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Post by andersmv on Jan 20, 2024 17:15:50 GMT -6
audient.com/products/monitor-controllers/oria/overview/This has got me rethinking an Atmos setup again. I was thinking about it about 2 years back, just seemed like too many stupid hurdles and kinks to work out that all added up quickly. Even looking at affordable options, there wasn’t a good way to deal with monitor control or correction issues for speaker delay and EQ. Even stupid things like simply being able to listen to Atmos mixes on speakers with a streaming service were a headache. It looks like Audient has solved everything I could think of as being an “issue” and packaged it all together for under $3k. About time… Looking at a good speaker package from someone like Kali, and I think I could put together a great Atmos system for $6k total (taking into account all the extra mounting and cable things I would need). I’m seriously considering selling my API Box Console and using that money to get an Atmos System, as well as upgrade my Barefoots and having my dream stereo speaker package too. Would probably have money left over to grab a few more good preamps (more Coils) and something like Soyuz new ambisonic mic. I’m really hankering to make some acoustic albums in Atmos and get really creative…
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Post by Tbone81 on Jan 20, 2024 17:40:21 GMT -6
I was looking at this and thinking it could be a great monitor controller for a traditional setup too…control 2-3 sets of monitors with bass management and sonar works integration…sounds awesome to me.
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Post by seawell on Jan 20, 2024 17:49:26 GMT -6
The problem with Atmos continues to be the delivery to the end user/listener. Most everyone that hears it is going to hear it on headphones and I have very, very rarely found Atmos to not completely suck on headphones. If creatively it feels like something you'd like to do, I say go for it. If there are any financial considerations as far as Atmos work coming in to help fund the system, I'd be very cautious about that. I would much rather have the API personally.
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ericn
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Post by ericn on Jan 20, 2024 18:01:22 GMT -6
audient.com/products/monitor-controllers/oria/overview/This has got me rethinking an Atmos setup again. I was thinking about it about 2 years back, just seemed like too many stupid hurdles and kinks to work out that all added up quickly. Even looking at affordable options, there wasn’t a good way to deal with monitor control or correction issues for speaker delay and EQ. Even stupid things like simply being able to listen to Atmos mixes on speakers with a streaming service were a headache. It looks like Audient has solved everything I could think of as being an “issue” and packaged it all together for under $3k. About time… Looking at a good speaker package from someone like Kali, and I think I could put together a great Atmos system for $6k total (taking into account all the extra mounting and cable things I would need). I’m seriously considering selling my API Box Console and using that money to get an Atmos System, as well as upgrade my Barefoots and having my dream stereo speaker package too. Would probably have money left over to grab a few more good preamps (more Coils) and something like Soyuz new ambisonic mic. I’m really hankering to make some acoustic albums in Atmos and get really creative… The thing that always scares me about affordable Atmos monitors is how many of these cabinets were actually designed to be supported from the rear baffle?
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Post by drbill on Jan 20, 2024 21:10:55 GMT -6
For me, ATMOS = ZZZZzzzzzzzz.......
I loved 5.1. Especially the surround DTS CD's. I had two separate kick azz systems in the studios. Other than delivering for films, I never had a single client ever want to mix surround. Large waste of $$$, real estate and ergonomics.
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Post by Bob Olhsson on Jan 20, 2024 22:21:07 GMT -6
Stereo was launched by hobbyists and not record labels or gear manufacturers. It only took over because large corporate retail chains stopped buying mono versions around 1968. The suits stumbled into making a lot of money and have been trying to repeat the same process since then but failing over and over.
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Post by thehightenor on Jan 21, 2024 3:32:26 GMT -6
I’ve always believed the perennial popularity of stereo is to be found in the arrangement of the human head.
Two ears - a left one and a right one.
Two channels of audio - left and right.
It’s so neat and obvious and just works.
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Post by Bob Olhsson on Jan 21, 2024 12:33:15 GMT -6
That's REAL stereo which can actually be very immersive. Most of what we get and prefer is multi-mono with little spatial effect.
