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Post by Johnkenn on Mar 4, 2024 17:58:09 GMT -6
I tire of dealing with the purposely kneecapped PT Studio with no HW delay comp…I have no doubt I could get up to speed in Cubase for mixing, but 95% of the stuff I get is Pro Tools…so I’m really thinking about just buying the bullet and going that direction.
So what’s the cheapest way to get into that? Carbon?
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Post by Johnkenn on Mar 4, 2024 18:13:54 GMT -6
And honestly, the sheer confusion of what I would need is what has kept me from doing this for years. That and the fact I wanted to stay in the UA universe. So does Carbon come with dsp capability for zero latency tracking/monitoring and then also has hardware insert compensation too? Are the “real time” aax plugs limited to a select group of plugs from Avid? Would I have to buy PT Ultimate? These are costly investments. Or hell - maybe I should get some more IO and really dive in and figure out the riddle of HWDC in Pro Tools jr.
The I/O part makes me want to murder something. I know you have to skip the first two inputs blah blah or something like that…all the I puts and outputs have to be the same e.g. channel 3-4 OUT has to come back in 3-4 IN. But 3-4 is actually 5-6 because of the offset…so then do I select 3-4 for the external insert or 5-6? I know I know…plug and unplug until it works…but holy shit it’s confusing to me.
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Post by Johnkenn on Mar 4, 2024 18:22:11 GMT -6
Reading about carbon…sounds like it’s definitely the aax dsp thing. And you get a perpetual license and one year sub when you spend the $4200. (So giving) Would I have to re-buy aax dsp plugs? And looking at the avid site - it’s not responding so maybe I’m not seeing the full list…but wow. Not many plugs available. I might be answering my own question.
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ericn
Temp
Balance Engineer
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Post by ericn on Mar 4, 2024 18:26:35 GMT -6
And honestly, the sheer confusion of what I would need is what has kept me from doing this for years. That and the fact I wanted to stay in the UA universe. So does Carbon come with dsp capability for zero latency tracking/monitoring and then also has hardware insert compensation too? Are the “real time” aax plugs limited to a select group of plugs from Avid? Would I have to buy PT Ultimate? These are costly investments. Or hell - maybe I should get some more IO and really dive in and figure out the riddle of HWDC in Pro Tools jr. The I/O part makes me want to murder something. I know you have to skip the first two inputs blah blah or something like that…all the I puts and outputs have to be the same e.g. channel 3-4 OUT has to come back in 3-4 IN. But 3-4 is actually 5-6 because of the offset…so then do I select 3-4 for the external insert or 5-6? I know I know…plug and unplug until it works…but holy shit it’s confusing to me. Your confused I was a PT product specialist going back to the digidesign PT 3 days and the current line up confuses the hell out of ME! Carbon will probably do what you want, but you really want HDX, last I heard old Digi interfaces are still working with HDX. You could run HDX card with Ultimate an old 192 digital and run your Apollo via ADAT to an old 192 digital and connect the Burl via AES but wouldn’t be able to run UAD plug ins for that you would need a card and that would mean a PCIE chassis.
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Post by jeremygillespie on Mar 4, 2024 18:27:49 GMT -6
Snag a used HD I/o 16x16 analog box, hdx card, and the software and you’re good to go. No problems with hardware inserts anymore, it just works. No “console” routing etc. That’s what I would do, and am going to do.
Go in or out AES if you want a better A/D or D/A for monitor or printing.
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Post by Dan on Mar 4, 2024 18:35:58 GMT -6
Snag a used HD I/o 16x16 analog box, hdx card, and the software and you’re good to go. No problems with hardware inserts anymore, it just works. No “console” routing etc. That’s what I would do, and am going to do. Go in or out AES if you want a better A/D or D/A for monitor or printing. and if you have thousands of dollars to blow, get the avid mtrx (rebranded dad ax32) or mtrx studio (cut down dad ax center without the ability to expand it)
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Post by Johnkenn on Mar 4, 2024 18:44:21 GMT -6
Snag a used HD I/o 16x16 analog box, hdx card, and the software and you’re good to go. No problems with hardware inserts anymore, it just works. No “console” routing etc. That’s what I would do, and am going to do. Go in or out AES if you want a better A/D or D/A for monitor or printing. Gonna look into that…but if I was switching, I’d probably dump the Apollo and Burl… It really looks like the smarter move would be to just switch to Cubase or Studio One.
