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Post by OtisGreying on Jan 24, 2022 7:53:25 GMT -6
It’s been like.. 10 years since their DSP came around, no?
You’d think they’d have a DSP unit with 50 sharc processors in it by now, not 8.
I’m interested in them partnering with more plug-in developers, but with modern plug-in advancements I bet many plug-ins would annihilate the current Sharc processors and not even be able to run more than a few instances on an Octo.
It’d be awesome to see leapwing, oeksound or Tokyo dawn or more of these modern plug-in developers be incorporated into DSP which would make our computers and mixes very happy.
My pessimistic hunch is that charging 1300$ for 8 cores of old technology is the bees neez for business.. and they want to keep that juicy margin going. I hope that’s not the case and they’re working on something that isn’t going to be 160$ a core.
* and on a side note: why haven’t more companies created DSP units? It’s such a useful tool in the studio and there’s a huge market for it and only 2 competitors... and the lack of competition in this field is a huge contributing factor to UADs snail like pace, I’m dying to see a new kid on the block..
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Post by kcatthedog on Jan 24, 2022 8:08:05 GMT -6
With Luna flirting with host dsp, one wonders if the writing is starting to get written on the wall for sharc chips ?
But, not everyone has Apollos or will use Luna, so seems unlikely UA would abandon some form of internal dsp.
Sharc released a sort of dual core chip, like 5 year’s ago, but so far, no redesign and take up from UA.
Other than sticking it’s cards in tbolt or usb chassis, no real innovation in the sharc based dsp model: a curiosity as sharcs get so left in the processing throughout dust. Sharc system works fine, just seems odd that UA is , so far, static with sharcs as a core processor.
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Post by superwack on Jan 24, 2022 11:41:11 GMT -6
I totally agree with the premise of this thread but... UA sells a ton of SHARC based processors for a premium and tons of plugins to go along with those - they likely won't have any motivation to change until their market share starts declining. I would bet they already have a replacement but, again, why?
The curious thing about UA has always been they don't have a loss leader - the normal business model would be to sell expensive hardware and cheap plugins or cheap hardware to rope you into buying expensive plugins but they've somehow been able to operate on selling expensive plugins for expensive hardware (of course with sales and bundles and coupons nobody should pay the full premium but we all know there are people out there that do!)
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Post by kcatthedog on Jan 24, 2022 12:18:19 GMT -6
The trick with UA is patience and buying strategically, it often gives away satellites with the purchase of a new Apollo and regularly has sales to reduce plug in costs.
The sale that ended 2021, provided the cheapest plug in prices and best coupons I have witnessed, literally $299 plug ins for $19. A great deal and I also think of the money UA leaves in my pocket with these savings, not chump change.
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Post by ericn on Jan 24, 2022 21:35:21 GMT -6
Why ? They don’t need to make the investment at this point. Why partner ? It cust into margins of in house products?
UA will bring out a new product when they have to. As for why not more DSP well so many anti DSP guys out there and other than AVID and UAD it’s a hard sell ( how many of the Waves DSP systems do you see or fairlight?). From the days of every body using their own DSP way to many conflicts!
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Post by reddirt on Jan 24, 2022 23:05:56 GMT -6
The speed of the newest computers and the quality of 3rd party plugs is possibly making the UAD dsp model redundant. Once upon a time UAD could trade on their plug ins quality to mitigate the fact that the sharcs were a bit slow and costly; my take is that people like Tokyo Dawn, Fab Filter, PSP are now making plug ins on par and the latest computers don't need a 'Satellite" type box to run them with manageable latency - UAD should be worried me thinks. Cheers, Ross
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Post by ericn on Jan 24, 2022 23:27:33 GMT -6
The speed of the newest computers and the quality of 3rd party plugs is possibly making the UAD dsp model redundant. Once upon a time UAD could trade on their plug ins quality to mitigate the fact that the sharcs were a bit slow and costly; my take is that people like Tokyo Dawn, Fab Filter, PSP are now making plug ins on par and the latest computers don't need a 'Satellite" type box to run them with manageable latency - UAD should be worried me thinks. Cheers, Ross Yeah but how many times have we heard this argument? My bet is the focus of the next big new UAD system isn’t plug-in Sonics it’s latency, the biggest advantage of DSP
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Post by OtisGreying on Jan 25, 2022 1:01:29 GMT -6
The speed of the newest computers and the quality of 3rd party plugs is possibly making the UAD dsp model redundant. Once upon a time UAD could trade on their plug ins quality to mitigate the fact that the sharcs were a bit slow and costly; my take is that people like Tokyo Dawn, Fab Filter, PSP are now making plug ins on par and the latest computers don't need a 'Satellite" type box to run them with manageable latency - UAD should be worried me thinks. Cheers, Ross Yeah but how many times have we heard this argument? My bet is the focus of the next big new UAD system isn’t plug-in Sonics it’s latency, the biggest advantage of DSP I'm barely getting my feet wet in this topic but, why is the biggest advantage latency? I'm running Ableton and it has perfectly fine delay compensation and no delay compensation modes when monitoring. My biggest gain using UA satellites is the extra processing power taking the strain off my main CPU being able to run more plug-ins.