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Post by thehightenor on Jan 22, 2024 9:18:48 GMT -6
That's REAL stereo which can actually be very immersive. Most of what we get and prefer is multi-mono with little spatial effect. That's true! Those famous audio recordings of a barber cutting your hair on Youtube - where you wear headphones and it's crazy how you feel like your there with just stereo information! It can be very immersive.
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ericn
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Post by ericn on Jan 22, 2024 9:43:23 GMT -6
For me, ATMOS = ZZZZzzzzzzzz....... I loved 5.1. Especially the surround DTS CD's. I had two separate kick azz systems in the studios. Other than delivering for films, I never had a single client ever want to mix surround. Large waste of $$$, real estate and ergonomics. So far other than the initial wow with any Surround recording other than film the only recordings in Atmos that have really impressed, especially in Bineral have been recorded with a single point surround mic.
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Post by drbill on Jan 23, 2024 14:54:21 GMT -6
For me, ATMOS = ZZZZzzzzzzzz....... I loved 5.1. Especially the surround DTS CD's. I had two separate kick azz systems in the studios. Other than delivering for films, I never had a single client ever want to mix surround. Large waste of $$$, real estate and ergonomics. So far other than the initial wow with any Surround recording other than film the only recordings in Atmos that have really impressed, especially in Bineral have been recorded with a single point surround mic. And we all KNOW how much Apple is promoting those... No, ATMOS for music is a typical money grab situation by the Apple tech crowd.
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Post by drumsound on Jan 23, 2024 17:42:50 GMT -6
So far other than the initial wow with any Surround recording other than film the only recordings in Atmos that have really impressed, especially in Bineral have been recorded with a single point surround mic. And we all KNOW how much Apple is promoting those... No, ATMOS for music is a typical money grab situation by the Apple tech crowd. Agreed!
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ericn
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Post by ericn on Jan 23, 2024 17:51:14 GMT -6
So far other than the initial wow with any Surround recording other than film the only recordings in Atmos that have really impressed, especially in Bineral have been recorded with a single point surround mic. And we all KNOW how much Apple is promoting those... No, ATMOS for music is a typical money grab situation by the Apple tech crowd. I see a commercial with a ATMOS remix of Pink Floyd’s Money in Apple’s future. It would be a subtle but very truthful ad😁
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Post by seawell on Jan 23, 2024 18:09:42 GMT -6
With NAMM right around the corner, we can expect the yearly $weetwater Atmos push 😁
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Post by drbill on Jan 23, 2024 18:13:45 GMT -6
With NAMM right around the corner, we can expect the yearly $weetwater Atmos push 😁 All the "influencers" seem to be going Atmos.....
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ericn
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Post by ericn on Jan 23, 2024 18:27:36 GMT -6
With NAMM right around the corner, we can expect the yearly $weetwater Atmos push 😁 All the "influencers" seem to be going Atmos..... Well if ATC or Quested wants to give me a system, I’ll gladly tell everyone how great it is😁 Of Course it’s the hottest thing, because 1/4 system is entirely backwards compatible with good old stereo!
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Post by seawell on Jan 23, 2024 19:01:15 GMT -6
With NAMM right around the corner, we can expect the yearly $weetwater Atmos push 😁 All the "influencers" seem to be going Atmos..... The influencers are being heavily influenced $$$$$$$$
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ericn
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Post by ericn on Jan 23, 2024 19:12:41 GMT -6
All the "influencers" seem to be going Atmos..... The influencers are being heavily influenced $$$$$$$$ I’m cheap why they would just have to keep me under the influence, wait my bartender just reminded me that isn’t cheap 🤪
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Post by andersmv on Jan 23, 2024 19:29:18 GMT -6
You’re all no fun… 😂. Seriously, I’ve gone back and forth on this SO many times I’m starting to get sea sick. Ya, Atmos is a giant money grab. It doesn’t mean it can’t be great, and I’m willing to bet a lot of you haven’t sat in a proper Atmos room and heard what it’s capable of. I’ll eat crow if need be in a few years, but I don’t see it going away.
