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Post by kcatthedog on Mar 29, 2024 13:05:42 GMT -6
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Post by doubledog on Mar 29, 2024 13:17:01 GMT -6
I use a lot of different reverbs for drums. Really depends on the song/project. I like the Lexicon MPX, United Morphverb, I used to use Rverb a lot. Sometimes Superplate is just right, the UAD Lexicon 224 or 480L reverbs, RMX16. UAD Ocean Way or Sound City, Hitsville, PSP 2445. I have too many and there are too many.
and I will add that when I am using reverb on drums it's usually only on snare and maybe toms (room mics are used too)
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Post by svart on Mar 29, 2024 13:29:37 GMT -6
Usually run the room mics into ValhallaRoom or Verbsuite. Might add some of the individual drums too depending on how wet it needs to be.
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Post by drumsound on Mar 29, 2024 13:40:16 GMT -6
I liked the second to last one.
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Post by drumsound on Mar 29, 2024 13:42:55 GMT -6
I don't use a ton of reverb on drums, but I will often manipulate the room mics with delay or other stuff right on the channel.
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Post by Dan on Mar 29, 2024 14:02:14 GMT -6
Tai chi, sp2016, psp emt 2445, Megaverb
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Post by notneeson on Mar 29, 2024 14:15:08 GMT -6
I have had a number of reverb hating clients over the years and I have to say they’re rubbing off on me.
That said, I frequently use (and am also constantly turning down) Valhalla Vintage Verb, CLA Epic, IK Sunset, and Neoverb.
It’s always an Easter egg hunt to find the right sound, and then I’m chasing that minimal (felt more than heard) balance.
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Post by iamasound on Mar 29, 2024 15:32:29 GMT -6
Sonic Flavours R66 from 2005 but it's only 32 bit and the company went out of business.
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Post by niklas1073 on Mar 29, 2024 16:20:37 GMT -6
Despite small room, my first is high tuned un-muffled big drums with decent sustain. Then an emt140 emulation or hitsville chambers usually, some delay and thats it.
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Post by drbill on Mar 29, 2024 18:07:00 GMT -6
Bricasti hardware. Hard to make it sound bad. Adding it to drums makes the drums and verb sound like they came together as one, had a baby, baby grew up, and became stronger than either and/or both. To call it "magic" would perhaps be hyperbole.....then again......
maybe not.
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Post by thirdeye on Mar 29, 2024 18:37:26 GMT -6
I still love the PCM70 for drums (Rich Chamber is my personal fav). Adjust to taste. Old School...
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Post by theshea on Mar 30, 2024 1:42:20 GMT -6
mainly use the IK sunset studio sound as it has a lot of verbs to choose from. one always works.
having it mostly on overheads and snare (sometimes only on the gated bottom snare track).
sometimes i try it on the room mics as well if they don‘t sound good by themselves.
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Post by phdamage on Mar 31, 2024 20:38:01 GMT -6
I have a tiny drum room, so these are clutch for me. I use Altiverb (specific IRs depend but I often use captures from the A room at Electrical Audio) and UAD Ocean Way on every mix. Often I'll use Valhalla Room for a gated verb for snare. Sometimes: Reverberate, T verb, UAD Lex 224, UAD Hittsville, Valhalla Vintage verb, UAD EMT 250, etc.
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Post by bossanova on Mar 31, 2024 21:50:17 GMT -6
It's kind of a cheat, but Reverberate, just because there are so many options including the Bricati IRs. After that, Sunset is pretty great.
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Post by collywobble on Apr 1, 2024 3:29:46 GMT -6
EastWest Quantum Leap Spaces II is my go-to, specifically the "LA Studio Drum Room" presets.
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Post by guitfiddler on Apr 1, 2024 5:02:36 GMT -6
Bricasti hardware. Hard to make it sound bad. Adding it to drums makes the drums and verb sound like they came together as one, had a baby, baby grew up, and became stronger than either and/or both. To call it "magic" would perhaps be hyperbole.....then again...... maybe not. I wish I had 2 Bricasti’s! |
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Post by thehightenor on Apr 1, 2024 5:59:42 GMT -6
I just tracked a drum track directly recording the MIDI fro my TD-50x Drum-Tec kit > post triggered Toontrack Hit Maker Phil Collins kit
then sent some signal to the IK "The Farm" stone drum room.
Sounds bl**dy fantastic!
Such a great time to be a creative musician - the digital tools for drum samples and captured spaces are amazing!
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