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Post by drbill on Mar 4, 2024 18:49:48 GMT -6
Snag a used HD I/o 16x16 analog box, hdx card, and the software and you’re good to go. No problems with hardware inserts anymore, it just works. No “console” routing etc. That’s what I would do, and am going to do. Go in or out AES if you want a better A/D or D/A for monitor or printing. ^^^. This. John, if you want an expert specialist who deals with LOTS of studios, writers, engineers across the country, DM me and I'll put you in touch with him. I don't deal with ANY of the confusing AVID options and craziness. If you deal with Gary , you can essentially just say "I want perpetual, or I want subscription, I have xyz computer and I want a new one, or I don't want a new one, I want HDX and want "x" number of inputs and outputs" and he will hook you up at WAY under Sweetwater or anyone else's cost. He carries apple, and avid hardware/software, all the peripheral stuff and he gives excellent support - both new and used - and honestly, I have not bought anything computer or avid except through him for almost 20 years now except maybe some drives. Highly recommended. But yeah, interface wise I'd suggest the HD I/o 16x16. Hardware inserts into your software will be as easy as selecting "delay compensation" on a drop down menu. I never think about delay compensation - ever. I don't use all that HDX does, but I can't imagine living without it. Well worth the $$$.
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Post by notneeson on Mar 4, 2024 18:53:09 GMT -6
Snag a used HD I/o 16x16 analog box, hdx card, and the software and you’re good to go. No problems with hardware inserts anymore, it just works. No “console” routing etc. That’s what I would do, and am going to do. Go in or out AES if you want a better A/D or D/A for monitor or printing. Gonna look into that…but if I was switching, I’d probably dump the Apollo and Burl… It really looks like the smarter move would be to just switch to Cubase or Studio One. I had an Avid Omni, which is a little less good than a 16x16 and it was a perfectly great sounding interface. 16x16s are super reasonable now too. The main thing with HDX is that eventually they sunset something and the upgrade path is expensive if you have to stay current. I have a friend using an ancient HD rig and it just works for him because he barely uses plugins and uses no virtual instruments.
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Post by seawell on Mar 4, 2024 18:59:29 GMT -6
1st Gen Lynx Aurora with LT-HD card is another good/affordable interface that works very well with HDX systems. I have 3 of those and 1 Avid HD I/O 16 x 16.
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ericn
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Post by ericn on Mar 4, 2024 19:07:50 GMT -6
Snag a used HD I/o 16x16 analog box, hdx card, and the software and you’re good to go. No problems with hardware inserts anymore, it just works. No “console” routing etc. That’s what I would do, and am going to do. Go in or out AES if you want a better A/D or D/A for monitor or printing. Gonna look into that…but if I was switching, I’d probably dump the Apollo and Burl… It really looks like the smarter move would be to just switch to Cubase or Studio One. If you’re going to switch or consider it talk to Bills guy, otherwise let me know I can PM an idea or 2.
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Post by doubledog on Mar 4, 2024 22:44:23 GMT -6
And honestly, the sheer confusion of what I would need is what has kept me from doing this for years. That and the fact I wanted to stay in the UA universe. So does Carbon come with dsp capability for zero latency tracking/monitoring and then also has hardware insert compensation too? Are the “real time” aax plugs limited to a select group of plugs from Avid? Would I have to buy PT Ultimate? These are costly investments. Or hell - maybe I should get some more IO and really dive in and figure out the riddle of HWDC in Pro Tools jr. The I/O part makes me want to murder something. I know you have to skip the first two inputs blah blah or something like that…all the I puts and outputs have to be the same e.g. channel 3-4 OUT has to come back in 3-4 IN. But 3-4 is actually 5-6 because of the offset…so then do I select 3-4 for the external insert or 5-6? I know I know…plug and unplug until it works…but holy shit it’s confusing to me. in my experience the "offset" applies to both in/out, so at least if you "add 2" to everything it sorta works (meaning if you want 3/4, then use 5/6 in and out). don't disagree that it is confusing as hell but I think that is really UA and not Avid (or is it?).
