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Post by ericn on Jun 5, 2023 11:17:29 GMT -6
The problem for me with virtual knobs, (and touch screens too in a way) is it’s shared and changes. So I may train myself “this knob is ratio” and then the next plugin “the knob is EQ node 3 gain”. My brain will reach for the same place for all the different plugins and I’m always wrong lol Same in the car with a touchscreen, I can’t just reach for the treble and bass.. I have to take eyes off the road and go through submenus That's why the SSL UC1 appeals to me. It has dedicated physical knobs for every function. I would be completely okay with using a controller like that, provided that I want the sound of the particular plugin(s) that are tied to that controller. I mean, it's not like you wouldn't have a bunch of channels of the exact same eq on every channel if you were working on an actual analog console. It's not like you need 15 or 20 different kinds of eq on a mix. That said, I don't know whether or not I'd want to be using SSL eq on every channel. However if a controller ever came out that was mapped in the same way as the UC1, but for an API, Neve, EMI, etc, I'd be all over that. I'm still hoping that something like this comes out for the UAD API Vision console emulation. Absent that, I'm still thinking that I may just pick up a UF8, once Luna gets full MCU capabilities, and map the Vision knobs across the top eight Vpots on the UF8, implement the API on every channel in Luna, and then use muscle memory to manipulate those eight Vpots the same way, no matter what channel I'm on. My main focus going forward is to figure out a control surface that I just use with the same channel strip on every channel, instead of a bunch of different kinds of plugins on each channel. The thing is “ dedicated “ really should be “ Maped for our plugins and it can be changed to your liking” that doesn’t sell gear and I know GC is pushing the SSL stuff like it’s set up out of the box for everyone, that’s why they have a bunch of the other SSL controllers used.
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Post by Quint on Jun 5, 2023 11:29:42 GMT -6
That's why the SSL UC1 appeals to me. It has dedicated physical knobs for every function. I would be completely okay with using a controller like that, provided that I want the sound of the particular plugin(s) that are tied to that controller. I mean, it's not like you wouldn't have a bunch of channels of the exact same eq on every channel if you were working on an actual analog console. It's not like you need 15 or 20 different kinds of eq on a mix. That said, I don't know whether or not I'd want to be using SSL eq on every channel. However if a controller ever came out that was mapped in the same way as the UC1, but for an API, Neve, EMI, etc, I'd be all over that. I'm still hoping that something like this comes out for the UAD API Vision console emulation. Absent that, I'm still thinking that I may just pick up a UF8, once Luna gets full MCU capabilities, and map the Vision knobs across the top eight Vpots on the UF8, implement the API on every channel in Luna, and then use muscle memory to manipulate those eight Vpots the same way, no matter what channel I'm on. My main focus going forward is to figure out a control surface that I just use with the same channel strip on every channel, instead of a bunch of different kinds of plugins on each channel. The thing is “ dedicated “ really should be “ Maped for our plugins and it can be changed to your liking” that doesn’t sell gear and I know GC is pushing the SSL stuff like it’s set up out of the box for everyone, that’s why they have a bunch of the other SSL controllers used. If SSL ever allowed other licensed plugins to be controlled by the UC1, like those SSL plugins licensed by UAD, sure, then I'd agree that that would be even better. The thing with allowing it to be "changed to your liking" is that you then get a generic controller that tries to be everything to everyone, and ends up being mediocre in every way. At least that's been the way that things have been happening for years... There's pros and cons to both approaches but, provided someone releases a controller dedicated to a channel strip plugin that I actually want to mix with on every channel (looking at you UAD API Vision), I'm increasingly on board with the idea of paying the premium to just have a controller that I use for control of just one plugin, the same way on every channel, no different than you would be doing if you were on an analog console. Absent a dedicated controller like the UC1, I want to find the next best thing, which at this point seems to be the UF8 or possibly the MP Midi. Maybe that new Nektar thing that was just released. I'd just get whatever would work best for my needs and really spend some time getting it mapped to control that one plugin really well, and then get the muscle memory going so I don't have to think about which knobs control what. I don't want to fuck with the computer anymore. I don't want to look at the computer anymore. I just want to turn knobs, push buttons, and use my ears.
