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Post by thevillestudio on Dec 6, 2013 21:12:57 GMT -6
Just received this mic a few days ago and man what a gem. Dave really knocked it out of the park with this one. Vocals , Acoustic Guitars, even set it up as a mono room mic for drums and it has excelled at everything so for. My chain for most is AML EZ 1073 - BAE 10DC - VP28 - Symphony
Can't say enough about Dave and his Mics If you guys get the chance you should definitely check this mic out it won't disappoint
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Post by dirtythirties on Mar 22, 2014 7:18:49 GMT -6
Just received this mic a few days ago and man what a gem. Dave really knocked it out of the park with this one. Vocals , Acoustic Guitars, even set it up as a mono room mic for drums and it has excelled at everything so for. My chain for most is AML EZ 1073 - BAE 10DC - VP28 - Symphony Can't say enough about Dave and his Mics If you guys get the chance you should definitely check this mic out it won't disappoint I just stumbled on a another thread mentioning this mic. Any new thoughts on it? How would you compare it to the TM-1 (if you've heard both)? I really like the TM-1 on male vocals, but I was curious how it favors on females. The TM-1 wasn't flattering the female vocalist I tried it on. I apologize before I ask...how would you compare it to a U-47? |
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Post by drumrec on Mar 22, 2014 8:55:13 GMT -6
Have been curious about that Pearlman TM-47. Heard many good things about it. 'll Have to pull the trigger on a mt-47 in the near future. Glad to hear @thevillestudo that you where happy with your mic  |
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Post by Johnkenn on Apr 6, 2014 22:54:19 GMT -6
How the hell did I miss this? VERY interesting...
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Post by Johnkenn on Apr 6, 2014 23:08:10 GMT -6
What I'm wondering is if it has that mid-rangey u-47 sound, or is it more in line with the smiley face sound of a Peluso 2247?
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Post by lolo on Apr 7, 2014 5:17:41 GMT -6
Just received this mic a few days ago and man what a gem. Dave really knocked it out of the park with this one. Vocals , Acoustic Guitars, even set it up as a mono room mic for drums and it has excelled at everything so for. My chain for most is AML EZ 1073 - BAE 10DC - VP28 - Symphony Can't say enough about Dave and his Mics If you guys get the chance you should definitely check this mic out it won't disappoint Interesting. Do you always use the VP28 after the Comp? Normally if I patch mine in the chain i use it after my heritage 1073 and before comp? Any particular reason for after the comp? |
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Post by RicFoxx on Apr 7, 2014 12:16:57 GMT -6
Just received this mic a few days ago and man what a gem. Dave really knocked it out of the park with this one. Vocals , Acoustic Guitars, even set it up as a mono room mic for drums and it has excelled at everything so for. My chain for most is AML EZ 1073 - BAE 10DC - VP28 - Symphony Can't say enough about Dave and his Mics If you guys get the chance you should definitely check this mic out it won't disappoint Interesting. Do you always use the VP28 after the Comp? Normally if I patch mine in the chain i use it after my heritage 1073 and before comp? Any particular reason for after the comp? Ive been using the VP28 after the comp to. SCA/N72/WA76/VP28/Burl |
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Post by Johnkenn on Apr 15, 2014 16:13:41 GMT -6
Still interested in this thing...Wish it had an M7...but I guess I know a guy.
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Post by Johnkenn on May 24, 2014 22:53:55 GMT -6
Anyone have any sound samples?
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Post by thevillestudio on May 26, 2014 12:18:35 GMT -6
Anyone have any sound samples? John I will get you some later tonight |
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Post by Johnkenn on May 26, 2014 12:27:06 GMT -6
Thanks!
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Post by Ward on May 26, 2014 12:56:14 GMT -6
Dave Pearlman has been quoted saying that the TM47 is more vintagey, midrangey and rounder sounding than the TM1.
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Post by Johnkenn on May 26, 2014 13:47:41 GMT -6
Well. All the buzzwords.
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Post by thevillestudio on May 28, 2014 13:33:54 GMT -6
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Post by kidvybes on May 28, 2014 14:34:32 GMT -6
...a dry, untreated file would be more useful as a reference... ...from my understanding, the TM-47 is really very similar to the earlier TM-1 mics (larger BV-8 tranny and metal tube), but now in a U47-style body...my question is, since there's no omni-pattern or high-cut filter as on the TM-1, which voicing did Dave choose as the fixed-sound for the TM-47...did he go with the more popular, darker voicing of the TM-1 (high-cut engaged), or the more modern voicing sans the high-cut?...or something in between?... |
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Post by Johnkenn on May 28, 2014 14:51:54 GMT -6
Yeah - sounds like that has a lot of Compression and EQ on it...
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Post by Ward on May 28, 2014 14:59:59 GMT -6
VERY USEFUL. Thank you very much. I learned all I needed to know from that simple sample. The mild amount of reverb on it just gave it a little space. Nothing like listening to a sample that sounds like it was recorded in an anechoic chamber. Now, as for the microphone from what I can hear, it behaves just like a U47. Give it some 300-600hz and it goes "oo yummy, I'll take your 3db of mudrange and give you back 12!" LOL... just a bit of humor. It sounds delicious though. Just a little center mid cut and it would be perfect. Gratitude for your efforts! |
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Post by thevillestudio on May 28, 2014 18:21:28 GMT -6
Yeah - sounds like that has a lot of Compression and EQ on it... Sorry here is the Dry Vocal Attachment Deleted |
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Post by kidvybes on May 28, 2014 19:00:51 GMT -6
Sorry here is the Dry Vocal OK, much better...sounds more like the TM-1 without the high-cut engaged than it does with it...interesting...Thanks! |
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Post by Johnkenn on May 28, 2014 19:33:41 GMT -6
Yeah - sounds like that has a lot of Compression and EQ on it... Sorry here is the Dry Vocal View AttachmentThanks! |
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