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Post by Johnkenn on Dec 16, 2022 19:34:59 GMT -6
Some of you smarties walk me through how I’d do this?
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Post by Johnkenn on Dec 16, 2022 19:44:46 GMT -6
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Post by ragan on Dec 16, 2022 23:49:48 GMT -6
I’m not at a computer right now but can’t you load WAVs into Trigger? I used to do that. So just print some one shot hits from SD3 and save them as files and load them into Trigger.
Does that work?
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Post by rob61 on Dec 17, 2022 8:44:11 GMT -6
Drop a wave file that you want as a trigger onto SD. It analyzes and creates hit points which you can export into a MIDI track (if you want) on your DAW.
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Post by ragan on Dec 17, 2022 9:12:47 GMT -6
This is what I do ^^^. I use SD3 to trigger. I thought you were asking how to get SD3 sounds into Slate Trigger Johnkenn. |
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Post by Johnkenn on Dec 17, 2022 10:13:50 GMT -6
I’m not at a computer right now but can’t you load WAVs into Trigger? I used to do that. So just print some one shot hits from SD3 and save them as files and load them into Trigger. Does that work? I think you have to convert the to a .tci. Slate has a converter - I just need to sit down and do it. I’ve used tracker, but it’s not always totally reliable. |
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Post by ragan on Dec 17, 2022 10:17:16 GMT -6
I’m not at a computer right now but can’t you load WAVs into Trigger? I used to do that. So just print some one shot hits from SD3 and save them as files and load them into Trigger. Does that work? I think you have to convert the to a .tci. Slate has a converter - I just need to sit down and do it. I’ve used tracker, but it’s not always totally reliable. It’s been awhile, but when I was doing it, you only needed to use the converter to make a .tci if you wanted to make your own multi-velocity sample. You could also just load a .wav file into Trigger. Again, I haven’t used Trigger for a few years so maybe it’s different now. But I would try it. |
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Post by schmalzy on Dec 18, 2022 23:27:16 GMT -6
Exactly what Ragan said. If you want a multi-velocity sample you need a .tci. That would mean printing out a pile of snare samples out of SD3, carefully cutting them up so that ever hit starts from the same point just as the waveform starts moving, then using Slate's .tci creation software. Then place that .tci in the folder that slate looks into for all the samples.
If you want a single hit instead just print a hit, carefully cut it, export it as a .wav file, and drop it into that above-mentioned folder. I make my own one-shots all the time of that drummer on that snare for that song's tuning when they leave some to be desired in the consistency department.
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