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ericn
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Post by ericn on Jun 5, 2023 11:37:59 GMT -6
The thing is “ dedicated “ really should be “ Maped for our plugins and it can be changed to your liking” that doesn’t sell gear and I know GC is pushing the SSL stuff like it’s set up out of the box for everyone, that’s why they have a bunch of the other SSL controllers used. If SSL ever allowed other licensed plugins to be controlled by the UC1, like those SSL plugins licensed by UAD, sure, then I'd agree that that would be even better. The thing with allowing it to be "changed to your liking" is that you then get a generic controller that tries to be everything to everyone, and ends up being mediocre in every way. At least that's been the way that things have been happening for years... There's pros and cons to both approaches but, provided someone releases a controller dedicated to a channel strip plugin that I actually want to mix with on every channel (looking at you UAD API Vision), I'm increasingly on board with the idea of paying the premium to just have a controller that I use for control of just one plugin, the same way on every channel, no different than you would be doing if you were on an analog console. I don't want to fuck with the computer anymore. I don't want to look at the computer anymore. I just want to turn knobs and use my ears. I agree the problem is what Behringer / TC ran into with their plugins and controllers, awesome but if I need a separate controller for every plugin I’m going to need a bigger desk. When Avid and Mackie first came up with HUI we were promised plugin controllers that would be plug and play, when HUI was cracked they went silent.
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Post by Deleted on Jun 5, 2023 11:40:14 GMT -6
The thing is “ dedicated “ really should be “ Maped for our plugins and it can be changed to your liking” that doesn’t sell gear and I know GC is pushing the SSL stuff like it’s set up out of the box for everyone, that’s why they have a bunch of the other SSL controllers used. If SSL ever allowed other licensed plugins to be controlled by the UC1, like those SSL plugins licensed by UAD, sure, then I'd agree that that would be even better. The thing with allowing it to be "changed to your liking" is that you then get a generic controller that tries to be everything to everyone, and ends up being mediocre in every way. At least that's been the way that things have been happening for years... There's pros and cons to both approaches but, provided someone releases a controller dedicated to a channel strip plugin that I actually want to mix with on every channel (looking at you UAD API Vision), I'm increasingly on board with the idea of paying the premium to just have a controller that I use for control of just one plugin, the same way on every channel, no different than you would be doing if you were on an analog console. I don't want to fuck with the computer anymore. I don't want to look at the computer anymore. I just want to turn knobs, push buttons, and use my ears. Yeah but api would never allow that and I don’t think Sony would allow an Oxford controller. I would kill for a GML controller for the MDW EQ and DRC now. That would save a lot of time and I could pile on the other brands of special fx before and after them. Edit: Console 1 was Softube’s try at that but the sound of the ones not Neve was just not there and the Neve is quite cool but kind of brown. I’d rather use the PSP Infinistrip or Fuse Tascam strip because they sound even cooler.
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Post by ericn on Jun 5, 2023 11:45:05 GMT -6
If SSL ever allowed other licensed plugins to be controlled by the UC1, like those SSL plugins licensed by UAD, sure, then I'd agree that that would be even better. The thing with allowing it to be "changed to your liking" is that you then get a generic controller that tries to be everything to everyone, and ends up being mediocre in every way. At least that's been the way that things have been happening for years... There's pros and cons to both approaches but, provided someone releases a controller dedicated to a channel strip plugin that I actually want to mix with on every channel (looking at you UAD API Vision), I'm increasingly on board with the idea of paying the premium to just have a controller that I use for control of just one plugin, the same way on every channel, no different than you would be doing if you were on an analog console. I don't want to fuck with the computer anymore. I don't want to look at the computer anymore. I just want to turn knobs, push buttons, and use my ears. Yeah but api would never allow that and I don’t think Sony would allow an Oxford controller. I would kill for a GML controller for the MDW EQ and DRC now. That would save a lot of time and I could pile on the other brands of special fx before and after them. Dan, the funny thing is if all these plugin vendors only stepped out of their world and realized if you make it easy for people they will buy for the ease. I was talking to a lighting DR for a major tour and he was telling me how he pissed off the rental house because he wouldn’t take a single fixture on tour that wasn’t mapped for his favorite controller.
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Post by Quint on Jun 5, 2023 11:49:16 GMT -6
If SSL ever allowed other licensed plugins to be controlled by the UC1, like those SSL plugins licensed by UAD, sure, then I'd agree that that would be even better. The thing with allowing it to be "changed to your liking" is that you then get a generic controller that tries to be everything to everyone, and ends up being mediocre in every way. At least that's been the way that things have been happening for years... There's pros and cons to both approaches but, provided someone releases a controller dedicated to a channel strip plugin that I actually want to mix with on every channel (looking at you UAD API Vision), I'm increasingly on board with the idea of paying the premium to just have a controller that I use for control of just one plugin, the same way on every channel, no different than you would be doing if you were on an analog console. I don't want to fuck with the computer anymore. I don't want to look at the computer anymore. I just want to turn knobs and use my ears. I agree the problem is what Behringer / TC ran into with their plugins and controllers, awesome but if I need a separate controller for every plugin I’m going to need a bigger desk. When Avid and Mackie first came up with HUI we were promised plugin controllers that would be plug and play, when HUI was cracked they went silent. Yeah, that's why I really just intend to settle on one channel strip plugin and use it everywhere, no different than if I were using an analog console. I don't need nor want a bunch of different controllers for controlling a bunch of different channel strips. I mean, I might be convinced to have two controllers around, just to be able to have a couple of different console options, but the whole point of all of this is to try to get away from all of the option paralysis that comes with owning 500 different plugins and all of the mousing around that comes with using so many different kinds of plugins all over a mix. Just give me one or two channel strip plugins, each with with their own dedicated controller, and I'll use a mouse for whatever other limited amount of plugins that I may use. But the point would be to have 90% or greater of sound shaping happen completely via a hardware controller.
