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Post by mdmitch2 on Aug 3, 2021 15:59:28 GMT -6
Lead time is 8-10 weeks right now. As long as you order before the 7th, it's the $3200 price. It's a $500 deposit to reserve one at that price.
edit: kcat beat me to it!
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Post by mdmitch2 on Aug 3, 2021 13:58:57 GMT -6
Just a heads up for RGO folks -- the long awaited price increase is finally happening on Saturday 8/7. As we've mentioned before, our costs have steadily been increasing since we released the mic, and we're also moving sales to a dealer network in the US and abroad. heisermanaudio.com/products/h47tubeThanks to everyone on RGO for helping to spread the word about our mics -- it really makes a huge difference!!
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Post by mdmitch2 on Jul 21, 2021 17:12:51 GMT -6
No we didn’t have a booth, but we did have a Type-19 at the Locomotive booth, and I believe Dave made an appearance.
We are generally very busy though, and sometimes emails take a couple business days. We recently moved into a larger workshop and working on training some help.
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Post by mdmitch2 on Jul 2, 2021 20:31:07 GMT -6
The 414ULS w your capsule sounds out fucking standing Thanks Rob -- glad you like!! I'll pass on to Eric.
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Post by mdmitch2 on Jun 29, 2021 18:20:19 GMT -6
Really curious how these would sound on piano... anyone tried by chance?
Will these be available soon?
Thanks for the interest! We've been super busy moving to a new workshop. As for the Type-19, we've kind of done a 'soft launch' since Front End was interested in selling them -- although I'm not sure if they have any in stock right now. They'll be at Vintage King in the near future as well. We're not selling them on our site yet, but if you'd like to order directly, let me know and I can arrange it. It's a roughly 10 day lead time on these. The Type-19's sound awesome on piano for a bit more mid-focused sound compared to something like a 414.
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Post by mdmitch2 on May 27, 2021 17:20:00 GMT -6
+1 this pre benefits greatly from a NOS mullard…. Christian Whitmore usually has them: proaudiotubes@aol.com
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Post by mdmitch2 on May 16, 2021 9:06:08 GMT -6
I’ve built a bunch of these…. Never a single issue. Just make sure you don’t mix up the screws.
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Post by mdmitch2 on May 1, 2021 19:22:35 GMT -6
I believe there are files on CAPI’s site that accompany that video. Some people find the differences between CAPI pres to be subtle and negligible. Others find them to be shockingly different.. same thing with opamps. It’s best to listen to the clips and decide which camp you fall into.
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Post by mdmitch2 on Apr 15, 2021 18:39:34 GMT -6
LA500A is fairly transparent.... large output transformer contributes some weight though. The HPF options and slow attack mode make it pretty darn versatile, and a killer value especially with the current exchange rate. Pretty easy build and calibration — I’ve built about 40 of them. my thoughts exactly I'll have to amend the part about the exchange rate, which has seen the dollar getting weaker lately, but still a great value. I'd love to hear a comparison with the Audioscape comp, which I'm sure is fantastic.
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Post by mdmitch2 on Apr 6, 2021 19:34:45 GMT -6
for heiserman, would you recommend the type 19 for acoustic guitar or the H47 fet? preference? how about electric guitar cabinets? For acoustic, I think it might be toss up depending on the guitar. For guitar cabinets, I think the Type-19 would win out most of the time.
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Post by mdmitch2 on Apr 6, 2021 19:29:16 GMT -6
Any planned dealer in Europe? Hi -- I do think we'll have a European dealer in the not too distant future, but no specific time frame right now. We do ship internationally from our site... it would be about $40 for a Type-19. We'll be updating the site with a proper product listing in the next week or so.
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Post by mdmitch2 on Apr 6, 2021 19:26:58 GMT -6
Side note, the HPF in the mic also causes a small overall level drop in this circuit, so if the clips weren't gain matched, it might exaggerate the perceived amount by which the low end is cut. I thought the level seemed a little quieter when I engaged the HPF, and did bring that clip level up slightly when I posted but probably didn't quite get them truly matched (self admittedly still very much a rookie as far as recording). I'm really happy with it so far - looking forward to some reviews from those with more experience. Thanks for posting -- it's great to get some clips out there!
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Post by mdmitch2 on Apr 6, 2021 15:21:13 GMT -6
That sounds really good, what are the uses for the type 19? Is it an all a rounder? Liked it without the hi pass filter. The initial concept was taking the sound of a vintage 47 and cramming it into a tiny, versatile package, and the result is definitely an 'all rounder' type of mic. Due to covid / supply chain / etc, we don't have a ton of them out in the world yet, but we're getting ready to ramp up production. So far our clients have be loving them on acoustic guitar, toms, bass, snare, OH.... One pro in Nashville just told us yesterday "by a long shot, these are the best kik out mics ever invented. NOTHING even comes close to these. It's shocking" So we think we achieved our design goals Hopefully as we get more mics out into the world, and the pandemic clears up, we'll get some more clips, comparisons, etc. Stay tuned! Side note, the HPF in the mic also causes a small overall level drop in this circuit, so if the clips weren't gain matched, it might exaggerate the perceived amount by which the low end is cut.
