|
Post by Johnkenn on Jun 13, 2024 22:24:14 GMT -6
ahem...It is true that some people tune better than others. But heavy tuning - how do you minimize the artifacts? I'm talking Melodyne here - or hey - if there's a better option...
|
|
|
Post by Ted Swan on Jun 13, 2024 23:22:39 GMT -6
I’m not gonna lie, I love melodyne but I find it really difficult to use on bad vocalists. Maybe I lack the patience.
I’ve always felt that in my hands melodyne can make a good singer sound pretty great but it’s hard to make a bad singer sound good with it.
On the other hand, auto tune in graphical mode can make a bad singer sound acceptable in a fraction of the time compared to melodyne.
I’m sure it’s my skill and not necessarily the program. I’ve used it for 15 years but I’m not getting any better haha.
|
|
|
Post by drumsound on Jun 13, 2024 23:26:53 GMT -6
ahem...It is true that some people tune better than others. But heavy tuning - how do you minimize the artifacts? I'm talking Melodyne here - or hey - if there's a better option... I'm not great at tuning, but I am working with an artist who does not have an understanding of the modal degree, not his own range. On the first group of songs I found that one some things it was about trying the different tools. Some notes needed the blob moved into the right pitch (or at least a pitch in the scale) where others needed the inflection smoothed out. Some needed both. I need to get a little better at it, but Melodyne is not something I want to spend my time with, even though I know would behoove me...
|
|
|
Post by wiz on Jun 14, 2024 1:35:55 GMT -6
ahem...It is true that some people tune better than others. But heavy tuning - how do you minimize the artifacts? I'm talking Melodyne here - or hey - if there's a better option... Have you tried RE PITCH by Synchro Arts? It's pretty damn effective and way better to edit with than Melodyne....watch a couple of the training vids...it can get pretty transperant.... cheers Wiz
|
|
|
Post by recordingengineer on Jun 14, 2024 1:36:56 GMT -6
No one is ever going to pay me even 5-minutes of my time dealing with pitch-correction (and they shouldn’t) when there are plenty of computer-wizards around the world who can do it all amazingly in 5-minutes.
Then you have the songs that are so good and they spent so much time with you, crafting their song, you’re willing to put in as much time as necessary until it’s “right”, on your own time, if you have to.
Many times, absolutely everything is plowed-through. If you don’t care, then I don’t either.
What’s worse? I’m dealing with that right now. Singing in the wrong key or straight-up hitting the tons of wrong-notes? What are you even talking about? No no no. No one cares about that stuff. It’s only all about what’s hot and being even somewhat in tune obviously has nothing to do with that. I could secretly fix things (without getting paid) and no one would know. At least I wouldn’t cringe every time and maybe be a bit less embarrassed for being associated with it, but why should I do that? It’s all getting over 1M streams after a couple months of release without a single bit of promotion, so what the hell do I know?
|
|
|
Post by svart on Jun 14, 2024 6:26:15 GMT -6
With melodyne I usually make a few passes. One pass I do a bulk "blob" correction to pitch and then go back and adjust any sections that might have been offset incorrectly or separate any blobs that need separation. Then I got back and adjust sustain and formants, then a final pass to try to tweak anything that still sounds weird.
Then add some short delay and reverb and that helps cover up what's left.
|
|
|
Post by theshea on Jun 14, 2024 6:30:38 GMT -6
i don‘t know how exactly but i guess KI should do it for you. you have enough samples of the voice recorded. now make someone else sing it with a in tune voice. now exchange the voice with KI and use the outoftune singer voice. ain‘t that how they make john lennon sing every song on the planet on yt?!?!
|
|
|
Post by thehightenor on Jun 14, 2024 7:16:21 GMT -6
Why would a non-singer be singing?
How bad is bad?
I mean if they’re a non singer and have terrible pitch, why fix it - they’re not going to notice !!
|
|
|
Post by doubledog on Jun 14, 2024 7:52:42 GMT -6
if I'm recording it, then I would ask them to do it again (or at least try). but if they cannot, then you have to start talking about moving the key, or changing the melody to something they can sing. Or polish the turd. But I suppose you are just mixing it? Melodyne is great for minor corrections but it cannot work miracles. I had one person that thought they could sing (painful) and even after applying Melodyne to hit the right notes, it still sucked. Melodyne can't fix tone or inflection or feeling or emotion... if it sounds bad to start with all you can do is make it in tune, but it will still sound bad.
|
|
|
Post by EmRR on Jun 14, 2024 8:51:14 GMT -6
Walk the line between singing and “conversational/personality”. Just fix the long notes. I usually find when i fix things and they sound weird, they don’t sound any better/worse with tuning removed.