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Post by Quint on Jun 5, 2023 11:50:40 GMT -6
If SSL ever allowed other licensed plugins to be controlled by the UC1, like those SSL plugins licensed by UAD, sure, then I'd agree that that would be even better. The thing with allowing it to be "changed to your liking" is that you then get a generic controller that tries to be everything to everyone, and ends up being mediocre in every way. At least that's been the way that things have been happening for years... There's pros and cons to both approaches but, provided someone releases a controller dedicated to a channel strip plugin that I actually want to mix with on every channel (looking at you UAD API Vision), I'm increasingly on board with the idea of paying the premium to just have a controller that I use for control of just one plugin, the same way on every channel, no different than you would be doing if you were on an analog console. I don't want to fuck with the computer anymore. I don't want to look at the computer anymore. I just want to turn knobs, push buttons, and use my ears. Yeah but api would never allow that and I don’t think Sony would allow an Oxford controller. I would kill for a GML controller for the MDW EQ and DRC now. That would save a lot of time and I could pile on the other brands of special fx before and after them. Edit: Console 1 was Softube’s try at that but the sound of the ones not Neve was just not there and the Neve is quite cool but kind of brown. I’d rather use the PSP Infinistrip or Fuse Tascam strip because they sound even cooler. You may be right about API not allowing that, which is why I had said that, absent a dedicated controller like the UC1, I want to find the next best thing, which at this point seems to be the UF8 or possibly the MP Midi. Maybe that new Nektar thing that was just released. I'd just get whatever would work best for my needs and really spend some time getting it mapped to control that one plugin really well, and then get the muscle memory going so I don't have to think about which knobs control what. Either way, I'm just increasingly into the idea of picking a channel strip that I like the most, and using it everywhere, all controlled by a controller of some kind that I have set up in a set and forget manner to exclusively control said channel strip plugin. That's the reason that the UC1 impresses me, regardless of what you or I may think about the tone of the plugin that it is controlling. The concept is very appealing. If Softube/UA ever get Console 1 figured out to control plugins in Luna, the Console 1 would probably jump to the front of my list, but that hasn't happened yet, and I don't know if it ever will. The relationship between those two companies seems to have cooled, and I suspect that it's because UA has gone native.
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Post by theshea on Jun 5, 2023 12:40:31 GMT -6
I keep saying I’ll be all over the first controller where a manufacturer makes an effort to provide control mapping of plugins besides their own. You guys seen the MP Midi? mpmidi.com/welly well … from time to time i miss my liquid mix. while not all the gear sampled were great, a few were very good and when listening back to the mixes i made with it, i still like the sounds. … and knobs for all the eq‘s and comps!!! 10 years to early.
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Post by Deleted on Jun 5, 2023 14:34:06 GMT -6
First thought, if it was a modern SSL you would find out how crappy SSL’s DAW intergration really is. Now can we all hope and make our sacrifices to the gods of audio in hopes that AVID’s next owners open up EUCON to other hardware vendors? I mean to have an analog console next to a HUI, not integrated because that only means one thing: Compromise. No thanks. DAW as a workstation/tape deck into 24 to 32 Analog LFAC inserts would be preferable for me. I'm mostly in the box now and don't like the results, even with inserts running great analog comps. limiters. EQs etc You need to stack up the non-linear inserts. Measure and abuse everything you can!
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Post by donr on Jun 5, 2023 15:15:37 GMT -6
Hell I would rather be ma king D-sub cables.” Or "heck, I could have been lick-testing 9 volt batteries" Funny how quickly you get used to licking 9 volts. I bet that's how they QC at Duracell. Who's that YouTube DIY guy who gets electrocuted every episode? Hilarious! [electroboom on YouTube]
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Post by ericn on Jun 5, 2023 16:33:37 GMT -6
Or "heck, I could have been lick-testing 9 volt batteries" Funny how quickly you get used to licking 9 volts. I bet that's how they QC at Duracell. Who's that YouTube DIY guy who gets electrocuted every episode? Hilarious! [electroboom on YouTube] I could lick the pack on Tesla while in rainbow road mode😁
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Post by Ward on Jun 5, 2023 17:23:29 GMT -6
Funny how quickly you get used to licking 9 volts. I bet that's how they QC at Duracell. Who's that YouTube DIY guy who gets electrocuted every episode? Hilarious! [electroboom on YouTube] I could lick the pack on Tesla while in rainbow road mode😁 Well that makes one of us.
