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Post by jimwilliams on Mar 17, 2018 14:01:45 GMT -6
I found a new new 32 bit DAC design made in Germany. It's made by Pro-Ject and called the Pre Box S2 Digital. This puppy uses the newest ESS 32 bit Sabre DAC chips, a pair in dual cosine. These are the same chipsets used in the $5000 Mytek Manhattan II.
It is small but has all the inputs, coax, optical and USB. It will do several rates of DSD and up to 760k 32 bit. The USB input provides 16 core asynchronous USB transfer for MQA rendering, a unique/expensive feature catching on in the high end consumer market. It also does remote control of transport functions to your computer.
The $40 a piece ESS 9038 DAC chips are the current best in market. This has a pair of them. It also uses the new ESS 9602 headphone/output buffer for -120 db THD+noise. The power supply uses the new ESS 9311 low dropout voltage regulators, designed for high end DAC power supplies.
The clock design is excellent, only 100 femtoseconds of jitter, better than most high end clock generators. It has 7 selectable digital filters and uses organic polymer capacitors for the power supplies. The layout and design is excellent with a 4 layer gold pcb. There are pics of the innards with descriptions on their web site.
This may be a new game changer as it is far beyond the capabilities of nearly all the pro-audio DAC's out there. This is some real engineering folks.
By now you probably want to know how it sounds. I don't know, I'm waiting for it. It did win the EU audio shootouts but is new here in the States.
You probably want to know how much it costs? It could be $4000. It could be $2000 and a deal. It actually costs $399 shipped to your door. I don't know how it can be made that cheap with those expensive chipsets.
www.project-audio.com
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Post by Johnkenn on Mar 17, 2018 14:33:13 GMT -6
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Post by Deleted on Mar 17, 2018 14:51:32 GMT -6
Very cool, they could probably make a killing selling a dual unit with AES inputs to the pro/mastering crowd. Also probably not long before we get this kind of quality in portable players. My Fiio X5 sounds as good as my Crookwood DACs when used as a USB DAC.
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Post by jimwilliams on Mar 17, 2018 15:10:18 GMT -6
One could feed the AES/EBU to the coax input or re-route to USB and use the transport functions and or MQA and other features. This is only 400 bucks and tiny so most high end mastering houses would probably hide it behind another box to impress clients.
ESS also makes a new high end 8 channel DAC chip. The high end/low cost multi-channel DAC's for recording can't be far off now. Glad I kept my Alesis HD24XR, it works with these too.
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Post by Quint on Mar 17, 2018 16:28:02 GMT -6
I wish these kind of products came with the option to have balanced connections. They're always aimed at the hifi crowd and seem to always only have rca connections. But if it's all that and then some, $399 is still pretty cheap.
I also have a question about the power supply and distribution. It comes up again and again how important of a role power plays in high quality conversion. This thing is powered by a micro-usb power cable and, for $399, it seems hard to believe that the power distribution inside is up to the same level as that found in mastering level dacs. That seems to be a contradiction?
Do any of this company's boxes provide adc, or is it all just dac? A $399 adc of the same quality might be cool to try for dsd mixdown.
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Post by jimwilliams on Mar 17, 2018 18:21:29 GMT -6
It doesn't power through the 5 volts of a USB connector, it uses a wall wort. No power switch though. ADC's are for a small crowd of recorders, the forgotten man. Those too will come down in cost, some day. The fact that low cost first rate RCA connected playback gear is now cheap is a gift to us. It's not hard to wire up a XLR to RCA plug. DAC's put out a lot of voltage at +20 dbu single ended. It's not the old Tascam -10dbv RCA days.
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Post by Quint on Mar 17, 2018 19:17:03 GMT -6
It doesn't power through the 5 volts of a USB connector, it uses a wall wort. No power switch though. ADC's are for a small crowd of recorders, the forgotten man. Those too will come down in cost, some day. The fact that low cost first rate RCA connected playback gear is now cheap is a gift to us. It's not hard to wire up a XLR to RCA plug. DAC's put out a lot of voltage at +20 dbu single ended. It's not the old Tascam -10dbv RCA days. A wall wart through the micro-usb connection? I don't see a typical wall wart dc type of connection? But regardless of the voltage, it's still unbalanced? Regardless of the amount of voltage, how is that as good as a proper balanced connection? Unbalanced connections have no way to cancel noise. I know that some people prefer unbalanced circuitry because of there being no need for balancing circuitry and the apparent sonic benefits that may come from that. I defer to your knowledge on such things, but I don't see the equivalency?