All those singers who constantly hit half-flat notes, it’s on purpose and they don’t sound right fixed.
I had a woman who teaches piano and performs in wine bars, her singing bore no structural relation to the piano part. I had to sort out the piano scale and arbitrarily move her vocal to the same melody line. Sounded….better….but there was no “fixing” it. She watched it all and thought my approach was interesting, and also one she’d NEVER CONSIDERED. no fight, so we went my way. NOT WHAT I EVER WANT TO BE PAID FOR.
|
|
|
Post by notneeson on Jun 14, 2024 9:03:42 GMT -6
ahem...It is true that some people tune better than others. But heavy tuning - how do you minimize the artifacts? I'm talking Melodyne here - or hey - if there's a better option... One time I was struggling with this and I ended up automating the “tuning strength” selectively. This is with the plugin alliance tuner with the dumb name. Worked well though.
|
|
|
Post by Johnkenn on Jun 14, 2024 9:58:21 GMT -6
The problem I run into sometimes is raspy voiced bad singers where melodyne splits a long not into an octave because it can’t tell what’s going on. And there’s no way to fix that. Also - I’ve just gotten in a habit of going in and fixing everything. Line by line. I need to just lock it in the key and pull shit into place - then if there’s weirdness just fix the weird spots. Although, letting long notes go from sharpish to flattish is gonna drive me crazy.
|
|
|
Post by drumsound on Jun 14, 2024 10:20:51 GMT -6
The problem I run into sometimes is raspy voiced bad singers where melodyne splits a long not into an octave because it can’t tell what’s going on. And there’s no way to fix that. Also - I’ve just gotten in a habit of going in and fixing everything. Line by line. I need to just lock it in the key and pull shit into place - then if there’s weirdness just fix the weird spots. Although, letting long notes go from sharpish to flattish is gonna drive me crazy. That's were the other tools in Melodyne can [sometimes] help. The drift can be reigned in.
|
|
|
Post by Dan on Jun 14, 2024 10:33:38 GMT -6
you don't. turning entire performances rather than just things blatantly bad sounds weird in general. non singers? hell no. you must let them suck. if they don't know that they suck, then there is no problem because they don't think there is a problem and this is a service industry. it's like serving ketchup on a hot dog to someone that asks for it.
|
|
|
Post by christopher on Jun 14, 2024 11:03:03 GMT -6
Going through his old catalog, Albini RIP had a way to make really off pitch singers at least sound interesting. Might be a place for inspiration?
Otherwise I sometimes push the tuning bar into sharper/flatter places to get the tuning to sit more “in tune”. And I HATE tuning. So much trial and error. Sometimes the “target” is on a note that is not in the key just because the tuning isn’t forceful enough. Other tricks, lower volume on terrible notes and bury it in automated echo/room etc
|
|
|
Post by EmRR on Jun 14, 2024 11:21:30 GMT -6
The problem I run into sometimes is raspy voiced bad singers where melodyne splits a long not into an octave because it can’t tell what’s going on. And there’s no way to fix that. Same in DP, which is now mainly Zynaptiq, but their original in-house (good) tuning option is still there. Sometimes it decides the beginning of something is one octave, the end is another, and some random pieces in the middle aren't notes at all. Splits octaves that butt up usually tune OK.
|
|
|
Post by christopher on Jun 14, 2024 11:28:19 GMT -6
I use ReaTune, since I’m not a big vocal tuner and it’s free.