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Post by Deleted on Jun 5, 2023 17:48:25 GMT -6
I agree the problem is what Behringer / TC ran into with their plugins and controllers, awesome but if I need a separate controller for every plugin I’m going to need a bigger desk. When Avid and Mackie first came up with HUI we were promised plugin controllers that would be plug and play, when HUI was cracked they went silent. Yeah, that's why I really just intend to settle on one channel strip plugin and use it everywhere, no different than if I were using an analog console. I don't need nor want a bunch of different controllers for controlling a bunch of different channel strips. I mean, I might be convinced to have two controllers around, just to be able to have a couple of different console options, but the whole point of all of this is to try to get away from all of the option paralysis that comes with owning 500 different plugins and all of the mousing around that comes with using so many different kinds of plugins all over a mix. Just give me one or two channel strip plugins, each with with their own dedicated controller, and I'll use a mouse for whatever other limited amount of plugins that I may use. But the point would be to have 90% or greater of sound shaping happen completely via a hardware controller. it doesn’t exist. All channel strip plugins pretty much suck for utilitarian use. Including Slate, the psp Infinistrip, console 1, mcdsp, everything ssl and brainworx, etc. they’re not flexible enough or have digital artifacts, poor control, phase shift, cramping or numerical errors. The best single plug is probably Nova GE as a crazy parallel eq / dynamics processor when you truly understand it. Otherwise the best are things from 90s digital consoles like The Oxford and SSL Native or you now just use an eq and a compressor that you like. The Massenburg and Tokyo Dawn stuff is amazing the UAD is cool for what it is. The old Sony Oxford six pack and Waves Renaissance Maxx plugs are still pretty good and decramped Fabfilter is okay. Cool zoomer workflow but sound isn’t great on anything. The SSL Native stuff is okay and makes sense but the dynamics are rank. Now with oversampling and decramping. Console 1 has minimum phase anti alias filter oversampling thus phase shift. McDSP has big time aliasing and dc offset in the dynamics. PSP Infinistrip is mega distorted usually if you like that. I do but it’s not a go to. The brainworx strips are pretty rank
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Post by ericn on Jun 5, 2023 17:55:32 GMT -6
I could lick the pack on Tesla while in rainbow road mode😁 Well that makes one of us. In rainbow road mode it plays Don’t fear the Reaper, so there was a inside joke there😜
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Post by Quint on Jun 5, 2023 18:04:53 GMT -6
Yeah, that's why I really just intend to settle on one channel strip plugin and use it everywhere, no different than if I were using an analog console. I don't need nor want a bunch of different controllers for controlling a bunch of different channel strips. I mean, I might be convinced to have two controllers around, just to be able to have a couple of different console options, but the whole point of all of this is to try to get away from all of the option paralysis that comes with owning 500 different plugins and all of the mousing around that comes with using so many different kinds of plugins all over a mix. Just give me one or two channel strip plugins, each with with their own dedicated controller, and I'll use a mouse for whatever other limited amount of plugins that I may use. But the point would be to have 90% or greater of sound shaping happen completely via a hardware controller. it doesn’t exist. All channel strip plugins pretty much suck for utilitarian use. Including Slate, the psp Infinistrip, console 1, mcdsp, everything ssl and brainworx, etc. they’re not flexible enough or have digital artifacts, poor control, phase shift, cramping or numerical errors. The best single plug is probably Nova GE as a crazy parallel eq / dynamics processor when you truly understand it. Otherwise the best are things from 90s digital consoles like The Oxford and SSL Native or you now just use an eq and a compressor that you like. The Massenburg and Tokyo Dawn stuff is amazing the UAD is cool for what it is. The old Sony Oxford six pack and Waves Renaissance Maxx plugs are still pretty good and decramped Fabfilter is okay. Cool zoomer workflow but sound isn’t great on anything. The SSL Native stuff is okay and makes sense but the dynamics are rank. Now with oversampling and decramping. Console 1 has minimum phase anti alias filter oversampling thus phase shift. McDSP has big time aliasing and dc offset in the dynamics. PSP Infinistrip is mega distorted usually if you like that. I do but it’s not a go to. The brainworx strips are pretty rank UAD API Vision. Have you tried it? I would disagree that it doesn't exist. Also, though I've mentioned channel strip plugins, there's no reason that you couldn't assemble your own channel strip from various eq and comps that you prefer, provided you can find the right generic controller that will map things the way you want. Either way, my point was simply to say that I just want a dedicated eq and comp (the SAME eq and comp) on each and every channel, with a dedicated controller to run them all, for all of the reasons I already stated.
