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Post by Johnkenn on Apr 9, 2014 20:59:17 GMT -6
cowboycoalminer brought over his Neumann U67 - and it's a monster...Might be the best sounding 67 I've ever heard...We hooked it up, I sang one line in it and then tallied off a bunch of expletives ( jsteiger heard something similar when I sang through his 251) because I knew I was gonna have to sell a kidney and buy one of my very own... After singing through it a little while, I wanted to get a comparison file with my modded CV4 that I could take over to Shannon and say, "Damnit! make it sound like this!!"... So I recorded the same passage again through the same chain using each mic. Holy shit. Did I screw something up? Because these sound close. I mean, close. Yes, I think you can say that the 67 is a smoother in the mids, bigger on bottom (you would take that out in the mix) and the CV4 is more sibilant and brighter on top...But listen to the character of the two mics. There are lines from this that almost sound indistinguishable to me. Oh - and there's a $5000 difference in price. But listen for yourself - I would love to hear what you guys think. This was done quickly, unscientifically, had the Sta-Level in the chain...so if one's louder and you want to argue about it...there's always GS U67 - https%3A//soundcloud.com/johnandkris/u67staModded CV4 - https%3A//soundcloud.com/johnandkris/moddedcv4staOK - I added a little 120, took out a little 2.8...closer? https%3A//soundcloud.com/johnandkris/moddedcv4eq
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Post by svart on Apr 9, 2014 21:21:18 GMT -6
There is a bit of difference in the upper mids. The CV4 has a little nasal trail off on the "ings" sounds. The U67 has a bit more of a "chesty" sound. Otherwise, i'd rather refrain from saying that either one sounds like the other, I'd rather say that both sound plenty good enough to do anything you need. Sweep the EQ on the CV4 and kill the nasal sound and give it a little low mids and you'd have a pretty good match.
Either that or because they were different takes they can sound completely different. I'd say that if I didn't already know that these were tracks from different mics, I would probably just say that they were different takes from the same mic with the artist standing a little differently.
So lemme ask you this.. why did you expect them to be that different? Most mics of good quality that have similar circuits tend to sound very similar. Even mics of somewhat different design sound pretty similar in most cases, whether people want to admit it or not. This pair is a couple of tube mics using K67 capsules and similar tube circuits with similar transformers are just gonna sound similar. I mean, if it looks like a duck and quacks like a duck, etc, etc.
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Post by Johnkenn on Apr 9, 2014 21:27:33 GMT -6
Ok...I'm sorry
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Post by mulmany on Apr 9, 2014 21:30:22 GMT -6
John, is Svart being your wet blanket?
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Post by svart on Apr 9, 2014 21:31:14 GMT -6
Lol, i was actually looking for a conversation there..
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Post by tonycamphd on Apr 9, 2014 21:32:00 GMT -6
poo poo svart lol! Honestly, i don't understand what your hearing? but my ears are telling me that 67 sounds killer, beefy, warm and the top is sweet and smooth! nice mic Cowboy!(i still wanna know how much $!!)
John, the 67 makes you sound like a sexy man bro lol, the CV4 is nice, but it's top sounds frozen in contrast to that warm buttery top of the 67. As always, jmears
sorry bro.
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Post by Johnkenn on Apr 9, 2014 21:34:52 GMT -6
I think you guys are over-exaggerating the difference...I mean, there IS a thing called EQ.
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Post by tonycamphd on Apr 9, 2014 21:35:59 GMT -6
I just listened again, now i like the cv4! NO! i'm just kidding the other thing thats very evident, is the smooth dynamics of the 67 as compared to the cv4, was the sta- set the same for both?
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Post by svart on Apr 9, 2014 21:37:23 GMT -6
Maybe I'll listen tomorrow with fresh ears.
Anyway, i always listen for midrange intelligibility. Highs and lows are great but in a mix they just eat up bandwidth. What great mics need is a midrange that is clear and works in the mix.
I think both of those mics have great midrange and nobody will have issues mixing either one. Sure, the u67 sounds better alone, but when are you going to ever buy a CD of a dude singing alone into a u67?
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Post by tonycamphd on Apr 9, 2014 21:38:56 GMT -6
just listen to the s's and sh's, the 67 is bad ass!
edit; not trying to take away from the cv4, it is totally a great mic and completely usable, but id bet the farm that the 67 will take eq great, and sit where ever you put it really well, you can just hear it...right?
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Post by svart on Apr 9, 2014 21:40:02 GMT -6
I think you guys are over-exaggerating the difference...I mean, there IS a thing called EQ. That's what I'm saying in the first post.. not vey much difference and a little eq will make them comparable.
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Post by Johnkenn on Apr 9, 2014 22:00:48 GMT -6
Added an EQ'd version of the CV4 in the first post. Like I said - I agree that that 67 is phenomenal - and if you guys buy enough t-shirts, I too can have one...but for the time being, I'm fucking THRILLED with the sound of this CV4. This mic came NOWHERE near this before this mod.
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Post by tonycamphd on Apr 9, 2014 22:10:50 GMT -6
Added an EQ'd version of the CV4 in the first post. Like I said - I agree that that 67 is phenomenal - and if you guys buy enough t-shirts, I too can have one...but for the time being, I'm fucking THRILLED with the sound of this CV4. This mic came NOWHERE near this before this mod. you know your voice JK, it matches the eq curve better, and like i said above, Shannon did an amazing job with that thing, i had 0 love for it before he got his hands on it, now i'm actively looking for a great deal on one to send to him. that said, listen to the first 5 seconds of each sample (eq'd and 67) one right after the other, listen to the air on that 67! i'm loving that mic on your voice dude, and again... i'm sorry for pissing on your poncho bro, but you gotta steal that mic from cowboy right now! lol!
