Post by Johnkenn on Sept 24, 2024 9:44:19 GMT -6
Current orders now shipping. Next batch 10 weeks.
stamaudio.com/shop/compressors/sa-609/
The SA-609 MK3 features four 33609 revisions.
The 33609 used a diode-bridge based topology and spawned several revisions since its inception in the late 60’s making its way into the chain of virtually every studio in the world. Unlike any other 33609 clone on the market the SA-609+ features all these revisions stuffed in into a single unit.
Each unit uses UK-made Carnhill transformers and a Class A/B amplifier with two reversed engineered BA-440 op-amps which should be the only transformers and op-amps used on this circuit. Thanks to a proprietary relay switching matrix we have managed to incorporate the most iconic 33609’s revisions into a single unit including the 33609 “Metal Knob, “C”, J/D and N revision. This means you are getting 4 legendary compressors for the price of 1. The SA-609 MK3 also overcomes the limitation of the original metal knob with the inclusion of a Super Slow attack MOD which makes it perfect from Mixbus duties on heavier music as well as a side chain high pass filter and a Dry/Wet blend control. With UK-made Carnhill transformers, reversed engineers BA-440 cards, Vishay, tantalum and polystyrene capacitors the SA- 609 MK3 retains the same transformers, op-amps and components that made this iconic unit so special making it an identical sounding replica of the vintage, thick and dark Metal Knob , the brighter sounding Rev C, the aggressive and mid forward revision J/D as well the flatter sounding revision N at the twist of a knob.
Metal Knob
Affectionately known as the “Metal Knob”, the first 33609 featured a class A/B amplifier with two BA-440 cards and Marinair transformers. It was a smooth sounding compressor with a dark top end and a huge low end. In an attempt to remain as close and faithful to the original we are using UK-made Carnhill transformers which are direct descendants from the original Marinairs. No other transformers come close, and no other transformers should be used on this circuit. We also carefully reverse engineered the original BA-440 amplifiers on the output section where all the magic happens. This meticulous combination of parts ensures that the metal knob mode on our 609 MK3 sounds exactly the same as an old 33609. Huge, dark and smooth.
Revision C
Revision C as it should have been. This unit was noticeably brighter than the previous metal knob version with a pronounced push above 6kHz and an open top end which was beloved by many engineers but lost the warmth and character of the BA-440 output cards which were replaced by BA640 IC cards which became highly unpopular amongst audio engineers. On the Stam Audio SA-609’s Rev C this has been corrected. It has present mids making any modern mix shine and bringing darker mixes back to life while retaining the warm character of the previous metal knob making it a much more desirable sounding unit. This comes as a result of respecting some critical values on Rev C but maintain the discrete BA 440 op-amps on the output and using the same Carnhill/Marinair transformers used on Rev A and B also known as the metal knob
Revision J/D
Made in the 90’s, rev J/D saw the return of the discrete class A/B amplifier and BA-440 cards per popular demand. It also presented further value changes on the circuitry which resulted in an aggressive and mid forward sound with a pronounced drop after 16kHz. We decided to incorporate these values and obtained the same frequency response making Rev J/D the most aggressive sounding one and an ideal compressor for drums.
Revision N
Based on the most current/modern unit, M revision (which stands for Modern) has an almost flat frequency response with a tight low end and smooth top end. This setting is perfect for any type of genre or instrument allowing the original frequency response to be preserved while adding the character of transformers and tantalum capacitors. The fast attack found on this unit (2ms) has been used on the fast attack setting
Super Slow MOD
The SA-609 MK3 was designed to overcome the original 33609 limitations. By adding some critical new features this unit is far more versatile in the modern studio workflow. A major complaint was it was too fast with a fixed attacked time of 5ms it was excellent on subtle mixbus duties but was never optimal for heavier or modern music, so we added our famous Super Slow MOD with an attack time of 20ms making it ideal for rock, electronic and heavy metal mixbus duties. Another shortcoming was that it was too slow to use on more percussive sources. To overcome this limitation, we added a fast attack time of 2ms to handle loud sources such as snares and kicks which is the same found on the current 33609 “N” revision
Enhanced Functionality
The SA-690 MK3 also comes with a three-position side chain high pass filter as well as a transparent mix blend control. Just like the original it offers a transparent compression with its lowest 1.5:1 ratio setting or can be slammed up to 6:1 to get as much attitude as you desire. Its uses are not limited to the master bus. The original was commonly used on drums, vocals, pianos, and other acoustic instruments due to its ability to tame even the most complex source, and the SA-609 MK3 replicates this perfectly. High quality stepped controls allow for easy recall of settings and, when used for mastering duties provided a higher degree of precision. Overall compression is displayed by the front panel with vu meters. Each compression channel has threshold, release, makeup-gain, and ratio controls. The makeup-gain circuit is great for adding a little more grit and warmth to any source and can be used even if no compression is required. Each channel is also equipped with a brick-wall limiter that has threshold and recovery controls, which is placed after the compression circuit. If you wish, the limiter can be bypassed completely for applications where limiting is not necessary. For complete flexibility, the SA-609 MK3 can be used in linked stereo mode, or the channels can be separated for use as a dual mono compressor. Dual mono mode is ideal for a mix that has a lot of dynamics between the right and left channels.
i.postimg.cc/nLNMDcH2/IMG-0041.jpg
stamaudio.com/shop/compressors/sa-609/
The SA-609 MK3 features four 33609 revisions.
