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Post by drumsound on Nov 20, 2024 15:02:05 GMT -6
Damn, $30 for Oxford EQ. I'm pretty tempted to buy it without even demoing it.
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Post by bossanova on Nov 20, 2024 15:07:55 GMT -6
Damn, $30 for Oxford EQ. I'm pretty tempted to buy it without even demoing it. Is it really worth it if someone already has Slick EQ and Fabfilter?
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Post by drumsound on Nov 20, 2024 15:14:55 GMT -6
Damn, $30 for Oxford EQ. I'm pretty tempted to buy it without even demoing it. Is it really worth it if someone already has Slick EQ and Fabfilter? I really like Slick EQ, but I'd look at Oxford differently. I'm one of the few who doesn't own Fabfilter. I'm interested to see answers to your question.
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Post by bossanova on Nov 20, 2024 17:37:09 GMT -6
Is it really worth it if someone already has Slick EQ and Fabfilter? I really like Slick EQ, but I'd look at Oxford differently. I'm one of the few who doesn't own Fabfilter. I'm interested to see answers to your question. In that case, it sounds like a steal then I have Fabfilter and the iZotope and IK digital EQs (bundles), not to mention Pultec VSTs and various channel strip/console emus. Slick EQ is the one I still turn to first because I know the shelves and bells really well and can solve problems quickly there. Fabfilter 3 gets saved for more intricate unmasking cuts and/or multiple cuts within a smaller area.
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Post by jacobamerritt on Nov 20, 2024 18:40:21 GMT -6
Is Pure Unmask a gate/ducking thing I could use on kick and snare? No - it's an unmasking thing...I use it for stuff like Kick and Bass. I'll send a sidechain of the kick to the unmask plugin on the bass, it then dynamically EQ's the portion of the bass that interferes with the kick frequencies. Also use it on other instruments to duck out say a little EG frequencies when they're covering vocals. Or B3, etc. Very cool, sounds useful!
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Post by RealNoob on Nov 20, 2024 21:28:13 GMT -6
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Post by bossanova on Nov 20, 2024 22:06:20 GMT -6
Lol…as I talk about having too many channel strips, this one does indeed look fun. Between this and Fuse…that’s how they get you.
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