luken
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Posts: 20
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Post by luken on Aug 5, 2024 6:48:47 GMT -6
Hello everyone,
I want a mic below 4000€ which is going to be my only mic. So it should be a bit versatile but I only record male rap/rnb vocals. Right now I got a U87Ai which I dont really like. I have to do a lot in the mix to get the modern rap sound every artist wants. Also for some Artists it has a really harsh sizzle at around 3khz which is hard to remove. So I want a more modern, open and mix ready mic to replace my U87.
On my list i got: - Beesneez bn251 - Circle audio evo 251 - Sa800g - Horch rm2j - German small company ds audioservice makes a clone with interchangeable capsule heads (c800g, ela m 251, u47) - Or maybe keeping my U87ai and buying the max kircher u67 mod and add an aa cm800t in the future
What would you do in my place? Or would u choose another mic which isnt on my list?
Thank you!
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Post by niklas1073 on Aug 5, 2024 8:47:11 GMT -6
Not to be discouraging. But it is very hard to tell you off the hip what mic you should lay down 4k on. By the time I would lay down 4k on a vocal mic (which is a great investment and at that price range you will have really great options) I would already have built a pretty solid idea of where that money is going. You will not find a bad mic at that price range. It’s more about how it sits in your chain and who is in front of that mic.
What is your recording chain? The 251 style is a bright mic in my opinion. Not sure if that counts as harshness in your case. If you are going for a more modern sound and the 87 is not your cup of tea i wouldn’t maybe be looking into vintage clones as they tend to have a character to them, not that major modern productions wouldn’t every day be cut with 47s and ribbons and what not. But have you thought about a manley reference mic for example? A solid modern great sounding work horse?
This forum has a magnitude of great discussions about most mics you can imagine. I would plow thru them and look for references you like and scout out what vocal chains and mixing techniques has been used to achieve what you like and kind of build a proper idea what every mic and chain in your ball park represents in reality
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luken
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Posts: 20
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Post by luken on Aug 5, 2024 8:54:54 GMT -6
What is your recording chain? The 251 style is a bright mic in my opinion. Thank you very much. Right now I'm using a Neve 1073SPX into an apollo x6.
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Post by chessparov on Aug 5, 2024 9:03:22 GMT -6
Clips or it didn't happen. LOL! Got any of yours to share? "Pre-BZ BU67"... I would have suggested-strongly-the Max Mod on your 87ai. But are you trying to attract outside business too? Thanks, Chris P.S. IMHO also get a Beyer M88 for handheld. To supplement whatever else you get.
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Post by niklas1073 on Aug 5, 2024 9:08:58 GMT -6
What is your recording chain? The 251 style is a bright mic in my opinion. Thank you very much. Right now I'm using a Neve 1073SPX into an apollo x6. That’s a nice rig and that in itself shouldn’t add to any harshness, vice versa, a quality 1073 is really smooth. If we put aside the concept “modern” and just go for a killer vocal sound with not too much vintage vibe, I would look at reviews on the Manley, maybe a u67 clone after all if that Neumann sound feels down your alley besides the harshness and then I would look into some of the new Telefunken series. Some nice vocal mics there within your price range which can serve as all round workhorses as an only mic. You will likely in a while get a dozen of great mic alternatives by people who know their shit. But you can start by looking into these meanwhile.
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Post by chessparov on Aug 5, 2024 9:11:03 GMT -6
I would still keep a quality 251 or C12 Style strongly in the running.
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Post by niklas1073 on Aug 5, 2024 9:14:21 GMT -6
And not to forget… have you tried other mics in that room? Or tried your rig in another room? Sometimes the room and reflections can add really weird frequencies that you could bet are mic related but in the end not… just to be sure since the 87 in itself is a great mic and seldom characterized as harsh.
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Post by gravesnumber9 on Aug 5, 2024 9:18:30 GMT -6
I always thought u87 was kind of the standard for rap vocals. The other one being the Sony 800G.
I see the Stam clone is on your list. I've never heard it myself. I think Warm also makes one way below your budget in the $1k range. I've never heard that one either but it's cheap enough to give you an alternative to the u87 while still keeping the Neumann.