The 33609 used a diode-bridge based topology and spawned several revisions since its inception in the late 60’s making its way into the chain of virtually every studio in the world. Unlike any other 33609 clone on the market the SA-609+ features all these revisions stuffed in into a single unit.
Each unit uses UK-made Carnhill transformers and a Class A/B amplifier with two reversed engineered BA-440 op-amps which should be the only transformers and op-amps used on this circuit. Thanks to a proprietary relay switching matrix we have managed to incorporate the most iconic 33609’s revisions into a single unit including the 33609 “Metal Knob, “C”, J/D and N revision. This means you are getting 4 legendary compressors for the price of 1. The SA-609 MK3 also overcomes the limitation of the original metal knob with the inclusion of a Super Slow attack MOD which makes it perfect from Mixbus duties on heavier music as well as a side chain high pass filter and a Dry/Wet blend control. With UK-made Carnhill transformers, reversed engineers BA-440 cards, Vishay, tantalum and polystyrene capacitors the SA- 609 MK3 retains the same transformers, op-amps and components that made this iconic unit so special making it an identical sounding replica of the vintage, thick and dark Metal Knob , the brighter sounding Rev C, the aggressive and mid forward revision J/D as well the flatter sounding revision N at the twist of a knob.
Metal Knob
Affectionately known as the “Metal Knob”, the first 33609 featured a class A/B amplifier with two BA-440 cards and Marinair transformers. It was a smooth sounding compressor with a dark top end and a huge low end. In an attempt to remain as close and faithful to the original we are using UK-made Carnhill transformers which are direct descendants from the original Marinairs. No other transformers come close, and no other transformers should be used on this circuit. We also carefully reverse engineered the original BA-440 amplifiers on the output section where all the magic happens. This meticulous combination of parts ensures that the metal knob mode on our 609 MK3 sounds exactly the same as an old 33609. Huge, dark and smooth.
Revision C
Revision C as it should have been. This unit was noticeably brighter than the previous metal knob version with a pronounced push above 6kHz and an open top end which was beloved by many engineers but lost the warmth and character of the BA-440 output cards which were replaced by BA640 IC cards which became highly unpopular amongst audio engineers. On the Stam Audio SA-609’s Rev C this has been corrected. It has present mids making any modern mix shine and bringing darker mixes back to life while retaining the warm character of the previous metal knob making it a much more desirable sounding unit. This comes as a result of respecting some critical values on Rev C but maintain the discrete BA 440 op-amps on the output and using the same Carnhill/Marinair transformers used on Rev A and B also known as the metal knob
Revision J/D
Made in the 90’s, rev J/D saw the return of the discrete class A/B amplifier and BA-440 cards per popular demand. It also presented further value changes on the circuitry which resulted in an aggressive and mid forward sound with a pronounced drop after 16kHz. We decided to incorporate these values and obtained the same frequency response making Rev J/D the most aggressive sounding one and an ideal compressor for drums.
Revision N
Based on the most current/modern unit, M revision (which stands for Modern) has an almost flat frequency response with a tight low end and smooth top end. This setting is perfect for any type of genre or instrument allowing the original frequency response to be preserved while adding the character of transformers and tantalum capacitors. The fast attack found on this unit (2ms) has been used on the fast attack setting
Super Slow MOD
The SA-609 MK3 was designed to overcome the original 33609 limitations. By adding some critical new features this unit is far more versatile in the modern studio workflow. A major complaint was it was too fast with a fixed attacked time of 5ms it was excellent on subtle mixbus duties but was never optimal for heavier or modern music, so we added our famous Super Slow MOD with an attack time of 20ms making it ideal for rock, electronic and heavy metal mixbus duties. Another shortcoming was that it was too slow to use on more percussive sources. To overcome this limitation, we added a fast attack time of 2ms to handle loud sources such as snares and kicks which is the same found on the current 33609 “N” revision
Enhanced Functionality
The SA-690 MK3 also comes with a three-position side chain high pass filter as well as a transparent mix blend control. Just like the original it offers a transparent compression with its lowest 1.5:1 ratio setting or can be slammed up to 6:1 to get as much attitude as you desire. Its uses are not limited to the master bus. The original was commonly used on drums, vocals, pianos, and other acoustic instruments due to its ability to tame even the most complex source, and the SA-609 MK3 replicates this perfectly. High quality stepped controls allow for easy recall of settings and, when used for mastering duties provided a higher degree of precision. Overall compression is displayed by the front panel with vu meters. Each compression channel has threshold, release, makeup-gain, and ratio controls. The makeup-gain circuit is great for adding a little more grit and warmth to any source and can be used even if no compression is required. Each channel is also equipped with a brick-wall limiter that has threshold and recovery controls, which is placed after the compression circuit. If you wish, the limiter can be bypassed completely for applications where limiting is not necessary. For complete flexibility, the SA-609 MK3 can be used in linked stereo mode, or the channels can be separated for use as a dual mono compressor. Dual mono mode is ideal for a mix that has a lot of dynamics between the right and left channels.
i.postimg.cc/nLNMDcH2/IMG-0041.jpg