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Post by Deleted on Jan 25, 2022 1:20:17 GMT -6
The speed of the newest computers and the quality of 3rd party plugs is possibly making the UAD dsp model redundant. Once upon a time UAD could trade on their plug ins quality to mitigate the fact that the sharcs were a bit slow and costly; my take is that people like Tokyo Dawn, Fab Filter, PSP are now making plug ins on par and the latest computers don't need a 'Satellite" type box to run them with manageable latency - UAD should be worried me thinks. Cheers, Ross Yeah but how many times have we heard this argument? My bet is the focus of the next big new UAD system isn’t plug-in Sonics it’s latency, the biggest advantage of DSP Is this still an argument? My 2019 MBP 2.6Ghz hexacore will run a hundred plugs at 32 samples / 96Khz and still be barely ticking over (40% CPU usage). In terms of latency? What latency? I tried the MOTU 1248 over TB and it did an RTT of 2.3ms. There's only one place that I'd consider DSP to be useful and that's VST instruments. Kontakt seems to wanna tank my machine at every avenue, especially the Abbey Road stuff.
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Post by javamad on Jan 25, 2022 1:34:28 GMT -6
I think looking at any single feature denies the one-stop-shop effect.
With UA, you get a great interface with great plugins, the analog vibe factor and low latency recording. You don’t need to hunt down the “best” of each and hope it all works together. That’s pretty powerful.
With LUNA now they become even more compelling.
I suppose its a bit like Windows vs Mac (please lets not go off topic) as in its an ecosystem.
Personally I like getting good everything out of the way in a single decision and just getting down to making music.
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Post by BenjaminAshlin on Jan 25, 2022 1:47:07 GMT -6
A DAW + console offers nothing over other setups now days. LUNA is where their future is IMO, the integration is more conducive to flow.
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Post by sirthought on Jan 25, 2022 3:44:22 GMT -6
If you are recording yourself or an additional track or two at a time, latency will hardly be an issue for many interfaces these days. If you are producing tracks with a full band, or something that has several dozen tracks and then need to punch in overdubs or add something different...well latency can really hit you hard. That's what sold me on the Apollo initially, even moreso than their plugin reputation...which I had never heard one of their plugins in a studio environment ever.
The Apollo is going to be something they'll hang their hat on for a long time, until people stop buying them. It's one of the top selling interfaces and really if you add up the features it touts it's a pretty good price, depending on what you require. They don't update the chips because that new development would cost a lot of money to fix something that works and sells very well for them. Would they make more money with the updated chips?
But overall I know they have seen the writing on the wall for DSP only plugins. That's why the Luna development with "extensions" is so much in their future. (Note that they still close the system, requiring an Apollo.) They'll only build the library of extensions and if the customer base really buys into Luna enough I'm sure DSP plugins will be less critical to the bottom line.
Also, they bought Bock and Townsend Labs and I'm guessing there will be other diversity of products. I'm guessing this will still tie into software, but it's a different revenue stream to develop and doesn't work against their other stuff.
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Post by kcatthedog on Jan 25, 2022 4:36:45 GMT -6
Ya, Apollo and Luna are about the integration and make one decision to buy a very workable good workflow and result.
When I went from windows to Mac and Apollo and tbolt zero problems.
I did prefer the sound of my symphony snd my Aurora even more so and didn’t care about learning Luna as then all your sessions are tied to having an Apollo and anyway Logic works fine for me.
Satellites work fine, can be bought with savings create a hybrid system that is efficient and just gets the job done and you know the plug in quality is there so you can focus on tracking and mixing decisions, not fusing around.