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Post by jin167 on Mar 17, 2018 19:27:06 GMT -6
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Post by Johnkenn on Mar 17, 2018 19:34:44 GMT -6
So - I guess it's the implementation...but considering the Symphony uses the same chip, it would be a bit redundant, right?
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Post by drbill on Mar 17, 2018 20:32:48 GMT -6
It doesn't power through the 5 volts of a USB connector, it uses a wall wort. No power switch though. ADC's are for a small crowd of recorders, the forgotten man. Those too will come down in cost, some day. The fact that low cost first rate RCA connected playback gear is now cheap is a gift to us. It's not hard to wire up a XLR to RCA plug. DAC's put out a lot of voltage at +20 dbu single ended. It's not the old Tascam -10dbv RCA days. But regardless of the voltage, it's still unbalanced? Regardless of the amount of voltage, how is that as good as a proper balanced connection? Unbalanced connections have no way to cancel noise. I know that some people prefer unbalanced circuitry because of there being no need for balancing circuitry and the apparent sonic benefits that may come from that. I defer to your knowledge on such things, but I don't see the equivalency? If unbalanced was good enough for Bernie Grundman's mastering console, I'd at least give it a shot....
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ericn
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Post by ericn on Mar 17, 2018 21:18:57 GMT -6
It doesn't power through the 5 volts of a USB connector, it uses a wall wort. No power switch though. ADC's are for a small crowd of recorders, the forgotten man. Those too will come down in cost, some day. The fact that low cost first rate RCA connected playback gear is now cheap is a gift to us. It's not hard to wire up a XLR to RCA plug. DAC's put out a lot of voltage at +20 dbu single ended. It's not the old Tascam -10dbv RCA days. A wall wart through the micro-usb connection? I don't see a typical wall wart dc type of connection? But regardless of the voltage, it's still unbalanced? Regardless of the amount of voltage, how is that as good as a proper balanced connection? Unbalanced connections have no way to cancel noise. I know that some people prefer unbalanced circuitry because of there being no need for balancing circuitry and the apparent sonic benefits that may come from that. I defer to your knowledge on such things, but I don't see the equivalency? The thing about balanced vs unbalanced is this while over long distance and in RF hell balanced may be better, in general is adding another stage to balance the signal really worth it ?
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Post by Martin John Butler on Mar 17, 2018 21:56:09 GMT -6
I'll read this later, but I've had OPPO DVD players since the first day the were made, and continued to upgrade as tech evolved. They are absolutely the best on the market. Many major league brands rebadge and ask thousands more. I've used their players exclusively since 1998, and not one has ever had a single issue.
Jim, what would it take to be able to use this with my UAD Apollo 8?
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Post by jin167 on Mar 18, 2018 0:18:20 GMT -6
spoke with a person who used to work for the distributor who used to carry project audio products. He said that although the products were good for their price, the failure rate was almost borderline unacceptable and wouldn't recommend buying them just from reading what's on their website.
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Post by matt on Mar 18, 2018 13:27:52 GMT -6
I own a Pro-Ject turntable and their Tube Box S phono stage. FWIW, they have worked flawlessly from day one. If I was in the market for a DAC I wouldn't hesitate, it's a total no-brainer. I mean, $400 is petty cash in the pro audio world. I look at it this way: buy from a reputable dealer and return if faulty/unsatisfied.
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Post by Guitar on Mar 19, 2018 16:44:08 GMT -6
Wow, I am certainly intrigued.
Could be a fun box for me here, in a few different places.
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Post by jimwilliams on Mar 23, 2018 14:04:02 GMT -6
Brad McGowan just got his and says it sounds incredible. I'm still waiting here.
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Post by drbill on Mar 23, 2018 14:13:27 GMT -6
He said it sounded incredible with his Monoprice headphones, but not so great with his Sennheisers. Must be an impedance thing.
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Post by Deleted on Mar 23, 2018 14:32:35 GMT -6
Again, I'd buy it if it had AES ins and balanced outs...
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Post by BradM on Mar 23, 2018 14:39:40 GMT -6
Mine arrived today. I've been sitting here listening to all my favorite CDs and not getting any work done. I received new Monoprice M1060's the other day as well so I'm a bit giddy to say the least.
In a nutshell I'm really impressed. I've only used this thing in USB mode driving headphones and playing CD's on my computer. But I'm smitten. It comes with a little remote that allows me to control digital input, volume, mute, filter settings, etc. It actually controls the transport on Windows Media Player which is making me really happy right now.
