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Post by wiz on Feb 16, 2016 2:46:55 GMT -6
Great watch... mixes are killer.. and his attitude is just great.
I have always loved this guys work..
cheers
Wiz
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Post by cowboycoalminer on Feb 16, 2016 11:49:44 GMT -6
Yeah he's great. Very laid back style and down to earth. He loves the Martechs too. I really mis mine. Need one again.
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Post by Johnkenn on Feb 16, 2016 15:59:48 GMT -6
Apparently, there's a total backup of production on the mss-10's. Nobody has them.
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Post by donr on Feb 16, 2016 23:46:39 GMT -6
"There's a lot of tracks, there's a lot of summing going on here, it's all coming out on 40 tracks. [on the analog desk] "
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Post by donr on Feb 17, 2016 0:07:58 GMT -6
SSL bus compressor, 4:1 ratio, 10ms attack, quickest release as long as you don't really hear it.
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Post by wiz on Feb 17, 2016 0:16:36 GMT -6
that mix he played of the first track... man it sounded killer
cheers
Wiz
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Post by swurveman on Feb 17, 2016 8:52:42 GMT -6
Question: I assuming the big, wide snare sound at the 8:11 mark is coming from squashing the room(s) mics and bringing that up at that point in the song? If so, when the room is being squashed is anything simultaneously done to the direct snare mic channel and the overheads, or is just the squashed room added?
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Post by sozocaps on Feb 17, 2016 14:54:18 GMT -6
Just curious what digital is he using with all those tracks ?
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Post by sean on Feb 17, 2016 17:32:32 GMT -6
99.9% sure he's a Nuendo user
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Post by sozocaps on Feb 17, 2016 17:37:16 GMT -6
Yes I agree from what I see but what AD DA converters is he using and how does he interface all of them ?
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Post by tonycamphd on Feb 18, 2016 10:31:19 GMT -6
Yes I agree from what I see but what AD DA converters is he using and how does he interface all of them ? it looks like a pair of Radar's in the racks, not sure how he's interfacing everything? |
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Post by sozocaps on Feb 18, 2016 14:30:16 GMT -6
Radar with Nuendo/Cubase ?
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Post by Ward on Feb 18, 2016 21:32:21 GMT -6
The best comment was his reference to hating stems and how they don't work in relation to the 2-buss. The 2 buss is where all the glue takes place and a mix gels into one cohesive sound. The crunch of the SSL buss comp or the smoosh of a 33609 or crush from any of the many brick-wall limiters you can use... all account for something that doesn't happen from stem remixes or mix variations. And the but about using stems to supplement live performances gets me right in the feels.
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Post by sozocaps on Feb 19, 2016 12:12:00 GMT -6
yea heard that what is a Stem... not sure I understand the concept.
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Post by tonycamphd on Feb 19, 2016 13:05:45 GMT -6
yea heard that what is a Stem... not sure I understand the concept. bounced audio files of like instruments separate from the final mix, or individual instruments with all their processing done, this way movie makers can edit in specific parts of a tune into their movie, TV shows, or live performers can use the stems as their backing tracks minus the main vox to sing on top of in a quasi live performance, they are also useful for OTB mixers to recall and make small tweaks to the individual stems without having to go through the pain of recalling an entire analog mix set up. Some mastering engineer's request stems so they can mix them together as they see fit, which i find a laughable request personally, may be good for someone who's quite bad at mixing? |
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Post by Ward on Feb 19, 2016 13:12:07 GMT -6
yea heard that what is a Stem... not sure I understand the concept. bounced audio files of like instruments separate from the final mix, or individual instruments with all their processing done, this way movie makers can edit in specific parts of a tune into their movie, TV shows, or live performers can use the stems as their backing tracks minus the main vox to sing on top of in a quasi live performance, they are also useful for OTB mixers to recall and make small tweaks to the individual stems without having to go through the pain of recalling an entire analog mix set up. Some mastering engineer's request stems so they can mix them together as they see fit, which i find a laughable request personally, may be good for someone who's quite bad at mixing? I've had mastering engineers ask for the full Pro Tools session with all my various mix files, so they can tweak it to see what would happen with the master. Uh no. You're not messing with my mix. And since then, I only send pre-mastered mix files. Don't EQ it, you can make it louder and clean up the heads and tails. That's it. Know what I mean, jellybean? |
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Post by sozocaps on Feb 19, 2016 16:30:30 GMT -6
Ahhh Thanks...
yea stem this... LOL no way.
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