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Post by Deleted on Jun 5, 2023 21:45:25 GMT -6
it doesn’t exist. All channel strip plugins pretty much suck for utilitarian use. Including Slate, the psp Infinistrip, console 1, mcdsp, everything ssl and brainworx, etc. they’re not flexible enough or have digital artifacts, poor control, phase shift, cramping or numerical errors. The best single plug is probably Nova GE as a crazy parallel eq / dynamics processor when you truly understand it. Otherwise the best are things from 90s digital consoles like The Oxford and SSL Native or you now just use an eq and a compressor that you like. The Massenburg and Tokyo Dawn stuff is amazing the UAD is cool for what it is. The old Sony Oxford six pack and Waves Renaissance Maxx plugs are still pretty good and decramped Fabfilter is okay. Cool zoomer workflow but sound isn’t great on anything. The SSL Native stuff is okay and makes sense but the dynamics are rank. Now with oversampling and decramping. Console 1 has minimum phase anti alias filter oversampling thus phase shift. McDSP has big time aliasing and dc offset in the dynamics. PSP Infinistrip is mega distorted usually if you like that. I do but it’s not a go to. The brainworx strips are pretty rank UAD API Vision. Have you tried it? I would disagree that it doesn't exist. Also, though I've mentioned channel strip plugins, there's no reason that you couldn't assemble your own channel strip from various eq and comps that you prefer, provided you can find the right generic controller that will map things the way you want. Either way, my point was simply to say that I just want a dedicated eq and comp (the SAME eq and comp) on each and every channel, with a dedicated controller to run them all, for all of the reasons I already stated. Yeah I get you. Just That nobody has assembled great everything in one plugin with grast sound, digital flexibility, and a console or mixer fast workflow to maintain the emotion and minimize the frustration
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Post by Quint on Jun 6, 2023 8:29:22 GMT -6
UAD API Vision. Have you tried it? I would disagree that it doesn't exist. Also, though I've mentioned channel strip plugins, there's no reason that you couldn't assemble your own channel strip from various eq and comps that you prefer, provided you can find the right generic controller that will map things the way you want. Either way, my point was simply to say that I just want a dedicated eq and comp (the SAME eq and comp) on each and every channel, with a dedicated controller to run them all, for all of the reasons I already stated. Yeah I get you. Just That nobody has assembled great everything in one plugin with grast sound, digital flexibility, and a console or mixer fast workflow to maintain the emotion and minimize the frustration But have you tried the UAD API Vision?
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Post by Deleted on Jun 6, 2023 9:46:28 GMT -6
Yeah I get you. Just That nobody has assembled great everything in one plugin with grast sound, digital flexibility, and a console or mixer fast workflow to maintain the emotion and minimize the frustration But have you tried the UAD API Vision? not yet. I Should demo the native version of it sometime but don’t have new raw mixing projects now. Lately I’ve been using the fuse tcs-68
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Post by Quint on Jun 6, 2023 10:06:39 GMT -6
But have you tried the UAD API Vision? not yet. I Should demo the native version of it sometime but don’t have new raw mixing projects now. I quite like the API Vision and I think, at least from my experience, that it meets those criteria you mentioned. Now that it's available natively, yeah, you should try it. You might like it. Also, to be clear, all of this sort of stuff always involves compromises. There will never be a channel strip that is perfect in every way. People always did and still do have to make compromises when they make a decision on which kind of analog console to use to mix a project. I don't really see this as all that different. However, I think the UAD API Vision comes pretty close to that ideal, as far as channel strip plugins go, certainly at least close enough that I would be willing to live with those small compromises if it meant I could just use one controller like the UF8 to do 90% of my mixing. Something like the UC1 for the API would be even better, but it doesn't exist, so that's why I'm looking at the UF8. The ultimate in sound quality doesn't mean as much to me these days if it's such a pain in the ass to achieve that I get lost in the weeds trying to get there. That's why something like the UC1 appeals to me. Granted, I'm not necessarily a "SSL guy" (from a tone perspective), and I can't even really speak to the sound quality of the Channel Strip 2 (9000k) or 4000k or bus comp plugins that ship with the UC1, but the concept of one hardware knob, one function, is VERY appealing. Also, maybe I'm wrong about this, but I thought that these particular SSL plugins were recently updated, and therefore may sound better than the old ones you may or may not be exclusively familiar with? If they were recently updated, I could potentially see myself coming around to the idea of just going with the UC1 and getting used to using these SSL plugins. I mean, a TON of records have been mixed on SSLs, so it can't be THAT bad...
