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Post by RicFoxx on Jan 16, 2014 10:43:45 GMT -6
First My setup:
Trident (Oram) Series T Board
Apollo 16
Focal CMS 65 and Equator D5 monitors
How do you guys with consoles monitor...through board or dedicated monitoring DA device off interface?
I was thinking about incorporating the Benchmark DAC1 but is it necessary?
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Post by jcoutu1 on Jan 16, 2014 11:36:50 GMT -6
I imagine that when recording you would plug into the console pres, take the console direct outs to your Apollo and use the auxes on the console for latency free headphone mixes. When mixing you could take the line outs from the Apollo to the line ins on the console to mix through the console. Is that what you're asking?
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Post by RicFoxx on Jan 16, 2014 13:32:32 GMT -6
I imagine that when recording you would plug into the console pres, take the console direct outs to your Apollo and use the auxes on the console for latency free headphone mixes. When mixing you could take the line outs from the Apollo to the line ins on the console to mix through the console. Is that what you're asking? Thanks for taking the time to answer but that is not what Im asking. In a professional setting do pros listen and make mixing/Tracking decisions through the monitor section of the console or would they go back into the digital realm (in my case a Burl B2) and listen through the the DA? |
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Post by jcoutu1 on Jan 16, 2014 14:23:24 GMT -6
In the big studios that I've worked at with Pro Tools HD rigs and SSL's, mixing and tracking decisions were always through the monitor section of the console.
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Post by RicFoxx on Jan 16, 2014 17:45:49 GMT -6
In the big studios that I've worked at with Pro Tools HD rigs and SSL's, mixing and tracking decisions were always through the monitor section of the console. Thanks man! |
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