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Post by Blackdawg on Mar 4, 2024 23:19:26 GMT -6
Reading about carbon…sounds like it’s definitely the aax dsp thing. And you get a perpetual license and one year sub when you spend the $4200. (So giving) Would I have to re-buy aax dsp plugs? And looking at the avid site - it’s not responding so maybe I’m not seeing the full list…but wow. Not many plugs available. I might be answering my own question. You get all the Avid plugs with Ultimate. There aren't a ton of AAX DSP plugins but there are plenty. Plugin Alliance has a lot of them. But really the best thing is the inserts just working. You have 2 options, Carbon or HDX system. Carbon does not require an HDX card. HDX interfaces do require that. You can pick up an HDX card some some older 192's and adapter cables for less than a carbon. You could keep your Burl too as it'll work via AES or TOSlink out of a 192. I do that with a Merging HAPI. Then you can track with any of your hardware with no noticable latency at all. It'll just work. Then if you go to mix, enable the Hybrid Engine and work all natively. Best of both worlds.
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Post by Johnkenn on Mar 4, 2024 23:34:15 GMT -6
That’s such a pain in the ass lol. Buying old tech feels weird to me too…but that’s definitely a cheaper way to do it. Cubase is sounding nicer by the minute. If Luna would get their act together and do the Hw insert stuff, I’d be there already.
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Post by Blackdawg on Mar 5, 2024 0:02:34 GMT -6
That’s such a pain in the ass lol. Buying old tech feels weird to me too…but that’s definitely a cheaper way to do it. Cubase is sounding nicer by the minute. If Luna would get their act together and do the Hw insert stuff, I’d be there already. Eh it's not that bad. And affordable. I mean if you want there are plenty of ways to spend way more money on HDX interfaces haha
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Post by copperx on Mar 5, 2024 0:05:01 GMT -6
Just curious, is there any other system/interface/anything in the world that has the same seamless insert delay compensation that isn't Avid/ProTools?
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Post by wiz on Mar 5, 2024 0:23:38 GMT -6
That’s such a pain in the ass lol. Buying old tech feels weird to me too…but that’s definitely a cheaper way to do it. Cubase is sounding nicer by the minute. If Luna would get their act together and do the Hw insert stuff, I’d be there already. or.... ditch the hardware??? Is that a possibility...it's a lot cheaper....what hardware do you HAVE to have to mix? cheers Wiz
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Post by copperx on Mar 5, 2024 0:29:41 GMT -6
So after a bit of digging, Studio One + Quantum interface seems to be somewhat similar to HDX. Latency is automatically compensated on inserts. No fiddling with software because everything is integrated, according to users. However, it seems like latency is worse than HDX. It shouldn't be a big deal if you're only mixing with hardware. Might be worth looking into.
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Post by Blackdawg on Mar 5, 2024 0:41:55 GMT -6
So after a bit of digging, Studio One + Quantum interface seems to be somewhat similar to HDX. Latency is automatically compensated on inserts. No fiddling with software because everything is integrated, according to users. However, it seems like latency is worse than HDX. It shouldn't be a big deal if you're only mixing with hardware. Might be worth looking into. I don't think anything can touch HDX yet in terms of latency. They claim 0.9ms. Native systems are getting closer though!
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Post by Dan on Mar 5, 2024 6:36:13 GMT -6
Just curious, is there any other system/interface/anything in the world that has the same seamless insert delay compensation that isn't Avid/ProTools? then you’re stuck wth Presonus products
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Post by sean on Mar 5, 2024 6:48:08 GMT -6
You’re not getting into a used HDX card, whatever Thunderbolt chassis you want, a used 16x16 HD I/O, and a new Ultimate subscription for under $4000. Don’t forget that $299 DigiLink I/O license if you don’t already have one!
