|
Post by Johnkenn on May 23, 2024 19:50:47 GMT -6
And ducking plugs. Slapped them all over a mix and it came out pretty great. The next mix, for whatever reason, I found the Fuser ducking just too noticeable. Especially if you have it on several tracks - I felt like I could hear the dynamics pumping. Or like gates closing too soon. I notice with Pi too, you just have to live with a warble.
This was a weird freaking session all around too. Neither Auto align 1 or 2 worked properly in the session. At least the results seemed worse and were inconsistent. I can’t figure out why it works sometimes and not others.
Does anyone else get paranoid or superstitious (for lack of a better term) when you all of a sudden hear some issue you haven’t heard in the mix before and then you realize it was X plug…then you’re too paranoid to use it again? Lol well, I do…That happened with Deres. I found a big resonance in guitars and it sounded great after I used Deres in solo…but it did something freaky when listening to the entire mix. I do think vocal shaper is killer for taking the low resonances out of vocals, but I’ve overused that too. Oh - and after applying liberal amounts of stereo widening with my new ssl fusion and Fuse plugs…I overused that stuff too.
|
|
|
Post by geoff738 on May 23, 2024 19:57:22 GMT -6
I think a little bit of it is, ooh, new shiny toys. Gotta (over)use them before you really get a handle on how to best deploy them.
Cheers, Geoff
|
|
|
Post by FM77 on May 23, 2024 20:02:00 GMT -6
My experience with Pi, I really choose my needs and leave it at that. With guitars I create a group (4-6 tracks) and use PL - phase lock. I don't get the warble. It can really clean up nylon string guitars. And always used post fader as the last insert.
|
|
|
Post by Johnkenn on May 23, 2024 20:22:38 GMT -6
My experience with Pi, I really choose my needs and leave it at that. With guitars I create a group (4-6 tracks) and use PL - phase lock. I don't get the warble. It can really clean up nylon string guitars. And always used post fader as the last insert.
I’ve been using it on Kick and Bass…but I haven’t tried PL…think had it on INT or something? Man - that’s great if this will get rid of the occasional warble. It was a trade off imo.
|
|
|
Post by Tbone81 on May 23, 2024 20:52:51 GMT -6
Hey John, not sure if you’re already doing this, but when ducking are you sidechaining a compressor or a dynamic eq? I highly recommend using a dynamic eq instead of compressor. It’s so much more transparent.
I use MeldaAudio Auto Dynamic EQ but I’m sure most dynamic EQ’s have similar features. The Melda EQ allows me to see the Sonagram of the side chain…so I can slap it on Bass, feed the sidechain from the kick and see eactly where the resonances from the kick land in the audio spectrum. Then I can duck those frequencies from the bass. It’s great. I only use a comp sidechain for reverbs or if I want a part to pump on purpose.
As always YMMV
|
|
|
Post by Johnkenn on May 23, 2024 21:24:36 GMT -6
Hey John, not sure if you’re already doing this, but when ducking are you sidechaining a compressor or a dynamic eq? I highly recommend using a dynamic eq instead of compressor. It’s so much more transparent. I use MeldaAudio Auto Dynamic EQ but I’m sure most dynamic EQ’s have similar features. The Melda EQ allows me to see the Sonagram of the side chain…so I can slap it on Bass, feed the sidechain from the kick and see eactly where the resonances from the kick land in the audio spectrum. Then I can duck those frequencies from the bass. It’s great. I only use a comp sidechain for reverbs or if I want a part to pump on purpose. As always YMMV No - I was just using fuser…which supposedly does all of that automatically. I need to play around with the attack and release on that thing and try and get it more subtle. My guess is I’m just being way too heavy handed. I’ve used Pro Q-3 like that and it has the sonogram thingy. Only problem is it doesn’t have attack and release. I’m just wondering if you get it so subtle - is it really making a difference?
|
|