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Post by Johnkenn on Apr 9, 2014 22:19:52 GMT -6
I agree that it's great, Tony...but come on, man...we're splitting MAJOR hairs here. I could run another pass with 2db up t 10khz...but...it's good enough for me.
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Post by Johnkenn on Apr 9, 2014 22:26:32 GMT -6
Oh my GOD...seriously, listen again...I actually PREFER the EQ'd CV4 in this instance...THAT is the sound I've been chasing. I 100% GUARANTEE you that if this were a blind test - with that U67 file and that EQ'd CV4 - the MAJORITY of people would pick the CV4 as the U67. They would be going on and on about "listen to how smooth it is - the other has this edge on top - gotta be the CV4..."
I'm just saying. BUT - I don't want this to turn into an argument. We all have different tastes.
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Post by tonycamphd on Apr 9, 2014 22:36:49 GMT -6
i like them both. You should definitely do a blind, and try to make me like the cv4 better, only deal is, you have to leave the 67 alone. i'll give you a totally honest answer to which i like better, i hope it is the CV4, it would speak to your knowing how to deal with your voice(as i already know u do), and also give hope to us poor bastards who will never afford an original U67.
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Post by Johnkenn on Apr 9, 2014 22:42:57 GMT -6
Well a blind test with two options is basically just chance.
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Post by tonycamphd on Apr 9, 2014 22:44:47 GMT -6
either way, couple of great sounding mics there. love the wylder avatar btw 8)
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Post by Johnkenn on Apr 9, 2014 23:40:07 GMT -6
My favorite movie
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Post by Shannon on Apr 10, 2014 1:14:00 GMT -6
Hey I like both, I have to say I'm surprised, And never was the intention, only one thing was set out to do was Johns mic compliment his voice, in fact nicely . Im happy to hear the clips. the goal was not crush or make u67. Only was focusing in on what works for him.. Although kewl as hell All in all yea I think the u67 has a that texture, but dam to hear side by side. Almost makes me wonder if I should do a Mach up to just do only that sound as close to a u67 as possible, we all know the politics of that bs though no 2 sound the same no 2 agree what u67 sounds like, and no 2 will agree. Yet the simplicity of taking the most that common traits and put in one. just seeing the input of everyone above and kinda using it as a guage, I think might have to do that. You got to admit for most, not listening to things without touching knobs. Or get busted being on the " whore " form that involves gear at all hours of the day along with most willing to refinance the house for a new pc of studio gear and already have a justifiable answer for how and why u need it and how to pay it off to anyone dumb enough to question your decision of a new mic or mic pre or even plugins,. Would say it is or close without setting out to do that.
With that being said cowboys mic is one of the Mics on my top u67 best list as well a U67 that belongs to someone on this forum, I don't think he will be upset if say his name aka "littlesicily". And yes Mcbride has the rest on my imaginary wish list of u67s. There are only bout 7-10 Mics on that list and 2 of them on here. I have been very blessed to listen so many Mics well into the 100's of Just U67's alone. at the end of the day or week or month most of us are all about Show me the money or where the hell it went. Even more reason to attempt a u67 machup not everyone can afford 67
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Post by cowboycoalminer on Apr 10, 2014 4:38:45 GMT -6
The beauty of some of these old mics is how they retain the beef on the bottom end without being boomy and hoe they retain the smooth top without being brittle.
As soon as John sang the first note I could hear how well the 67 suited his voice. It actually suits his voice way better than mine... (I bought the mic looking for one for my daughter)
Now all that said, the point id like to make is, 9 times out 10 when I use that mic, the end product on a vocal sounds nothing like what was originally tracked to storage because I have to cut a lot of bottom end to get it to sit well in a busy mix. For sparse, singer songwriter type stuff a lot of the original beauty of the 67 can be left in but that's never the case on a busy modern country mix.
To me, it's all about finding the right mic for the right source and song. I don't think there could ever be just one mic that's perfect for everything (or everyone). Shannon's mic stacks up pretty damn tall if you ask me. I've heard several other vintage mics that don't sound near as nice as John Kenns CV 4 honestly. That's a pretty remarkable fact considering the cost difference.
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Post by donr on Apr 10, 2014 6:33:31 GMT -6
John, how do you set the pattern on the CV4?
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Post by Deleted on Apr 10, 2014 6:45:12 GMT -6
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Post by Johnkenn on Apr 10, 2014 6:52:35 GMT -6
I was listening to some early Jackson Browne last night - and there it was...sounds like it's Cowboy's 67 straight into the board...it's definitely THE sound...
Anyway, yesterday, Herbie mentioned how we always used to ask how the big studios get THAT sound...and that's how - a fantastic vintage mic(s). That's definitely the truth - the mic is THE most important piece of the chain...After I sang through it I was telling him, "maybe I should sell x,y,z and just invest in a vintage mic..." But after listening, I don't think that's the right move for me. IMHO, the improvement in quality isn't worth selling off my entire signal chain to buy a vintage mic that might never be as good as the one Herbie got. One day I definitely want to add one, but I'm really happy with what I've got right now...
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Post by Johnkenn on Apr 10, 2014 6:55:29 GMT -6
John, how do you set the pattern on the CV4? Cardioid
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