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Post by Tbone81 on Aug 5, 2024 9:44:30 GMT -6
I love the u67 sound but it doesn’t scream “modern” hip hop/rnb to me. Quite the opposite. I’d look at a c800 clone, like the Stam, and maybe also get Klaus Heyne to mod your 87. That would cover a lot of ground.
Edit: I miss read and thought you were considering a BN67, not the BN 251. I think a 251 could be cool but it definitely had a strong character.
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luken
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Post by luken on Aug 5, 2024 9:45:09 GMT -6
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luken
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Post by luken on Aug 5, 2024 9:47:02 GMT -6
Thank you very much. Right now I'm using a Neve 1073SPX into an apollo x6. That’s a nice rig and that in itself shouldn’t add to any harshness, vice versa, a quality 1073 is really smooth. If we put aside the concept “modern” and just go for a killer vocal sound with not too much vintage vibe, I would look at reviews on the Manley, maybe a u67 clone after all if that Neumann sound feels down your alley besides the harshness and then I would look into some of the new Telefunken series. Some nice vocal mics there within your price range which can serve as all round workhorses as an only mic. You will likely in a while get a dozen of great mic alternatives by people who know their shit. But you can start by looking into these meanwhile. yes my room is definitely not the best but i got some Artnovion basstraps, self made absorbers and 10cm basotect absorbers. But there is definitely improvement necessary which I will do as soon as I have the time for that
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luken
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Posts: 20
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Post by luken on Aug 5, 2024 9:48:26 GMT -6
And not to forget… have you tried other mics in that room? Or tried your rig in another room? Sometimes the room and reflections can add really weird frequencies that you could bet are mic related but in the end not… just to be sure since the 87 in itself is a great mic and seldom characterized as harsh. I tried the Peluso P280 and the UAD Sphere but only on my voice. The U87 sounded better than both
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luken
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Posts: 20
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Post by luken on Aug 5, 2024 9:48:58 GMT -6
I always thought u87 was kind of the standard for rap vocals. The other one being the Sony 800G. I see the Stam clone is on your list. I've never heard it myself. I think Warm also makes one way below your budget in the $1k range. I've never heard that one either but it's cheap enough to give you an alternative to the u87 while still keeping the Neumann. I dont really like the warm. I'd rather get the cm800t before the warm which is even cheaper
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Post by gravesnumber9 on Aug 5, 2024 9:58:16 GMT -6
I always thought u87 was kind of the standard for rap vocals. The other one being the Sony 800G. I see the Stam clone is on your list. I've never heard it myself. I think Warm also makes one way below your budget in the $1k range. I've never heard that one either but it's cheap enough to give you an alternative to the u87 while still keeping the Neumann. I dont really like the warm. I'd rather get the cm800t before the warm which is even cheaper Even better. I'd keep the u87 though unless you just hate it. Two reasons. 1) Hard to buy used because the market is so flooded with knock-offs. 2) Not good value selling it. The value to you in keeping the u87 is almost definitely higher than the money you would get for it. Prices for u87ai are all over the map on Reverb and there are TONS for sale. Assuming you bought yours new you'd be taking a bath on the $3600 - $4k you already invested but, the worst part of all, you can't change your mind because you'd really have to buy a new one if you regretted selling it (see point 1 above).
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luken
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Post by luken on Aug 5, 2024 10:03:16 GMT -6
luckily i bought it at an auction for 1500€ so i could sell it with a little profit. But yes the best would be to keep it even if its just to attract clients. But I dont know if its better to have 2 good mics instead of one great mic
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Post by gravesnumber9 on Aug 5, 2024 10:10:22 GMT -6
luckily i bought it at an auction for 1500€ so i could sell it with a little profit. But yes the best would be to keep it even if its just to attract clients. But I dont know if its better to have 2 good mics instead of one great mic How much of the problem here is the final product and how much of the problem is that your artists aren't hearing what they want when they're tracking? Rap vocals are so much about energy and feel and vibe. I notice that you use the Apollo x6, have you built any templates so that your clients can hear more of a final sounding product while tracking? I suspect that a lot of folks underestimate how much treatment goes into rap vocals, then they hear their voice naked and accurately reproduced on the 87 and are like... huh? Even the classic hand held 58 in a live environment has all kinds of low frequency boost and probably distortion from the PA (based on the local hip hop shows I see anyway)... if that's what you're used to hearing when you perform, I can see hearing yourself on an 87 being pretty exposing before it gets all the compression and saturation that most likely goes into the final product.