Anyway, it allows you to set max/min notes, so you don’t get the jumping around thing. Sometimes I’ve done that for a word.. either print it out, or put that word on its own track/chain
|
|
|
Post by the other mark williams on Jun 14, 2024 12:50:59 GMT -6
you don't. turning entire performances rather than just things blatantly bad sounds weird in general. non singers? hell no. you must let them suck. if they don't know that they suck, then there is no problem because they don't think there is a problem and this is a service industry. it's like serving ketchup on a hot dog to someone that asks for it. Wait a second, it never occurred to me that you might be from Chicago
|
|
|
Post by Johnkenn on Jun 14, 2024 13:13:28 GMT -6
you don't. turning entire performances rather than just things blatantly bad sounds weird in general. non singers? hell no. you must let them suck. if they don't know that they suck, then there is no problem because they don't think there is a problem and this is a service industry. it's like serving ketchup on a hot dog to someone that asks for it. I get it...but this is a business. If a client wants to give me $10k for a project, then I'm not going to not do the job as a matter of cultural protest lol.
|
|
|
Post by Johnkenn on Jun 14, 2024 13:16:31 GMT -6
Also - it wouldn't be a question for higher paying projects - we'd just re-sing those parts. So I'm looking at trimming the fat from Time and Quality due to a lack of Cost it's a-costin' them.
|
|
|
Post by Dan on Jun 14, 2024 13:29:23 GMT -6
you don't. turning entire performances rather than just things blatantly bad sounds weird in general. non singers? hell no. you must let them suck. if they don't know that they suck, then there is no problem because they don't think there is a problem and this is a service industry. it's like serving ketchup on a hot dog to someone that asks for it. I get it...but this is a business. If a client wants to give me $10k for a project, then I'm not going to not do the job as a matter of cultural protest lol. Yeah but if they want the steak well done then you serve it to them well done because otherwise they'll send it back.
|
|
|
Post by itzprime on Jun 14, 2024 14:13:41 GMT -6
ahem...It is true that some people tune better than others. But heavy tuning - how do you minimize the artifacts? I'm talking Melodyne here - or hey - if there's a better option... Yeah it's terrible, but if you don't get another take, usually Melodyne into Autotune works recently well (both not as extreme as one usually would do). For the weird rasps that don't get picked up properly by Melodyne - these usually work a bit better in Autotune
|
|
|
Post by Johnkenn on Jun 14, 2024 14:33:00 GMT -6
Tried Re-Pitch Standard...I'm sure I could get used to using this...found the tool shortcuts and that made things quicker. It definitely does some things nicely that Melodyne has trouble with sometimes...but where it seems like Melodyne has its issues with transients causing some artifacts if they're changed, Repitch has a "sound" to it - it sounds like Autotune. It does an excellent job when you have to draw stuff in - Melodyne doesn't have that - but it can be the equivalent of bad "face tuning" in a photo. It's so smoothed out it gives it away as fake. Kinda sounds like that to me. But I'm sure you could learn to pull it back. It would be nice to have this for stuff that's not working in Melodyne, though. wiz - what's the diff in the elements and standard versions?
|
|
|
Post by Tbone81 on Jun 14, 2024 14:53:31 GMT -6
I’m pretty damn good at tuning vocals but I haven’t found any real short cuts. I use melodyne, but I know I’m not using it to its fullest potential, still, it’s a time consuming, tedious task to do it right. Locking it to a key may help, certain parts of the song, but it’ll back fire on you too. Especially when a song modulates. Chords that switch from major to minor. Borrowed minor chords that don’t belong in the scale. It’s the melody following a melodic minor scale with a changing 7th scale step? The software just doesn’t keep up.
You have to go line by line and listen. Often you just want to tune the main parts a certain percentage so that they don’t sound over processes, and keep the long ending sustain notes on perfect pitch.
Lately I’ve been using the build in pitch correction from Cubase and it’s been a bit better/faster/easier than melodyne.
|
|
|
Post by wiz on Jun 14, 2024 15:27:02 GMT -6
Tried Re-Pitch Standard...I'm sure I could get used to using this...found the tool shortcuts and that made things quicker. It definitely does some things nicely that Melodyne has trouble with sometimes...but where it seems like Melodyne has its issues with transients causing some artifacts if they're changed, Repitch has a "sound" to it - it sounds like Autotune. It does an excellent job when you have to draw stuff in - Melodyne doesn't have that - but it can be the equivalent of bad "face tuning" in a photo. It's so smoothed out it gives it away as fake. Kinda sounds like that to me. But I'm sure you could learn to pull it back. It would be nice to have this for stuff that's not working in Melodyne, though. wiz - what's the diff in the elements and standard versions? Not sure on the difference……. i have found it to be very transparent and amazing at manual vibrato reduction….
|
|