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Post by Ward on Feb 5, 2016 6:41:41 GMT -6
Really? I must have missed John's comment but that surprises me. The top end on my B2 is so smooth. It's a very round sounding converter that I've never thought of or heard referred to as "bright". Not to criticize your experience of it it just surprised me. Haha. Yeah, Ragan, anytime I think I can sell my Burl and just be ok with Apogee or UA, I track something with it and kick myself in the ass for even thinking such craziness. BUT, I can't afford anymore than 2 channels. At 1k a channel, it's pricey. A THOUSAND BUCKS A CHANNEL??? What do they think, we're made of money and this is still the 1990s??
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Post by spock on Feb 5, 2016 10:37:31 GMT -6
I love my RADAR studio, and before that my RADAR 24 we'd use to dump tracks from a 3M M79, and it always sounded great. Does it have any integrated synchronization capabilities? SMPTE I/O
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Post by spock on Feb 5, 2016 10:41:58 GMT -6
Hey man, I would not sink that kind of money into converters. Some people say yay, I say nay. I use Antelope ones because I am OCD and if I don't use good stuff I will blame my failures on not having the best equipment. That's how people are. I would definitely recommend the Orion32, it's by an irrefutably good company with a good reputation for making good stuff. Their support is great, my Zen is rock solid and for 32 channels at 3k you'll have lots of I/O for whatever you may want to expand to. Sorry to the guys who hear a difference, I really don't. I doubt I'd pick out the converters I use against an Mbox. I just like having 12 good preamps in a single rack space with conversion over USB. side note... A great way to evaluate converters is to listen side by side, and how each filters the low-end, you'll begin to notice...
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Post by Kablam on Feb 6, 2016 15:05:49 GMT -6
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