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Post by mrholmes on Jan 25, 2022 6:33:08 GMT -6
When will UAD release native plug-ins too because we can have nice server solutions today? I am a very happy native and I don't miss any UAD card, but I may buy UAD native plug-ins! Why not give people the choice of DSP or not DSP...
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Post by Deleted on Jan 25, 2022 9:44:32 GMT -6
If you are recording yourself or an additional track or two at a time, latency will hardly be an issue for many interfaces these days. If you are producing tracks with a full band, or something that has several dozen tracks and then need to punch in overdubs or add something different...well latency can really hit you hard. That's what sold me on the Apollo initially, even moreso than their plugin reputation...which I had never heard one of their plugins in a studio environment ever. That's only true if you've got an old or underspecc'd machine. Besides the use of UA plugs the Apollo offers a deficit not a benefit because it has worse latency than most TB interfaces. You're essentially paying a DSP surcharge premium as there are better interfaces in a technical sense than the Apollo which cost far less. Sound is subjective but I'm personally not sold on the Apollo as a conversion solution (even though I had an X6 for 3 years). Some of the top tier plugs you can buy native and it doesn't take long to figure that one out. There are a few pro's, the console matrix whilst limited is effective and simple to use. I used the MOTU console for the first time in a while and my word it's a pain.. You can daisy chain devices over TB which is cool, not every interface can do that but others provide wordclock / ethernet etc. so it's not a deciding factor IMO. Luna is what made me think twice before dumping the Apollo, as a cheap HDX alternative when you're already in the UA ecosystem it makes a lot of sense. However I bought a mixer with a ton of outboard, whilst being far more expensive it negates the need for it entirely. Ultimately I see this as something like an Alienware PC vs. a DIY machine, the latter will beat it in terms of price / performance and flexibility but if you want a decent well specc'd solution without having to think about anything then the UA ecosystem is a winner.
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Post by Johnkenn on Jan 25, 2022 10:02:34 GMT -6
Why do people that think UA’s business plan bad so desperately want them to change their business plan? I have a brand new M1 MBP. Glad I can offload plugs because running 5 + virtual instruments is still taxing.
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Post by Deleted on Jan 25, 2022 10:20:01 GMT -6
Why do people that think UA’s business plan bad so desperately want them to change their business plan? I have a brand new M1 MBP. Glad I can offload plugs because running 5 + virtual instruments is still taxing. You’re hitting the single core limitation of the M1 series chips. UAD write great drivers but need to give a few of us a reason to jump in. The actual interface part is great. The conversion and pres are bleh and the plugs are good but not great. No new analog hardware for a long time. 4-710 came out when? No high end converters in forever. UA 2192 is ancient in digital audio years and the designer founded Burl. Their plugs were god damn good in like 2010 but new guys surpassed them. The U-he, Noise Ash, Goodhertz, recent PSP, and Tokyo Dawn stuff is just wow. They’re not going out of their way to model crazy stuff like Fuse or giving us insane delays and reverb plugs like Apogee is now with the totally nuts Clearmountain stuff. No good interface amp sims. Just the same middling Softube Plexi. No thanks. Overloud TH-U and Mercurial Spark are much better
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Post by ericn on Jan 25, 2022 10:29:48 GMT -6
Yeah but how many times have we heard this argument? My bet is the focus of the next big new UAD system isn’t plug-in Sonics it’s latency, the biggest advantage of DSP I'm barely getting my feet wet in this topic but, why is the biggest advantage latency? I'm running Ableton and it has perfectly fine delay compensation and no delay compensation modes when monitoring. My biggest gain using UA satellites is the extra processing power taking the strain off my main CPU being able to run more plug-ins.
Because native Latency is always a variable, the guys writing the code don’t know your system. Write it for DSP and you have control of the system, Latency is then a known constant.
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Post by ericn on Jan 25, 2022 10:33:14 GMT -6
Why do people that think UA’s business plan bad so desperately want them to change their business plan? I have a brand new M1 MBP. Glad I can offload plugs because running 5 + virtual instruments is still taxing. Because people think everyone’s buisness plan is about them! They don’t understand the real concept of a niche, or the fact that they just are not the target. In other words why isn’t Ruth Chris, McDonald’s everyone goes to McDonald’s.