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Post by gravesnumber9 on Aug 5, 2024 10:13:33 GMT -6
If that is your issue, I would experiment with compressing the living **** out of the vocal on the way in (non destructive, don't print it) and maybe adding even more saturation from some other UAD effect so that it feels "cool" when your artists are performing/tracking.
A 87ai sounds great, but it doesn't sound cool until you start doing stuff to it. Try explaining that to a client who isn't feeling the mojo! Just having to have that argument means you've lost the argument.
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luken
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Post by luken on Aug 5, 2024 10:18:11 GMT -6
luckily i bought it at an auction for 1500€ so i could sell it with a little profit. But yes the best would be to keep it even if its just to attract clients. But I dont know if its better to have 2 good mics instead of one great mic How much of the problem here is the final product and how much of the problem is that your artists aren't hearing what they want when they're tracking? Rap vocals are so much about energy and feel and vibe. I notice that you use the Apollo x6, have you built any templates so that your clients can hear more of a final sounding product while tracking? I suspect that a lot of folks underestimate how much treatment goes into rap vocals, then they hear their voice naked and accurately reproduced on the 87 and are like... huh? Even the classic hand held 58 in a live environment has all kinds of low frequency boost and probably distortion from the PA (based on the local hip hop shows I see anyway)... if that's what you're used to hearing when you perform, I can see hearing yourself on an 87 being pretty exposing before it gets all the compression and saturation that most likely goes into the final product. 100% performance is way more important than the mic and I know since mostly of my clients are new in doing music, their performance isnt the best. So far, every customer has been surprised by the result and always more than satisfied. But i always have to spend a long time working on the mix to fix the problems. I also have projects from bigger artists and I get better results much faster. I particularly liked Doja Cat's vocals (as far as I know she usually uses a c800g). But I also really like Juice Wrld's raw vocals, who also recorded with a U87ai. But they sound much more open and cleaner compared to mine.
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Post by gravesnumber9 on Aug 5, 2024 10:20:05 GMT -6
How much of the problem here is the final product and how much of the problem is that your artists aren't hearing what they want when they're tracking? Rap vocals are so much about energy and feel and vibe. I notice that you use the Apollo x6, have you built any templates so that your clients can hear more of a final sounding product while tracking? I suspect that a lot of folks underestimate how much treatment goes into rap vocals, then they hear their voice naked and accurately reproduced on the 87 and are like... huh? Even the classic hand held 58 in a live environment has all kinds of low frequency boost and probably distortion from the PA (based on the local hip hop shows I see anyway)... if that's what you're used to hearing when you perform, I can see hearing yourself on an 87 being pretty exposing before it gets all the compression and saturation that most likely goes into the final product. 100% performance is way more important than the mic and I know since mostly of my clients are new in doing music, their performance isnt the best. So far, every customer has been surprised by the result and always more than satisfied. But i always have to spend a long time working on the mix to fix the problems. I also have projects from bigger artists and I get better results much faster. I particularly liked Doja Cat's vocals (as far as I know she usually uses a c800g). But I also really like Juice Wrld's raw vocals, who also recorded with a U87ai. But they sound much more open and cleaner compared to mine. Yeah that's so crucial with rap. If you don't feel the vibe the vocal is gonna suck, that's just all there is to it. Open and clean is what u87ai does. If that's what you're going for, I don't know if the mic is the problem.