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Post by mdmitch2 on Feb 14, 2021 20:40:52 GMT -6
Hey Eric — any timing on pre-orders? Best, Rich We’re still a little ways off from pre-orders.... we want to make sure we’ve nailed down the delivery date first, and we’re not quite there yet. We’ll post an update here as soon as possible.
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Post by mdmitch2 on Jan 26, 2021 7:36:53 GMT -6
We had the pleasure of using the CA-70 when we shared a booth with Coil at the last Anaheim NAMM. It was killer. I’ll be getting at least one when my studio opens up.
Likewise, I’ve gotten to know Eric at Locomotive a bit, and that’s some fantastic gear as well. And I definitely wouldn’t consider the Weight Tank line to be compromised in any way.
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Post by mdmitch2 on Jan 12, 2021 12:29:46 GMT -6
Hey sent an email to the Heiserman gang about ordering a mic..havent heard back. Sent a response this morning. We try to (and usually) respond to emails within 24 hours (not including weekends). Being a small company, we might not respond as fast companies with dedicated customer service. I split my time between building gear and answering emails, chat messages, etc. Sometimes an email slips through the cracks -- Sorry if we're slow sometimes I put my phone number in every email, so I'm never very hard to reach...
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Post by mdmitch2 on Jan 1, 2021 22:26:52 GMT -6
tskguy , do you have pricing set for this microphone yet? Pricing has not been set quite yet. We should have that figured out soon.
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Post by mdmitch2 on Dec 22, 2020 21:07:41 GMT -6
Looks cool. The description says it runs in standard 16v VPR racks in addition to to 51x.
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Post by mdmitch2 on Dec 13, 2020 23:49:04 GMT -6
Another one not on your list, but I keep going back to RME interfaces. The drivers and stability are second to none — you’re pretty much guaranteed an interface that will be supported for 15 years or more. I’ve had a multiface, Madi pcie, ufx+, and now have added a babyface pro fs — nothing but praise for all of these. The Babyface is a sonic improvement over my Apollo twin mkii (preamps, headphone amps, conversion) and Totalmix is much more versatile and stable.... not to mention, there’s already working M1 drivers for the Mac Mini I just ordered.
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Post by mdmitch2 on Nov 29, 2020 19:06:08 GMT -6
Lol, isn't that the truth. Thanks for the info! But as someone who's done a lot of singing over the last 20 years into a vintage 47, I'm kinda looking at this as a price break. And, it's new and made entirely in the US which I like about a lot of the gear I own (common thread, IMO, when you start acquiring the "keepers" in your racks). Win win. Edit: order/deposit placed, plus t-shirt. Damn, I forgot the t-shirt when I ordered my capsules yesterday! There’s still time!!! 😬😬😬
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Post by mdmitch2 on Nov 29, 2020 13:39:47 GMT -6
There’s very little tonal difference from one Telefunken tube to the next in these mics, so I’m not sure that’s a good use of time or money. The difference in tubes is typically more of a function of how the power supply is calibrated relative to a particular tube.... and we do that when we build and test each mic. Tubes from different manufacturers will often have a different tonal quality... NOS Mullard being a good choice if you want to experiment. The Mullard is a good idea...The difference in my Mullard 12AT7 and EH or GE 6072 is dramatic in my Upton...I prefer it. It’s probably a similar difference... a little more mid focused and a little less top.
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Post by mdmitch2 on Nov 29, 2020 13:07:22 GMT -6
Yes! (as Chessparov dashes off for Lottery tickets) Chris Lol, isn't that the truth. Thanks for the info! But as someone who's done a lot of singing over the last 20 years into a vintage 47, I'm kinda looking at this as a price break. And, it's new and made entirely in the US which I like about a lot of the gear I own (common thread, IMO, when you start acquiring the "keepers" in your racks). Win win. Edit: order/deposit placed, plus t-shirt. Thanks for the order Matt! I also agree with the hk47 consensus. 👍
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Post by mdmitch2 on Nov 29, 2020 13:06:12 GMT -6
Oh thanks - that’s good to know. Might do that. There’s very little tonal difference from one Telefunken tube to the next in these mics, so I’m not sure that’s a good use of time or money. The difference in tubes is typically more of a function of how the power supply is calibrated relative to a particular tube.... and we do that when we build and test each mic. Tubes from different manufacturers will often have a different tonal quality... NOS Mullard being a good choice if you want to experiment.
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Post by mdmitch2 on Nov 27, 2020 18:40:08 GMT -6
Lol just saw they're increasing their 47tube to 3800$. That's what the second or third price increase? nice.
We had an introductory price of $2800, and then increased to $3200. In order to keep making cool stuff, and reach a wider audience, we need to move to a dealer sales model, and unfortunately they need their cut.... not to mention our costs have gone up substantially since we launched the mic. I assure you, our margins are still far smaller than the other guys, and it’s still the best new 47 you can buy regardless of price. We’re giving people a lengthy heads up on the price increase so there won’t be any surprises in a couple months when we make the switch.
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Post by mdmitch2 on Nov 20, 2020 9:23:11 GMT -6
I sold off a pair of tx5c. Very powerful compressors, but too many features crammed into a small space for my liking. I’d much prefer a rack version with controls that are clearly labeled and spaced out.
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