It has a 5V wallwart that plugs into a micro-USB port. It can also be USB bus powered via the larger USB-A connector. I can't hear a difference between the two power settings. I'm sure someone out there has measured the difference. The manual says that using USB and the wallwart could cause weird power issues. Whatever. Sounds fine to me. If your source is optical, or coax then I believe you probably want to use the wallwart. I'm finding it convenient to just have it powered via USB since that's my audio source as well. I'll be curious to get Jim's take on this once he tries it.
There are a ton of filter settings. Somewhere on the web I found some frequency response measurements showing the filters. I am using Min Phase w/ Fast Rolloff. The manual recommends Transient Optimal. I think it's going to be a while before I have a preference there. It's subtle stuff.
I've listened with both Sennheiser HD600's (via Sonarworks Reference 4) and my new Monoprice M1060's. I compared to the headphone output on my MOTU 8A (generally considered to be a pretty decent DAC I think). I first tried the HD600's and promptly wrote Jim a note saying it sucked. Lack of low end power, no punch, lame soundstage. The MOTU headphone out sounded much more lively and engaging and deep. Jim confirmed that it would have issues would those headphones. So I tried my M1060's. HALLELUJAH!!! It was like heaven descended upon my ears. F*ck YESSSSS! Deep, punchy, tons of transient detail and extension. Excellent presentation that was very engaging and real sounding. I switched to the MOTU. Oh geez so lame in comparison. Sounded flat, recessed, and dull in the top end as if someone closed the door of the top secret audio speakeasy in my face. Back to the S2 and everything just opened up. It was not subtle by any means on these headphones. Perhaps the MOTU just blows at driving these 50 ohm Monoprice phones. But the contrast in fidelity was stark. I feel like I'm pretty honest with myself when it comes to subtle changes in audio and generally have no interest in things that make less than 1% difference. This was more like a 20% difference to me.
By no means is this any kind of exhaustive test/comparison. I tested two headphones and two DACs with built-in headphone amps playing back a CD from 1993. But I think Jim made a good call on this thing. Crap this day is getting away from me! I've been listening to music all morning and having a blast. Did I mention this thing fits in the palm of your hand?
Brad
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Post by Deleted on Mar 23, 2018 14:42:02 GMT -6
And now it can't drive HD600s either? Count me out.
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Post by BradM on Mar 23, 2018 14:44:28 GMT -6
And now it can't drive HD600s either? Count me out. You would have to use a separate headphone amp for the HD600's to get optimal performance. Brad
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Post by svart on Mar 23, 2018 14:53:21 GMT -6
I own a Pro-Ject turntable and their Tube Box S phono stage. FWIW, they have worked flawlessly from day one. If I was in the market for a DAC I wouldn't hesitate, it's a total no-brainer. I mean, $400 is petty cash in the pro audio world. I look at it this way: buy from a reputable dealer and return if faulty/unsatisfied. You'd think that 400 wouldn't be much.. I couldn't hardly sell my converters after the first couple batches with the 400 pricepoint for ADC and 400 for DAC. Everyone LOVES the idea of buying things like this, but very few actually do.
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Post by BradM on Mar 23, 2018 15:01:49 GMT -6
You'd think that 400 wouldn't be much.. I couldn't hardly sell my converters after the first couple batches with the 400 pricepoint for ADC and 400 for DAC. Everyone LOVES the idea of buying things like this, but very few actually do. The merits of a good design only get one so far in business. A lot of it just comes down to marketing. In this industry people are often skeptical of affordable prices. If it's super expensive it must be good right? For a business owner this psychology is appealing (I'll take selling $3k items to 100 people over $300 items to 1000 people any day). As a consumer...I'd rather search for the hidden gem at an unbelievable price point and then judge it for myself. Which in this case I did. Brad
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Post by Blackdawg on Mar 23, 2018 15:29:26 GMT -6
sounds like an Impedance thing to me as the HD600s are 300ohms as im sure most here know.
Comparing that to a pair of 50ohm headphones on different amps isn't really ideal.
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ericn
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Post by ericn on Mar 23, 2018 15:38:05 GMT -6
I own a Pro-Ject turntable and their Tube Box S phono stage. FWIW, they have worked flawlessly from day one. If I was in the market for a DAC I wouldn't hesitate, it's a total no-brainer. I mean, $400 is petty cash in the pro audio world. I look at it this way: buy from a reputable dealer and return if faulty/unsatisfied. You'd think that 400 wouldn't be much.. I couldn't hardly sell my converters after the first couple batches with the 400 pricepoint for ADC and 400 for DAC. Everyone LOVES the idea of buying things like this, but very few actually do. And I regret not buying everyday!
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