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Post by Deleted on Jun 6, 2023 11:25:57 GMT -6
not yet. I Should demo the native version of it sometime but don’t have new raw mixing projects now. I quite like the API Vision and I think, at least from my experience, that it meets those criteria you mentioned. Now that it's available natively, yeah, you should try it. You might like it. Also, to be clear, all of this sort of stuff always involves compromises. There will never be a channel strip that is perfect in every way. People always did and still do have to make compromises when they make a decision on which kind of analog console to use to mix a project. I don't really see this as all that different. However, I think the UAD API Vision comes pretty close to that ideal, as far as channel strip plugins go, certainly at least close enough that I would be willing to live with those small compromises if it meant I could just use one controller like the UF8 to do 90% of my mixing. Something like the UC1 for the API would be even better, but it doesn't exist, so that's why I'm looking at the UF8. The ultimate in sound quality doesn't mean as much to me these days if it's such a pain in the ass to achieve that I get lost in the weeds trying to get there. That's why something like the UC1 appeals to me. Granted, I'm not necessarily a "SSL guy" (from a tone perspective), and I can't even really speak to the sound quality of the Channel Strip 2 (9000k) or 4000k or bus comp plugins that ship with the UC1, but the concept of one hardware knob, one function, is VERY appealing. Also, maybe I'm wrong about this, but I thought that these particular SSL plugins were recently updated, and therefore may sound better than the old ones you may or may not be exclusively familiar with? If they were recently updated, I could potentially see myself coming around to the idea of just going with the UC1 and getting used to using these SSL plugins. I mean, a TON of records have been mixed on SSLs, so it can't be THAT bad... Yeah that would be cool or anything api style in a hardware controller. SSL updated them with decramped filters and 4x oversampling for the bus compressor but they’re still caveman digital things. I feel like I have to turn the knob more with old school biquad eqs like that and the compressor doesn’t provide a lot of control compared to modern algorithms. Tbey aren’t as functional as their hardware and are bog standard old school digital stuff except for the Fusion, the 4K B which doesn’t map to the hardware UC1, and the cool but discontinued X-Verb programmed by Relab. The new guitar strip has some interesting distortion in it too but is a gimmick.
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Post by Quint on Jun 6, 2023 11:45:07 GMT -6
I quite like the API Vision and I think, at least from my experience, that it meets those criteria you mentioned. Now that it's available natively, yeah, you should try it. You might like it. Also, to be clear, all of this sort of stuff always involves compromises. There will never be a channel strip that is perfect in every way. People always did and still do have to make compromises when they make a decision on which kind of analog console to use to mix a project. I don't really see this as all that different. However, I think the UAD API Vision comes pretty close to that ideal, as far as channel strip plugins go, certainly at least close enough that I would be willing to live with those small compromises if it meant I could just use one controller like the UF8 to do 90% of my mixing. Something like the UC1 for the API would be even better, but it doesn't exist, so that's why I'm looking at the UF8. The ultimate in sound quality doesn't mean as much to me these days if it's such a pain in the ass to achieve that I get lost in the weeds trying to get there. That's why something like the UC1 appeals to me. Granted, I'm not necessarily a "SSL guy" (from a tone perspective), and I can't even really speak to the sound quality of the Channel Strip 2 (9000k) or 4000k or bus comp plugins that ship with the UC1, but the concept of one hardware knob, one function, is VERY appealing. Also, maybe I'm wrong about this, but I thought that these particular SSL plugins were recently updated, and therefore may sound better than the old ones you may or may not be exclusively familiar with? If they were recently updated, I could potentially see myself coming around to the idea of just going with the UC1 and getting used to using these SSL plugins. I mean, a TON of records have been mixed on SSLs, so it can't be THAT bad... Yeah that would be cool or anything api style in a hardware controller. SSL updated them with decramped filters and 4x oversampling for the bus compressor but they’re still caveman digital things. I feel like I have to turn the knob more with old school biquad eqs like that and the compressor doesn’t provide a lot of control compared to modern algorithms. Tbey aren’t as functional as their hardware and are bog standard old school digital stuff except for the Fusion, the 4K B which doesn’t map to the hardware UC1, and the cool but discontinued X-Verb programmed by Relab. The new guitar strip has some interesting distortion in it too but is a gimmick. I've heard of decramping, and I know that it's supposed to be good, but I don't know much beyond that and I'm also not sure what you mean when you refer to "caveman digital". However, from the context of your comments, I feel like we are veering off into philosophical arguments about old school versus new school, and there's not necessarily a right or wrong with that, provided that the digital models of analog hardware are up to snuff and meet your needs. I know that you tend to veer towards modern digital, and there's nothing wrong with that, but I'm kind of the opposite and prefer some of the limitations of the older analog hardware (and sound), in at least certain if not most instances, this search for a channel strip being one of those instances. But to not get off track, because I'm not trying to argue for one philosophy over the other, I'd like to keep the discussion centered around what might be possible with a channel strip of your liking and a hardware controller adequately mapped to provide one knob/one function capability, or at least as close to that ideal as possible, because that's what I'm really focused on here. Also, to be clear, I don't care about any of the other SSL plugins. I'm only interested in the three plugins that ship with the UC1. Those are Channel Strip 2 (9000k), the 4000k, and the bus comp. Also, the 4000k IS mapped to UC1, as far as I'm aware. So I'm really just interested in how much better those three plugins may sound after recent updates. Though even that is a specific tangent to the broader conversation about channel strips and controllers.
