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Post by scumbum on Oct 21, 2014 21:00:02 GMT -6
Anyone ever use the Roland vs1680 back in the day ?
My brother in law borrowed one years back and recorded a bunch of songs with one . He learned how to use it really good , but then the guy he borrowed it from took it back and he hasn't recorded anything in years . I've tried to teach him how to use something else to record , but all he ever talks about is how much he liked the vs1680 . Hes just a songwriter , in no way an engineer or really interested in being an engineer . So I found him a used one at Guitar Center for $99 . Whats crazy is the vs1680 cost $3,195 when it was Brand New .......crazy !!
Whats the sound quality of this thing ?
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Post by wiz on Oct 21, 2014 21:22:10 GMT -6
i used one.. well I tracked some stuff for a guy on his, mixed it on my AW4416 and PC and mastered it back in the day.
it was a cool machine for the time.
I thought my Yamaha AW4416 was better sounding
cheers
Wiz
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ericn
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Balance Engineer
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Post by ericn on Oct 22, 2014 7:43:36 GMT -6
Roland lent be the smaller version the 880 for about a month before the release so that I would be able to demo and do clinics, In absolute terms in was ok unless you used the super high quality mode that ate up the tiny drive real fast, the menus system was cumbersome. As a basic portastudio writing tool not bad once you got to know it. Sold a Ton of them, in terms of today , give me a laptop interface and pick your DAW, it will be easier.
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Post by popmann on Oct 22, 2014 7:50:41 GMT -6
Bought one for $3600 new (you have to add the CDRW and two FX boards that were extra)....
Sounds like dogshit. Between the RDAC compression (which wasn't the biggest of these).....the to this day possibly worst preamps I've touched--and note I'm no snob....and the combination of a 20bit ADA and 24fixed bit at mix sum....not good EQ....not good compression....
I can say the FX boards were fine, decent time based effects.
Anyway--they sell around here now for about $250--and unlike when I had one, someone has written an app that will export the files into a DAW, he can certainly use it to track if he likes it.
I would venture if he "likes it" it's due to knowing how to use it--Rolqnd was horribly proprietary in their nomenclature and there are people I maintain contact with today who that was their first "north of four track cassette" recorder-who still refer back to how "easy" X or Y was.
Coming from a traditional engineering of component based systems (meaning desks and decks and effects and compressors all tied together with wires and patchbays....I found the machine maddening--I could never figure out it's fucked up automation, which involved adjusting two "snapshots" and altering the gradation/transition between them...I did one record with it, and sold it off....for I don't know $1200? That was an expensive album. Especially considering I realized the NEED for external preamps and ADC. To this day--the tracks themselves are fine sounding...but, there were just NO mix tools...
I always said that the VS880 and 2480 were the stars of that line--880 was so limited you used it like a four track--KISS and thus it produced good demos...and then the 2480 they finally stepped up and gave you the tools to handle the extra track count--I think you could get 8FX....third party UA and IK plugs for it....full featured EQ and dynamics on every channel...anyway--I'd venture the 2480 is his best shot and meeting his knowledge of Roland'ese and sounding good. Not to mention those did WAV import/export natively. And I've seen them go for $500-1000 now depending on installed options.
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Post by swurveman on Oct 22, 2014 8:27:48 GMT -6
I had one. Fortunately, I soon discovered that I could record and mix easier with a PC/software and A/D converters. Funny story is that I often have sent out demo's and gotten nothing but silence from labels, but a 3 song demo I recorded on the Roland got a response that encouraged me to send more music. My guess it was lo fi enough to get noticed by a lo fi enthusiast.
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Post by popmann on Oct 22, 2014 12:51:38 GMT -6
I should also point out for noobs and youngsters.....that when I paid $3600 for it? It was because my DAT was on it's last legs, 8track r2r head died in lapping....and the cost of replacing the DAT and the ANALOG 8 track with a 20bit ADAT (yuck, but only choice)....was about $3k-3500. For what would be a downgrade in tracking quality...and maybe a touch of an upgrade on the DAT converter end....and the Roland allowed me to (right or wrong in retrospect) sell all the rest of my outboard gear (to make the end cost less than half that), and author CDs--not trivial in the late 90s. It's wasn't the wrong call. I mean, it was had I known what was in store for the next gen of hardware audio workstations, but the computer alternative was a $4k Mac 233mhz G3+DigPerformer upgrade(from. Performer I used for midi) and some kind of $1000+ Layla interface or something....so, one needs that perspective.
