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Post by kcatthedog on Oct 30, 2024 13:31:54 GMT -6
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Post by ironinthepath on Oct 30, 2024 14:24:49 GMT -6
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Post by kcatthedog on Oct 30, 2024 15:03:06 GMT -6
I didn’t know there that many versions, so enjoyed the article.
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Post by stam on Oct 31, 2024 5:51:35 GMT -6
Oh yes.
I have had all 4 (still have two).
The old Marinairs and class A/B output with the 440 DOA is the most magical sounding one, super thick low end, quite dark but C had it's own cool sound with much more presence and top end. Also a bit more sterile sounding.
On the SA-609+ (or MK3) I have added all 4 into one unit. Including the latest N revision.
It's a pretty cool machine.
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Post by Johnkenn on Oct 31, 2024 6:02:58 GMT -6
Oh yes. I have had all 4 (still have two). The old Marinairs and class A/B output with the 440 DOA is the most magical sounding one, super thick low end, quite dark but C had it's own cool sound with much more presence and top end. Also a bit more sterile sounding. On the SA-609+ (or MK3) I have added all 4 into one unit. Including the latest N revision. It's a pretty cool machine.  |
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Post by Oneiro on Nov 1, 2024 11:30:16 GMT -6
Yeah. It's kind of annoying but I get to use an OG metal knob one all the time and it's just got something to it. More natural, gooshy grab, great on everything - piano, kick snare bass, drum buss, mix, blah blah. I hate that I notice it - I had the Heritage 609A, used the new N, the Audioscape ones. They're all fine and good. Just not the metal knob. Cork sniffing.
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