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luken
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Post by luken on Aug 5, 2024 10:22:30 GMT -6
100% performance is way more important than the mic and I know since mostly of my clients are new in doing music, their performance isnt the best. So far, every customer has been surprised by the result and always more than satisfied. But i always have to spend a long time working on the mix to fix the problems. I also have projects from bigger artists and I get better results much faster. I particularly liked Doja Cat's vocals (as far as I know she usually uses a c800g). But I also really like Juice Wrld's raw vocals, who also recorded with a U87ai. But they sound much more open and cleaner compared to mine. Yeah that's so crucial with rap. If you don't feel the vibe the vocal is gonna suck, that's just all there is to it. Open and clean is what u87ai does. If that's what you're going for, I don't know if the mic is the problem. Have you listened to my raw files? What would u say is the problem if not the mic is?
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Post by gravesnumber9 on Aug 5, 2024 10:30:44 GMT -6
Yeah that's so crucial with rap. If you don't feel the vibe the vocal is gonna suck, that's just all there is to it. Open and clean is what u87ai does. If that's what you're going for, I don't know if the mic is the problem. Have you listened to my raw files? What would u say is the problem if not the mic is? Ok, HUGE disclaimer that I'm listening to these on laptop speakers. But I'm pretty familiar with these laptop speakers. I don't know, they sound like raw files to me. At first listen nothing sounds bad about these tracks. They're definitely fairly ordinary sounding in terms of sonic quality but that's not necessarily bad. One thing I might suggest is that you have what sounds to me (on laptop speakers... don't forget that!) like some proximity boost. Which if you're going for open and clear is non-ideal. Maybe try tracking on omni setting if your room can handle it? Even if your room can't "handle it" it might not matter since the vocal isn't really all that loud. I really like omni for folks who are used to being really close to the mic (in other words, all live performers).
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Post by niklas1073 on Aug 5, 2024 10:32:38 GMT -6
I took a quick spin thru your raw files. I am not in the studio now so i just used a bt speaker but… i don’t see an issue with the mic. I would start by giving some more distance to the mic, it initially sounds like there could be too much proximity effect going on. Are you leaving enough headroom on the 1073? A tracking comp like 1176 could help with that in your face aggression while still retaining the “space”. You can experiment with the uad unison before investing in any gear and that will give u an idea. I would probably track it with an la2a comp hitting some 3-5db gr. EDIT: gravesnumber9 😃 yeah I think we picked up on that proximity and pushing neve simultainiously.. could be something there despite neither was on monitors
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Post by gravesnumber9 on Aug 5, 2024 10:33:51 GMT -6
One more thing... if I'm going for open and clear and modern, Neve emulation is not what I would pick for pre-amp. It probably doesn't matter all that much unless you're really pushing the saturation but that's worth pointing out.
Took me a while to realize I don't actually like the vintage Neve sound for most of my stuff. I like the way it's DESCRIBED... haha, but I usually don't actually like it. Personal taste thing. Interestingly I really do like the more modern Neve sound which just feels really unveiled and open to me.
Part of it is that I hate boosting highs so I try to avoid signal chains that I know I'm going to need to boost later. Much easier to start with an open sound to begin with.
YMMV of course.
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luken
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Post by luken on Aug 5, 2024 10:40:29 GMT -6
I took a quick spin thru your raw files. I am not in the studio now so i just used a bt speaker but… i don’t see an issue with the mic. I would start by giving some more distance to the mic, it initially sounds like there could be too much proximity effect going on. Ate you leaving enough headroom on the 1073? A tracking comp like 1176 could help with that in your fave aggression while still retaining the “space”. You can experiment the uad unison before investing in any gear and that will hive u sn idea. I would probably track it with an la2a comp hitting some 3-5db gr. EDIT: @grevesnumber9 😃 yeah I think we picked up on that proximity simultainiously Thank you. Yes i also think they are okay but wouldn't a 251 or c800g be more "mix-ready" in my case? I have to do very much to achieve to sound my clients want. Other recordings I have (recorded with a c800g f.e.) are way easier to mix and i need less much time to get a good result. A tracking comp will also follow at some point, but i think there are a few things i would improve first (room, monitors, etc). After that I might buy a Distressor or Tla 100a.
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Post by tonycamphd on Aug 5, 2024 10:45:53 GMT -6
An SM7 and an API pre is much less than 4k, is there anything better for male rap vox?
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