UAD plugs you use every day

1176
LA2A
140
250
Vari Mu
SSL G Bus
Eden/B15
RE201 (although I just got the Audiothing Outer Space and think I like it better)
BX20 Spring

I use the 1176, LA-2A, and Pultec collection almost always. API 550/560 regularly. RE-201, EMT-140, and Dimension D often. Ocean Way Room and EMT 250 occasionally. Valley People Dynamite when I need an easy to use expander or gate.

Both EMTs
LA2A, 1176, Fairchild and Pultec collections
Cooper Time Cube
Brainworx EQ
Harrison EQ
dbx 160

Ragan & John,

May I ask, how are you (were you) using the 250? I have this one and never really gel’ed with it. Could you suggest any particular uses, settings or presets? Thanks in advance.

API 500 series collection
SSL strip MKII (crazy good emulation)
SSL GBUS MKII (same)
LA2A MKII (the gray one)
Curve Bender
88RS strip MKII (I tend to use SSL more but I'd say this is equal quality and better for acoustic material)
New 1073 (the mids sound much sweeter and less pointy than any other 1073 emulation I've heard (the old emulation is shit in comparison), dimension/phase pretty close to my BAEs)
Pultec MKII
1176 MKII
API 2500
Distressor

I like their effects but I tend to gravitate more to the Relab and Exponential reverbs and Soundtoys and Eventide delays. Prob would choose BX20 to keep one.

It seems that all of the mkii versions of their plugins are better, is everything listed in the store mkii?

On every session:
Shadow Hills Mastering Comp
WT800
B15
VoG
LA2A Gray
Summit TLA-100
EMT-140 and 250
Ocean Way Studio (on acoustic instruments and recorded percussion)
Fairchild 660 and 670
API Channel strip

Occasionally:
Curvebender
1176 collection
BX-20
EP-3
VSC-2
Type 69

Own but don't use much
SSL 4000E
ATR-102 and Studer A800
SVT collection
Lex 224
Massive Passive
SPL Transient Designer
Oxford Envolution
Oxford Limiter
33609
Fatso
IBP
Pultec Collection (I'm using the recently updated Softube release)

I went through a serious acquisition phase early in my UAD ownership, and as you can see, I have quite a few plugins that just sit on the sidelines. Part of it is due to my evolving approach of "less is more" these days. Also, I think I am less likely seduced by a pretty face. Slightly.

If I were to change my purchasing approach, I'd demo everything for the full two week period whenever possible. I used to just tell myself "I need that!" and jump. No more.

EDIT:
I'd use UAD comps more if the compression amount showed on the Pro Tools channel strip. Yeah I know I should listen and not look, but it's a nice visual cue to have. I'm not sure it's possible with UAD since it's been talked about for a long time.

EMT 250
1176LN

I love the 1081 and LA3A, even though they could both probably use a MK2 treatment. Especially if the jump is like the others that have a MK2.

jdc,
Sorry, but as a company rule we don't ever discuss future products. 

I can tell you that we are slowly replacing the GUIs of many plugins, making them "retina" compatible, and the LA3 and DBX are on that list. 

I use it for snare reverb all the time. Percussion - shakers and Tambo. I like how you can easily control the top and bottom and it gets really great results quickly.