You don’t have to pay extra for a AAX DSP license with Plugin Alliance but for the few companies that have DSP option it’s extra. But honestly those are really only handy while tracking and I don’t think any are better than the zero latency PSP plugins or Pro-Q 3 or even some Waves plugins (they have a chart) if you need a compressor on something while overdubbing…
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Post by Ward on Mar 5, 2024 8:04:24 GMT -6
So after a bit of digging, Studio One + Quantum interface seems to be somewhat similar to HDX. Latency is automatically compensated on inserts. No fiddling with software because everything is integrated, according to users. However, it seems like latency is worse than HDX. It shouldn't be a big deal if you're only mixing with hardware. Might be worth looking into. I had a client come in yesterday with his mock-ups on a PC laptop running Studio One. It kind of reminded me of Chibson.
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Post by Quint on Mar 5, 2024 8:08:32 GMT -6
So after a bit of digging, Studio One + Quantum interface seems to be somewhat similar to HDX. Latency is automatically compensated on inserts. No fiddling with software because everything is integrated, according to users. However, it seems like latency is worse than HDX. It shouldn't be a big deal if you're only mixing with hardware. Might be worth looking into. I don't think anything can touch HDX yet in terms of latency. They claim 0.9ms. Native systems are getting closer though! Apollo is 1.1ms, so I'd say for the purposes of this discussion, it's right there with HDX/Carbon. Of note, these latencies for HDX/Carbon and Apollo are both at 96k. That said, it's worth pointing out that some DSP plugins, can increase that latency on Apollo, and I know that can happen with HDX/Carbon too. IMO, one of the biggest differentiators between HDX/Carbon and Apollo is that, IF you want to use plugins while tracking, Apollo offers access to a way better selection of plugins than what is available for HDX/Carbon. AAX is kind of dead in the water. Plus, now that Luna auto switches between DSP and native, those same UAD plugins I used in tracking are already there during mixing. Basically you're already mixing from day 1 because those UAD plugins are something I would keep in place and also actually use during mixing. I don't think there's a whole lot of those AAX plugins that I would actually want to use during mixing. Those AAX plugins would be placeholders for some better plugin during mixing, at best. I gave Carbon a hard look, and thought about it, but I didn't like that the expandability was so limited. I think you're limited to a max of three Carbons, in which case that's a max of 24 channels (yeah, there's ADAT and all of that, but...). I have a fairly large amount of hardware, and 24 channels wouldn't get it done. You can daisy chain up to four Apollo 16s for 64 channels of I/O. But Luna doesn't have HW inserts yet, so maybe it's a moot point (supposedly HW inserts will be coming, eventually). So it's a bit of a damned if you do, damned if you don't situation. If/when Luna gets HW inserts, that would change things though. As for AVID, man, well, it's just AVID. Ugh.... Though UA is starting to get a little odiferous itself... I thought this video (this is Part 1, there is also a Part 2) did a great job of explaining all of these latency comparisons, and also generally did a good job of weighing the pros and cons of Carbon vs Apollo.
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ericn
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Balance Engineer
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Post by ericn on Mar 5, 2024 8:28:54 GMT -6
So after a bit of digging, Studio One + Quantum interface seems to be somewhat similar to HDX. Latency is automatically compensated on inserts. No fiddling with software because everything is integrated, according to users. However, it seems like latency is worse than HDX. It shouldn't be a big deal if you're only mixing with hardware. Might be worth looking into. I had a client come in yesterday with his mock-ups on a PC laptop running Studio One. It kind of reminded me of Chibson. I’m suddenly having a PTSD flashback.
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Post by thirdeye on Mar 5, 2024 8:34:42 GMT -6
I tire of dealing with the purposely kneecapped PT Studio with no HW delay comp…I have no doubt I could get up to speed in Cubase for mixing, but 95% of the stuff I get is Pro Tools…so I’m really thinking about just buying the bullet and going that direction. So what’s the cheapest way to get into that? Carbon? I think Carbon checks all your boxes - HW delay compensation-check, low latency tracking-check, PT Ultimate-check. If 95% of the projects came to me in Pro Tools sessions, I wouldn't want to change DAWs. But if you need to connect a lot of hardware, more than Carbon can handle, HDX is the only answer in my opinion. Using Avid interfaces with Pro Tools, the i/o is simplified and easy to navigate All i/o is controlled within Pro Tools, no annoying extra mixer windows.
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