools that will never be better than Ableton (which they ripped off) and left everything else pretty much the same. Six months later all the DAW's were running native on M1 chips and the opportunity passed. dude i am still dealing with logic's editing issues that are not sample accurate. people comp, edit, fade, and bounce in place and it just doesn't match up compared to pro tools and reaper edits. ableton and fl have issues too but many younger producers are stuck on it and don't know how to use anything else. I routinely had to slide bounces back a few samples in Logic. Why? I never could figure it out and then one day I decided I didn't care to figure it out.
|
|
|
Post by Dan on Mar 7, 2024 10:52:44 GMT -6
In my mind $4k is kinda a tough spot! Like.. way too much money for a compromise, not enough in Avid world to say ‘no compromises’ 🤣 Totally. It seems like the bottom line is that AVID is trying to clear $500/channel any way you slice it. You want HDX? It's gonna be about $12k for 24 i/o. You want Carbon? Gonna end up being $12k for 24 i/o (not counting ADAT). Somebody must have missed the memo with MBox. Surprised it's not $2k. Honestly, I bet they wanted to list it for $2k but someone at AVID was like "ENOUGH WITH THE INSANITY!!!" well the dad has a ton of features and avid has to mark it up further to make money because digidesign and pro tools have always wanted to lock the user into their ecosystem like apple. apple doesn't make the parts that go into their machines but they sure as hell will commission some asian oem to make an ssd without the controller chips in it just so the user cannot replace it themselves, apple can fit it into some cute little case like with the mac studio, and apple can mark up hardware upgrades a ton.
|
|
|
Post by Dan on Mar 7, 2024 10:59:11 GMT -6
dude i am still dealing with logic's editing issues that are not sample accurate. people comp, edit, fade, and bounce in place and it just doesn't match up compared to pro tools and reaper edits. ableton and fl have issues too but many younger producers are stuck on it and don't know how to use anything else. I routinely had to slide bounces back a few samples in Logic. Why? I never could figure it out and then one day I decided I didn't care to figure it out. probably because apple doesn't care to pay the developers (who are still the original guys) to rewrite the whole thing like avid did with the tdm -> hdx transition that le and rtas paved the way for or hire more guys to do it because pro audio is such a limited market for them. there's probably still code from the 80s somewhere in logic and cubase. cubase you still cannot rearrange faders around the mixer and that's definitely antiquated 90s code recompiled for 64-bit.
|
|
|
Post by ragan on Mar 7, 2024 11:14:04 GMT -6
I like hearing about the crappy parts of other DAWs. Takes a bite out of the Grass Is Always Greener syndrome. Keep ‘em comin!
|
|
|
Post by christopher on Mar 7, 2024 11:16:44 GMT -6
Apple needs to make enough money..
lets see … they made $97 billion profit last year.
If you handed out $10 all day, you could meet every man, woman, child, baby, senior citizen in all of.. well— all of planet earth, and still be left with $10billion…
Another way to think of it: If you went to Red Rocks, saw a concert.. and they told everyone with a ticket gets $1million.. they still have 85billion left lol
It was a tough quarter last report, stock missed expectations
|
|
|
Post by ragan on Mar 7, 2024 11:39:35 GMT -6
Apple needs to make enough money.. lets see … they made $97 billion profit last year. If you handed out $10 all day, you could meet every man, woman, child, baby, senior citizen in all of.. well— all of planet earth, and still be left with $10billion… Another way to think of it: If you went to Red Rocks, saw a concert.. and they told everyone with a ticket gets $1million.. they still have 85billion left lol It was a tough quarter last report, stock missed expectations You can make a strong case that they haven’t gotten to that market cap by spending resources on niche markets that don’t make business sense (ie music production).
|
|
|
Post by christopher on Mar 7, 2024 11:54:15 GMT -6
yeah. if they’d be the one’s to say Apple Pro Tools- hobby Producer… $15,000 Pro Producer… $150,000 And offered pay as you go bundle through ATT… Someone should talk to Mr Cook (I’m serious.. I’d take a 30 year plan because why not?) … don’t worry I’m done .. just something I’ve thought about for a few years. People use their home equity as low interest credit, Apple uses your subscription for the same thing
|
|
|
Post by pessoa on Mar 7, 2024 11:57:57 GMT -6
Been looking at moving from Cubase to Logic, but getting cold feet reading about the problems with delay compensation and bugs..
|
|
|
Post by drbill on Mar 7, 2024 12:12:10 GMT -6
It seems like the bottom line is that AVID is trying to clear $500/channel any way you slice it. You want HDX? It's gonna be about $12k for 24 i/o. Nonsense. I didn't spend anywhere close or in the same hemisphere to $60,000 for my AVID HDX system. Granted, I did buy some used, refurbed, etc., but $500 per channel estimate is ridiculous. I would expect to be paying around $4500 for a 16 channel HDX system these days. That's all in - HDX card, interfaces, perpetual, etc..
|
|
|
Post by ragan on Mar 7, 2024 12:27:44 GMT -6
It seems like the bottom line is that AVID is trying to clear $500/channel any way you slice it. You want HDX? It's gonna be about $12k for 24 i/o. Nonsense. I didn't spend anywhere close or in the same hemisphere to $60,000 for my AVID HDX system. Granted, I did buy some used, refurbed, etc., but $500 per channel estimate is ridiculous. I would expect to be paying around $4500 for a 16 channel HDX system these days. That's all in - HDX card, interfaces, perpetual, etc.. Really? Carbon is like $4300 for 8 channels. Why is HDX (allegedly) half that price?
