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Post by russellcreekps on Jun 16, 2024 13:14:24 GMT -6
I always feel like I could learn so much more about reverb, I don’t feel like I’m using it to its full potential. Any suggestions for good online (free) resources to learn advanced uses? Like I‘ve read the standard stuff you find online (high cut when needed, low cut, post fader pan opposite, using a room for a bit of space then your true colour verb, different types for different sources, etc)…can’t think of some good examples of what I’d like to learn, but maybe when to use mono verb sends effectively would be one…I’m sure there’s so much I’d love to know but when you search online it’s often the same basic things. Appreciate it as always!
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Post by guitfiddler on Jun 16, 2024 19:19:40 GMT -6
I always feel like I could learn so much more about reverb, I don’t feel like I’m using it to its full potential. Any suggestions for good online (free) resources to learn advanced uses? Like I‘ve read the standard stuff you find online (high cut when needed, low cut, post fader pan opposite, using a room for a bit of space then your true colour verb, different types for different sources, etc)…can’t think of some good examples of what I’d like to learn, but maybe when to use mono verb sends effectively would be one…I’m sure there’s so much I’d love to know but when you search online it’s often the same basic things. Appreciate it as always! There are more tips and tricks that Warren has, just do a search Warren Huart Reverb on You Tube. |
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Post by doubledog on Jun 16, 2024 20:01:22 GMT -6
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Post by Johnkenn on Jun 17, 2024 8:59:30 GMT -6
I’d like to know if there’s an easier way to determine reverb volume in the mix…I’ve never really thought about it, but stuff like “switch to mono and you can hear verb trails more distinctly…” etc.
I’ve tried putting an unmasking plug (side chain eq comp) but don’t really know what I think. Sometimes it just makes it harder to hear…maybe just ducking the low end is right or something.
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Post by bossanova on Jun 17, 2024 9:54:30 GMT -6
I’d like to know if there’s an easier way to determine reverb volume in the mix…I’ve never really thought about it, but stuff like “switch to mono and you can hear verb trails more distinctly…” etc. I’ve tried putting an unmasking plug (side chain eq comp) but don’t really know what I think. Sometimes it just makes it harder to hear…maybe just ducking the low end is right or something. I’ve used Waves Center to mute the phantom center so I can hear just the reverb volume in the sides of reference recordings. It’s a way to get examples of baselines if nothing else. |
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Post by russellcreekps on Jun 17, 2024 19:47:13 GMT -6
I’d like to know if there’s an easier way to determine reverb volume in the mix…I’ve never really thought about it, but stuff like “switch to mono and you can hear verb trails more distinctly…” etc. I’ve tried putting an unmasking plug (side chain eq comp) but don’t really know what I think. Sometimes it just makes it harder to hear…maybe just ducking the low end is right or something. I’ve used Waves Center to mute the phantom center so I can hear just the reverb volume in the sides of reference recordings. It’s a way to get examples of baselines if nothing else. One of the few Waves plugins I own…gotta try that one, thanks! |
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Post by doubledog on Jun 17, 2024 20:32:45 GMT -6
I’d like to know if there’s an easier way to determine reverb volume in the mix…I’ve never really thought about it, but stuff like “switch to mono and you can hear verb trails more distinctly…” etc. I’ve tried putting an unmasking plug (side chain eq comp) but don’t really know what I think. Sometimes it just makes it harder to hear…maybe just ducking the low end is right or something. different monitors, headphones, but sometimes just turning the volume down very low - so you can barely make out the vocals - can reveal things too (turning it up not always so much) |
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Post by jaba on Jun 18, 2024 18:58:11 GMT -6
I’d like to know if there’s an easier way to determine reverb volume in the mix…I’ve never really thought about it, but stuff like “switch to mono and you can hear verb trails more distinctly…” etc. I’ve tried putting an unmasking plug (side chain eq comp) but don’t really know what I think. Sometimes it just makes it harder to hear…maybe just ducking the low end is right or something. Mute, unmute. Tells you what's it's doing to the mix - adding depth, clutter, mood, excitement, etc. For me there's no better way. Still, you may end up adjusting level, EQ, etc a bit in a revision, but that's like anything. |
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