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Post by cowboycoalminer on Jan 24, 2014 21:32:28 GMT -6
I think we're actually in agreement. There's lots of people on Gearslutz who seem to think that modeling is better than the real thing, but I doubt if anybody here thinks that. It's just a convenience that gets some of us closer to good sound than we could otherwise get. If modeling ever gets better than the real thing, maybe at that point we can model the modelers and make quantum leaps in guitar technology I personally have never heard a model that I thought was better than a finely tuned mic/amp setup. However, I myself struggle greatly with capturing said fine mic/amp setup. In the hands of better recordists and better guitarists who dig in and get the best tone they can out of their rigs, it can be a mind blowing difference. I recently mixed a session in which Brent Mason played on it. Needless to say I was in awe of his tone. I can't get near it. A lot of it was in his hands, granted but he had that rig singing. And the engineer who recorded it captured it perfectly. So, models may not be better per say, but sometimes, they're better for ME cause I'm just not skilled enough to get 100% out of a rig when it comes to capture. One could make a life study of just recording guitar and they would have their hands full IMO. Models work for me most of the time better than recording my amps (especially high gain stuff). I just can't get near it live. But that's my shortcomings. Henge (who is a member here) gets some pretty damn good results with his work. I can't get get near that level. Wish I could.
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Post by LesC on Jan 24, 2014 21:42:08 GMT -6
Same here. I will never have the equipment or the capability to capture the sounds I want, even though I've been recording guitar for about 45 years. I've owned lots of great amps for stage work, but I enjoy my Kemper for recording.
I hear a lot of people talk about needing the "chest thumping" they get from a real amp turned up to 11 for inspiration. I don't need that, I want to hear my guitar the way it will actually sound recorded. That's what the Kemper gives me, and I find it very inspiring. I know exactly how the recording will sound, instead of being constantly disappointed by how a great sound out of one of my amps sounds recorded.
Having said that, I will play around with some of Ward's suggestions and see what happens.
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