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ericn
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Post by ericn on Jun 6, 2023 13:17:02 GMT -6
I quite like the API Vision and I think, at least from my experience, that it meets those criteria you mentioned. Now that it's available natively, yeah, you should try it. You might like it. Also, to be clear, all of this sort of stuff always involves compromises. There will never be a channel strip that is perfect in every way. People always did and still do have to make compromises when they make a decision on which kind of analog console to use to mix a project. I don't really see this as all that different. However, I think the UAD API Vision comes pretty close to that ideal, as far as channel strip plugins go, certainly at least close enough that I would be willing to live with those small compromises if it meant I could just use one controller like the UF8 to do 90% of my mixing. Something like the UC1 for the API would be even better, but it doesn't exist, so that's why I'm looking at the UF8. The ultimate in sound quality doesn't mean as much to me these days if it's such a pain in the ass to achieve that I get lost in the weeds trying to get there. That's why something like the UC1 appeals to me. Granted, I'm not necessarily a "SSL guy" (from a tone perspective), and I can't even really speak to the sound quality of the Channel Strip 2 (9000k) or 4000k or bus comp plugins that ship with the UC1, but the concept of one hardware knob, one function, is VERY appealing. Also, maybe I'm wrong about this, but I thought that these particular SSL plugins were recently updated, and therefore may sound better than the old ones you may or may not be exclusively familiar with? If they were recently updated, I could potentially see myself coming around to the idea of just going with the UC1 and getting used to using these SSL plugins. I mean, a TON of records have been mixed on SSLs, so it can't be THAT bad... Yeah that would be cool or anything api style in a hardware controller. SSL updated them with decramped filters and 4x oversampling for the bus compressor but they’re still caveman digital things. I feel like I have to turn the knob more with old school biquad eqs like that and the compressor doesn’t provide a lot of control compared to modern algorithms. Tbey aren’t as functional as their hardware and are bog standard old school digital stuff except for the Fusion, the 4K B which doesn’t map to the hardware UC1, and the cool but discontinued X-Verb programmed by Relab. The new guitar strip has some interesting distortion in it too but is a gimmick. Hey Dan my fear / Hope is that SSL’s parent is going to sell us all the different IP they have as far as EQ, Dynamics and distortion ported as Plugins as “ SSL” like the Digico and Calrec but I don’t want to see it as SSL!
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Post by Quint on Jun 6, 2023 13:21:55 GMT -6
Yeah that would be cool or anything api style in a hardware controller. SSL updated them with decramped filters and 4x oversampling for the bus compressor but they’re still caveman digital things. I feel like I have to turn the knob more with old school biquad eqs like that and the compressor doesn’t provide a lot of control compared to modern algorithms. Tbey aren’t as functional as their hardware and are bog standard old school digital stuff except for the Fusion, the 4K B which doesn’t map to the hardware UC1, and the cool but discontinued X-Verb programmed by Relab. The new guitar strip has some interesting distortion in it too but is a gimmick. Hey Dan my fear / Hope is that SSL’s parent is going to sell us all the different IP they have as far as EQ, Dynamics and distortion ported as Plugins as “ SSL” like the Digico and Calrec but I don’t want to see it as SSL! Now that SSL bought Harrison, I could get on board with a UC1 style dedicated controller for a Harrison channel strip, if/when that ever came out.