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Post by svart on Jan 25, 2022 10:34:36 GMT -6
1. Companies have to write plugs and optimize them specifically for the DSP IC and overall design they are going to produce. 2. A company would have to certify every single plugin every 3rd party coder writes for that DSP/design or risk severe performance issues. This would take a large team of DSP and QA specialists. 3. Nobody will pay 500$ a plugin that it will cost to pay for the DSP specialist/QA groups to exist. 4. DSP-centric developers are far less prolific than you know. 5. DSP developers who work in audio are far less prolific than any other DSP developer. Scarcity makes $$$ go up. 6. CPU power is cheap. RAM is cheap. HDD space is cheap. (well, if you're PC that is) 7. Everybody can write C++ code that works well enough to sell but is not very optimized. Like my old 8th grade teacher who thought an hour for her homework was not a long time, she never considered that I had 5 other teachers who thought the same thing.
8. A lot of your plugs that suck power probably don't need to. 9. Brands that develop DSP hardware intend for you to purchase THEIR brand of plugins at THEIR prices. They're not going to risk competition using their own hardware. 10. Your VI's and plugs that eat your CPU power would simply eat your DSP power instead.
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Post by Deleted on Jan 25, 2022 12:41:49 GMT -6
I'm barely getting my feet wet in this topic but, why is the biggest advantage latency? I'm running Ableton and it has perfectly fine delay compensation and no delay compensation modes when monitoring. My biggest gain using UA satellites is the extra processing power taking the strain off my main CPU being able to run more plug-ins.
Because native Latency is always a variable, the guys writing the code don’t know your system. Write it for DSP and you have control of the system, Latency is then a known constant. Latency extension is determined by load, keep your background app's in check and it'll be absolutely fine. There's tons of monitoring tools built into either mac, windows, DAW's etc. to get a base line. I might sound like I'm being harsh on UA stuff but I'm not, I'm very much Swiss about them. There's pro's and con's but nothing is perfect, some of us will happily spend $3K on a mic so an all in one mix solution ain't bad considering. Reliability can't be overstated either, in every sense it just works. However I don't think I'd ever come to the conclusion they're necessary in today's market, then again neither is a $3K mic. So ultimately their business model is irrelevant to me, if they wish to stick with DSP so be it.. If you don't like it there's a ton of other options out there, I don't think I could be more blasé about the subject. If the UA stuff sucked that would be an entirely different matter..
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Post by Johnkenn on Jan 25, 2022 15:10:07 GMT -6
Why do people that think UA’s business plan bad so desperately want them to change their business plan? I have a brand new M1 MBP. Glad I can offload plugs because running 5 + virtual instruments is still taxing. You’re hitting the single core limitation of the M1 series chips. UAD write great drivers but need to give a few of us a reason to jump in. The actual interface part is great. The conversion and pres are bleh and the plugs are good but not great. No new analog hardware for a long time. 4-710 came out when? No high end converters in forever. UA 2192 is ancient in digital audio years and the designer founded Burl. Their plugs were god damn good in like 2010 but new guys surpassed them. The U-he, Noise Ash, Goodhertz, recent PSP, and Tokyo Dawn stuff is just wow. They’re not going out of their way to model crazy stuff like Fuse or giving us insane delays and reverb plugs like Apogee is now with the totally nuts Clearmountain stuff. No good interface amp sims. Just the same middling Softube Plexi. No thanks. Overloud TH-U and Mercurial Spark are much better OK BTW - I actually was exaggerating...I've only tried about 4 VIs at once and it was handling it with no sweat. Anyway...There are plenty of UAD plugs that work fantastically.
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Post by kcatthedog on Jan 25, 2022 15:19:38 GMT -6
If people argue in isolation , it’s like saying my mom’s apple pie is better than your’s ! I think the point above, about UA/Apollo as a very, very good environment , that works well, most germane and it’s expanding with Luna. UA with Apollo was never intending to go after the high end, just create a very good all in one product, that would be the right one for some, not all.
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Post by svart on Jan 25, 2022 16:06:49 GMT -6
If people argue in isolation , it’s like saying my mom’s apple pie is better than your’s ! I think the point above, about UA/Apollo as a vet very good environment , that works well, most germane and it’s expanding with Luna. UA with Apollo was never intending to go after the high end, just create a very good all in one product, that would be the right one for some, not all. My grandmother's apple pie was award winning. It was an heirloom recipe. Unfortunately my grandfather lost it after she died. :/
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Post by kcatthedog on Jan 25, 2022 16:36:16 GMT -6
Tragic!
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