|
|
|
Post by gravesnumber9 on Mar 7, 2024 12:55:28 GMT -6
It seems like the bottom line is that AVID is trying to clear $500/channel any way you slice it. You want HDX? It's gonna be about $12k for 24 i/o. Nonsense. I didn't spend anywhere close or in the same hemisphere to $60,000 for my AVID HDX system. Granted, I did buy some used, refurbed, etc., but $500 per channel estimate is ridiculous. I would expect to be paying around $4500 for a 16 channel HDX system these days. That's all in - HDX card, interfaces, perpetual, etc.. A new HDX system comes out to almost exactly $500 per channel. EDIT: Here's a link to the bundles on Sweetwater. I actually undershot it, more like $1000 per channel but that's to get off the ground. Cheaper to expand. If you're looking to get in to HDX or Carbon while buying new and under warranty you're looking at $500 - $1000 channel. Believe me, I want to be wrong. At the very least I wouldn't say my take is "nonsense". www.sweetwater.com/store/search?s=protools+hdx
|
|
|
Post by notneeson on Mar 7, 2024 13:04:50 GMT -6
The short answer is Dr. Bill doesn't buy from the big retailers and he's not married to only buying brand new hardware.
|
|
|
Post by gravesnumber9 on Mar 7, 2024 13:07:14 GMT -6
The short answer is Dr. Bill doesn't buy from the big retailers and he's not married to only buying brand new hardware. Right, neither am I. I buy second hand all the time. But my point was that AVID seems to have a really specific margin in mind and a very locked in price per channel. So second hand units don't apply in that case. The reality from the outside appears to be that AVID is starting at "here's what we need to sell this for" and going backwards versus "here's the market says this is worth" and pricing based off of that. If anything the much lower second hand market only further validates my point.
|
|
|
Post by Dan on Mar 7, 2024 13:13:22 GMT -6
The short answer is Dr. Bill doesn't buy from the big retailers and he's not married to only buying brand new hardware. Right, neither am I. I buy second hand all the time. But my point was that AVID seems to have a really specific margin in mind and a very locked in price per channel. So second hand units don't apply in that case. The reality from the outside appears to be that AVID is starting at "here's what we need to sell this for" and going backwards versus "here's the market says this is worth" and pricing based off of that. If anything the much lower second hand market only further validates my point. Avid doesn't make this stuff. It's all from OEMs. Some Carbons are made in China, others in Mexico. So they have to design it, mark it up, contract the manufacturer, ship it. and sell it at a profit. 8 channels of DAD/NTP conversion are 2000. Avid marks up their firmware incompatible but sonically identical Avid branded cards to 2300.
|
|
|
Post by gravesnumber9 on Mar 7, 2024 13:17:50 GMT -6
Right, neither am I. I buy second hand all the time. But my point was that AVID seems to have a really specific margin in mind and a very locked in price per channel. So second hand units don't apply in that case. The reality from the outside appears to be that AVID is starting at "here's what we need to sell this for" and going backwards versus "here's the market says this is worth" and pricing based off of that. If anything the much lower second hand market only further validates my point. Avid doesn't make this stuff. It's all from OEMs. Some Carbons are made in China, others in Mexico. So they have to design it, mark it up, contract the manufacturer, ship it. and sell it at a profit. 8 channels of DAD/NTP conversion are 2000. Avid marks up their firmware incompatible but sonically identical Avid branded cards to 2300. Yeah, that would definitely explain why they have price points they need to hit regardless of what (I think) the market can bear and what the used market indicates. I mean, if the Carbon was $2k they'd sell thousands of them, starting with me.
|
|
|
Post by Dan on Mar 7, 2024 13:27:51 GMT -6
also Avid wants 3k for 8 channel expander units. You can get 8 Grace pres for 3600 not on sale
|
|
|
Post by notneeson on Mar 7, 2024 13:27:57 GMT -6
The short answer is Dr. Bill doesn't buy from the big retailers and he's not married to only buying brand new hardware. Right, neither am I. I buy second hand all the time. But my point was that AVID seems to have a really specific margin in mind and a very locked in price per channel. So second hand units don't apply in that case. The reality from the outside appears to be that AVID is starting at "here's what we need to sell this for" and going backwards versus "here's the market says this is worth" and pricing based off of that. If anything the much lower second hand market only further validates my point. I hear you. Discussing Avid as a company is always a headache. The salient point (to me) is that you can get into HDX with older Avid conversion for reasonable money. Edit: And they have the most turn key, high function rigs in the market. They just do.
|
|
|
Post by ragan on Mar 7, 2024 13:31:30 GMT -6
The short answer is Dr. Bill doesn't buy from the big retailers and he's not married to only buying brand new hardware. Ok, but it’s odd/confusing to not point out that you’re talking about older gen, used hardware (drBill’s price quote) when responding to someone who’s been talking about new price for new hardware. They were discussing how much “Avid wants to make” per channel. Avid isn’t making anything if we buy Digi 192s off Reverb, obvs.
|
|