I’ve got ideas, I’ve got plans… I’m not really interested in remixing everyone’s stems into Atmos, but I’m sure I’ll end up doing that to pay bills. Don’t be so grouchy that you can’t see the potential “wow” factor of Atmos when done right. It can be a lot of fun and really inspiring.
I’ll never fault anyone for pointing out it being a way to sell more gear, but we’re on a freaking recording forum talking about the thousandth tube gear clone daily, so ya… Don’t sit on your high horse and preach about being against it because it’s a money grab. Welcome to the music industry…
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Post by seawell on Jan 23, 2024 22:17:52 GMT -6
You’re all no fun… 😂. Seriously, I’ve gone back and forth on this SO many times I’m starting to get sea sick. Ya, Atmos is a giant money grab. It doesn’t mean it can’t be great, and I’m willing to bet a lot of you haven’t sat in a proper Atmos room and heard what it’s capable of. I’ll eat crow if need be in a few years, but I don’t see it going away. I’ve got ideas, I’ve got plans… I’m not really interested in remixing everyone’s stems into Atmos, but I’m sure I’ll end up doing that to pay bills. Don’t be so grouchy that you can’t see the potential “wow” factor of Atmos when done right. It can be a lot of fun and really inspiring. I’ll never fault anyone for pointing out it being a way to sell more gear, but we’re on a freaking recording forum talking about the thousandth tube gear clone daily, so ya… Don’t sit on your high horse and preach about being against it because it’s a money grab. Welcome to the music industry… Get off our lawn LOL. Seriously though, I don't mean to rain on your parade but if you look back a couple of years ago here I made an Atmos post very similar to yours. I was really into and was excited, I was going to go all in but I'm so glad I didn't. The experience you're talking about listening in a proper Atmos room is fun for those of us that will get to do it but what I realized is that basically no end user is going to ever have that experience. Unfortunately they don't care. If we're lucky they will listen on headphones but a lot of times they listen on their phone speaker 🤦🏻♂️ The bad news for us is that Atmos sounds like 💩 on headphones and phone speakers. So, for anyone that has extra funds to purchase an Atmos rig and you're interested in the creative possibilities it offers, I fully support it. However, if you have to sell gear that you're currently using and enjoy to pay for it, I can't help but caution you. Nevermind the fact of how client un-friendly it is to your control room. It's clunky, it gets in the way. Anyway, do what you want in the end and who cares what anyone thinks but I don't see anyone on a high horse here, there are just some guys that have been around the block several times and have seen multiple surround formats fail in music over the years. They all claimed to be "different this time" and they've all been wrong. It's not because they aren't fun or aren't interesting...it's because listeners just simply don't care and aren't going to put in the effort to have that same experience you'll have in an Atmos room. Heck...we could GIVE everyone a free Atmos system and they wouldn't even sit still long enough to enjoy it 🤣 My recommendation is do your stereo mix on your monitors...do Atmos mixes on headphones and use the extra savings to buy more Vari Mu Comps & Microphones 🤑
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Post by drbill on Jan 23, 2024 23:49:45 GMT -6
I’m willing to bet a lot of you haven’t sat in a proper Atmos room and heard what it’s capable of. Maybe. But I can tell you that I have TONS (literally) of extremely expensive gear and mics and make a very comfortable living off the studio, but I can't afford a "proper", real, kick ass Atmos room. And neither can the consumers. And neither can you for $6,000. I hate to break it to ya, but selling that API is only going to barely scratch the surface. You'll essentially need a whole room redesign to go along with it. And more.