I was a starving musician at the time....who was in the middle of making an album when those key pieces went south. Today, one could make a trip to GC and pick up a MBAir and some little IO box and keep going. I had to recall midi sequences, print them into the new recorder and recut tracks based on rough DAT mixes I happened to have as reference.
#momentofgratitude
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Post by wiz on Oct 22, 2014 17:16:01 GMT -6
I just remembered...I had a VS880 I paid nearly 5 grand for it.. the burner was a 1000 bucks
media was cheap though..
10 bucks a CDR and 30 a rewritable...... !!!!!
I forgot how much the mid 90s sucked
Wiz
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Post by popmann on Oct 22, 2014 17:58:05 GMT -6
Yeah, I was "out of the market"....it's actually the reason, if you ever see me talking about "my next studio"--like where I would go if something happened? It's because I wasn't paying attention at all--just using my gear, making music...and when it died it was like this panic--"what do you mean they don't make analog recorders anymore? I don't want a fucking adat!"....only professional 24bit DATs that cost $1500? Holy shit.... Yes--terrible time to buy home studio gear, IMO/E. Once we hit 2000, you have RME based PCs....Akai and Roland did the stand alone thing "right" (DPS24 and 2480)...on the more pro level, TDM mixers went HD and you actually COULD replace your big desk....and go 96khz.... Kids today are spoiled. I posted a while back about how I can basically buy some little interface for the MacBook Air (and Logic) and out do my entire 90s home studio in terms of capability AND sonics....MIDI, samplers, audio--everything....low rent laptop and some 2x2 USB box....really--you could get that Focusrite iDock thing and an iPad and MOSTLY outdo it....
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Post by wiz on Oct 22, 2014 19:18:35 GMT -6
Yeah, I was "out of the market"....it's actually the reason, if you ever see me talking about "my next studio"--like where I would go if something happened? It's because I wasn't paying attention at all--just using my gear, making music...and when it died it was like this panic--"what do you mean they don't make analog recorders anymore? I don't want a fucking adat!"....only professional 24bit DATs that cost $1500? Holy shit.... Yes--terrible time to buy home studio gear, IMO/E. Once we hit 2000, you have RME based PCs....Akai and Roland did the stand alone thing "right" (DPS24 and 2480)...on the more pro level, TDM mixers went HD and you actually COULD replace your big desk....and go 96khz.... Kids today are spoiled. I posted a while back about how I can basically buy some little interface for the MacBook Air (and Logic) and out do my entire 90s home studio in terms of capability AND sonics....MIDI, samplers, audio--everything....low rent laptop and some 2x2 USB box....really--you could get that Focusrite iDock thing and an iPad and MOSTLY outdo it.... yeah, back then I had a alai s1100 that I would load Bob Clearmountains drum samples in on floppy... 8) When sound fonts came out .. I was over the moon
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Post by popmann on Oct 22, 2014 19:43:29 GMT -6
Yeah, I had all dedicated romplers. I had friends with samplers w/floppies....always seemed like too much of a PIA.
I think an Alesis D4 did drums....I had a Voce V3 and midi drawbars for organ...Kurzweil Micropiano and PC88mx for pianos and strings....Roland D70 full of custom rolled "pads"....then there were a few other synths that came and went, but that was the core. A Mac (15mhz?) running Performer and a MoTU midi interface tying it all and syncing to the tape.
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ericn
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Balance Engineer
Posts: 16,099
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Post by ericn on Oct 22, 2014 20:20:11 GMT -6
I just remembered...I had a VS880 I paid nearly 5 grand for it.. the burner was a 1000 bucks media was cheap though.. 10 bucks a CDR and 30 a rewritable...... !!!!! I forgot how much the mid 90s sucked Wiz Hey those prices paid my FING rent Good times!
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Post by wiz on Oct 22, 2014 20:21:53 GMT -6
Yeah, I had all dedicated romplers. I had friends with samplers w/floppies....always seemed like too much of a PIA. I think an Alesis D4 did drums....I had a Voce V3 and midi drawbars for organ...Kurzweil Micropiano and PC88mx for pianos and strings....Roland D70 full of custom rolled "pads"....then there were a few other synths that came and went, but that was the core. A Mac (15mhz?) running Performer and a MoTU midi interface tying it all and syncing to the tape. Ahhhhh the D4 I took a Remo practice kit, put piezo sensors in each pad and connected it up to the trigger inputs of my D4. viola E Kit 8)
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Post by scumbum on Oct 22, 2014 21:01:42 GMT -6
Today kids can get an iPad and some interface and your good to go !!
No wonder studios have been going out of business .
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