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Deleted
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Post by Deleted on Jun 6, 2023 20:18:24 GMT -6
Yeah that would be cool or anything api style in a hardware controller. SSL updated them with decramped filters and 4x oversampling for the bus compressor but they’re still caveman digital things. I feel like I have to turn the knob more with old school biquad eqs like that and the compressor doesn’t provide a lot of control compared to modern algorithms. Tbey aren’t as functional as their hardware and are bog standard old school digital stuff except for the Fusion, the 4K B which doesn’t map to the hardware UC1, and the cool but discontinued X-Verb programmed by Relab. The new guitar strip has some interesting distortion in it too but is a gimmick. I've heard of decramping, and I know that it's supposed to be good, but I don't know much beyond that and I'm also not sure what you mean when you refer to "caveman digital". However, from the context of your comments, I feel like we are veering off into philosophical arguments about old school versus new school, and there's not necessarily a right or wrong with that, provided that the digital models of analog hardware are up to snuff and meet your needs. I know that you tend to veer towards modern digital, and there's nothing wrong with that, but I'm kind of the opposite and prefer some of the limitations of the older analog hardware (and sound), in at least certain if not most instances, this search for a channel strip being one of those instances. But to not get off track, because I'm not trying to argue for one philosophy over the other, I'd like to keep the discussion centered around what might be possible with a channel strip of your liking and a hardware controller adequately mapped to provide one knob/one function capability, or at least as close to that ideal as possible, because that's what I'm really focused on here. Also, to be clear, I don't care about any of the other SSL plugins. I'm only interested in the three plugins that ship with the UC1. Those are Channel Strip 2 (9000k), the 4000k, and the bus comp. Also, the 4000k IS mapped to UC1, as far as I'm aware. So I'm really just interested in how much better those three plugins may sound after recent updates. Though even that is a specific tangent to the broader conversation about channel strips and controllers. don’t kid yourself. its the same ancient stuff as their duende now with a nicer gui and 2 to 4x oversampling If you want cool sound, there’s the 4K b, Eventide ultra channel, the psp infinistrip, fuse
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Post by Deleted on Jun 6, 2023 20:33:05 GMT -6
Yeah that would be cool or anything api style in a hardware controller. SSL updated them with decramped filters and 4x oversampling for the bus compressor but they’re still caveman digital things. I feel like I have to turn the knob more with old school biquad eqs like that and the compressor doesn’t provide a lot of control compared to modern algorithms. Tbey aren’t as functional as their hardware and are bog standard old school digital stuff except for the Fusion, the 4K B which doesn’t map to the hardware UC1, and the cool but discontinued X-Verb programmed by Relab. The new guitar strip has some interesting distortion in it too but is a gimmick. I've heard of decramping, and I know that it's supposed to be good, but I don't know much beyond that and I'm also not sure what you mean when you refer to "caveman digital". However, from the context of your comments, I feel like we are veering off into philosophical arguments about old school versus new school, and there's not necessarily a right or wrong with that, provided that the digital models of analog hardware are up to snuff and meet your needs. I know that you tend to veer towards modern digital, and there's nothing wrong with that, but I'm kind of the opposite and prefer some of the limitations of the older analog hardware (and sound), in at least certain if not most instances, this search for a channel strip being one of those instances. But to not get off track, because I'm not trying to argue for one philosophy over the other, I'd like to keep the discussion centered around what might be possible with a channel strip of your liking and a hardware controller adequately mapped to provide one knob/one function capability, or at least as close to that ideal as possible, because that's what I'm really focused on here. Also, to be clear, I don't care about any of the other SSL plugins. I'm only interested in the three plugins that ship with the UC1. Those are Channel Strip 2 (9000k), the 4000k, and the bus comp. Also, the 4000k IS mapped to UC1, as far as I'm aware. So I'm really just interested in how much better those three plugins may sound after recent updates. Though even that is a specific tangent to the broader conversation about channel strips and controllers. don’t kid yourself. The channel strip and bus compressor are based on thr same ancient stuff as their duende now with a nicer gui and 2 to 4x oversampling. You could do worse it you could do a lot better or more interesting. The dynamics processing still flat out sucks compared to the glue for ssl bus or something like Presswerk or MDWDRC2 for something flexible. I’d prefer the hard and bright Oxford dynamics to the ssl native channel strip dynamics any day. If you want cool sound no hardware controller, Eventide ultra channel and enable transformer and abuse built in omnipressor and delay, the psp infinistrip has tons of color options and distortion both wanted and unwanted, and fuse vcs-1 but I find the eq layout confusing and the compressor is almost too smooth for me. If you want a cool ssl plug with hardware controller there’s ssl native 4k b for uc-1. api plug with a hardware controller there’s softube American “class a” (sic) for console 1. If you want ssl and api style eq filters in 1 plug with no controller, there’s mcdsp channel g but the dynamics are sucky old school digital.
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