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Post by andersmv on Jan 24, 2024 0:19:06 GMT -6
I disagree. I respect the view of the older, more experienced people than me. At the same time, I started working in studios in like 2004 and have seen enough changes over the years to where I’m not exactly a spring chicken either. People keep telling me stuff like “it sucks on headphones”, yet Ive heard some stuff that I thought sounded better than the stereo mixes switching back and forth. I’ve also heard really bad ones. Same goes for all the phones and shit devices out there, I’ve heard Atmos stuff sound WAY better coming out of a phone or Alexa like thing than the stereo. The potential is there, we just all generally suck at this as it’s a huge learning curve and takes time.
Anyway, I don’t want to turn this thread into another poop fest, there’s plenty of them everywhere else. I’m a big boy and I’m not stupid, and think about all of this a lot and continue to go back and forth. This product look promising for allowing professionals to “dip their toes into” the Atmos world. Thank you for continuing to tell me how bad of an idea this all is 😂. I’m sure I need to hear it a few more times before I give up on this for th umpteenth time.
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Post by Bob Olhsson on Jan 24, 2024 22:49:25 GMT -6
The main problem with Atmos is remixing rather than making production decisions while monitoring in that format. Stereo production decisions need to be made while monitoring in stereo and likewise for mono. You will probably find yourself choosing different takes for each. I began my career in the mid 1960s when we were transitioning from mono to stereo and first learned this lesson.
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Post by drumsound on Jan 25, 2024 0:01:50 GMT -6
You’re all no fun… 😂. Seriously, I’ve gone back and forth on this SO many times I’m starting to get sea sick. Ya, Atmos is a giant money grab. It doesn’t mean it can’t be great, and I’m willing to bet a lot of you haven’t sat in a proper Atmos room and heard what it’s capable of. I’ll eat crow if need be in a few years, but I don’t see it going away. I’ve got ideas, I’ve got plans… I’m not really interested in remixing everyone’s stems into Atmos, but I’m sure I’ll end up doing that to pay bills. Don’t be so grouchy that you can’t see the potential “wow” factor of Atmos when done right. It can be a lot of fun and really inspiring. I’ll never fault anyone for pointing out it being a way to sell more gear, but we’re on a freaking recording forum talking about the thousandth tube gear clone daily, so ya… Don’t sit on your high horse and preach about being against it because it’s a money grab. Welcome to the music industry… It's not about fun or creativity. It's about both business and the end user. People literally do not care one iota about any sort of surround music only situations. Quad in the '70s, 5.1 SACD in the '90s, Atmos in the '20s. Music consumers don't care. Sure there's the occasional 'audifile' who will buy the worst music in the world because "it sounds so clear," but typical music lovers and music makers have been and will continue to listen in stereo.
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Post by wiz on Jan 25, 2024 0:31:10 GMT -6
You’re all no fun… 😂. Seriously, I’ve gone back and forth on this SO many times I’m starting to get sea sick. Ya, Atmos is a giant money grab. It doesn’t mean it can’t be great, and I’m willing to bet a lot of you haven’t sat in a proper Atmos room and heard what it’s capable of. I’ll eat crow if need be in a few years, but I don’t see it going away. I’ve got ideas, I’ve got plans… I’m not really interested in remixing everyone’s stems into Atmos, but I’m sure I’ll end up doing that to pay bills. Don’t be so grouchy that you can’t see the potential “wow” factor of Atmos when done right. It can be a lot of fun and really inspiring. I’ll never fault anyone for pointing out it being a way to sell more gear, but we’re on a freaking recording forum talking about the thousandth tube gear clone daily, so ya… Don’t sit on your high horse and preach about being against it because it’s a money grab. Welcome to the music industry… It's not about fun or creativity. It's about both business and the end user. People literally do not care one iota about any sort of surround music only situations. Quad in the '70s, 5.1 SACD in the '90s, Atmos in the '20s. Music consumers don't care. Sure there's the occasional 'audifile' who will buy the worst music in the world because "it sounds so clear," but typical music lovers and music makers have been and will continue to listen in stereo. My life was impacted enormously when I was 7/8 years old.. listening to Dark Side Of The Moon, in my brothers car on 8 track with quadraphonic sound...its a shame more people don't have that experience... cheers Wiz
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