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Post by viciousbliss on Mar 19, 2024 16:23:50 GMT -6
These guys have been working on this for a while and just released the official version a couple weeks back. It's not in AAX though and they're looking for something like 27 Euros a year as a subscription-only model. Well, I tried their demo and stacked it up against Maat Linpro and Good Dither. The result is that it retains far more of the punch and high frequencies that get lost when losing bits. Against the dither in Cedar Adaptive Limiter 2, same thing. It's doing something so the sound stays about as open as it did at the higher bitrate. But I find that I prefer to use the Cedar to go to 16-bit as while it sounds less clear and less energetic, it's more musical and cohesive. Sorta like applying a compressor that compresses the highs a little. With the Cedar at 24-bit and Mozzaik set to 16-bit afterwards, I felt like it was too dynamic. But I need to test it some more. I'm using this at the end of ITB mixes and before the first hardware insert. For me, it mitigates the things I don't like about dither plugins quite well. mozzaik-audio.com/You have to email support@mozzaik-audio.com to get the 30 day trial.
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Post by Johnkenn on Mar 19, 2024 18:34:00 GMT -6
Can’t say I’ve ever heard dither…
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Post by Dan on Mar 19, 2024 18:44:38 GMT -6
lol subscription only dither. don't be a pay pig. 2-bits of flat tdpf dither is optimal. goodhertz good dither 24-bit, high, flat, no auto-blank lives on my master bus. autoblank on would be good for a monitoring fx.
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Post by Dan on Mar 19, 2024 18:46:01 GMT -6
Can’t say I’ve ever heard dither… truncation distortion correlated to the audio results in a loss of immediacy or depth ime. correctly dithering de-correlates it from the audio preserving the depth and immediacy.
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Post by viciousbliss on Mar 19, 2024 20:03:33 GMT -6
I listened to it first before going back and reading the original thread from a few months ago so that I wouldn't be looking for anything specific in the sound. Others came to the same conclusion that I did when using the previous work in progress version(which doesn't preserve the punch and highs as much the for sale one, but is still ahead of Linpro and Good Dither). I'm not sure if Mozzaik is using TPDF or something else. They were talking about 1980s classical cds being the epitome of quality or something. Dan, I'd love to get your take on this one. John, if the Hilo's headphone section is anything like the Aurora N's, the dither differences are very noticeable. If I recall, that applied to VSX as well as the K701. Mozzaik posted clips on GS and those results are the same as I got when bouncing files with Mozzaik vs Cedar or Linpro.
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Post by mozzaikaudio on Mar 30, 2024 1:04:57 GMT -6
I've saw this thread that viciousbliss started so I decided to put some thoughts. I like the sound of classical CDs recorded in 80s. I know that they used old equipment and measurements are not good as in modern electronics. Still I get amazed every time when I play these recordings on audio shows. I wanted to get that sound signature when listen to modern CDs. After more that 100 versions and one year of development and testing we came with this dither that has qualities that I like. That doesn't mean that other stuff is not good. I'm sure they are great. It is matter of preference and taste.
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Post by viciousbliss on Apr 1, 2024 3:39:50 GMT -6
I've saw this thread that viciousbliss started so I decided to put some thoughts. I like the sound of classical CDs recorded in 80s. I know that they used old equipment and measurements are not good as in modern electronics. Still I get amazed every time when I play these recordings on audio shows. I wanted to get that sound signature when listen to modern CDs. After more that 100 versions and one year of development and testing we came with this dither that has qualities that I like. That doesn't mean that other stuff is not good. I'm sure they are great. It is matter of preference and taste. Good to see you here Marko. So, it would be good for everyone to hear more about your approach here. It sounded unique. You mentioned noise shaping to me but it didn't sound like the usual problematic noise shaping we are used to. I've gone back and done some stuff all with Good Dither so I can do a more thorough comparison in just a bit. Are there specific classical recordings we should look at?
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Post by poppaflavor on Apr 1, 2024 7:37:24 GMT -6
A while back I listened to the examples over on the forum thread at that purple site, and although I'm a far cry away from having golden ears the difference was pretty evident to me.
I asked about it over at the purple site and it does sound like it's subscription only unfortunately. Although I'm not in a position to justify a subscription, it does sound quite delightful and people who do this for a living might want to at least check it out.
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Post by Blackdawg on Apr 1, 2024 23:47:35 GMT -6
You lost me at subscription. Had my interest up until then.
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Post by Dan on Apr 2, 2024 7:31:34 GMT -6
I've saw this thread that viciousbliss started so I decided to put some thoughts. I like the sound of classical CDs recorded in 80s. I know that they used old equipment and measurements are not good as in modern electronics. Still I get amazed every time when I play these recordings on audio shows. I wanted to get that sound signature when listen to modern CDs. After more that 100 versions and one year of development and testing we came with this dither that has qualities that I like. That doesn't mean that other stuff is not good. I'm sure they are great. It is matter of preference and taste. No, it's a matter of what is mathematically optimal. Noise from repeated, flat 24-bit dithers is not a concern and what is available now is far better than in the 80s. 80s classical just has less dynamics processing and a few less takes pieced together than contemporary classical. The digital equipment used was far worse. Repeated application of heavily noise shaped dithers can blow tweeters and does nothing in the age of digital volume controls.
Also your market position is flat out bad. You're competing against what comes with most digital limiters, that if placed at the end of a monitoring path or master bus will prevent the samples from clipping or being truncated and the 20 dollar Goodhertz Good Dither which is a very good dither for a very good price unlike your product which wants more money yearly. goodhertz.com/good-dither/
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Post by Johnkenn on Apr 2, 2024 11:15:32 GMT -6
Well, I guess Dan had an opinion.
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Post by Blackdawg on Apr 2, 2024 14:14:03 GMT -6
Well, I guess Dan had an opinion. 3 guarantees in life: 1)Death 2)Taxes 3)Dan having an opinion
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Post by Dan on Apr 2, 2024 15:18:03 GMT -6
Well, I guess Dan had an opinion. This is just an aggressively noise shaped dither that the developers want people to pay 27 euros a year for. It is worse and costs more than what you already own.
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Post by viciousbliss on Apr 2, 2024 17:44:18 GMT -6
It's good that we investigate everything. As I understand it, this Mozzaik dither is a work in progress, so feedback here should be very useful. In comparing this with Good Dither last night, the Mozzaik can radically change the sound signature. Good Dither is pretty neutral, doesn't have an immediate wow factor or anything. What I'm finding now is that it gives me a lot more flexibility to adjust hardware and plugin settings. I was mainly using Maat Linpro for a while, and I don't recall being able to get away with cranking some things as much as I did last night with Good Dither on.
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Post by mozzaikaudio on Apr 4, 2024 7:15:01 GMT -6
This one is reference CD for me: Saint Saens Carnaval Des Animaux code: 416 841-2 by Philips Digital Classics. Recorded in 1985. Now their catalogue is sold by Decca. Also I heard other CDs from Philips Digital Classics and all are high resolution. Hope to have more of their catalogue.
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Post by christopher on Apr 6, 2024 23:13:09 GMT -6
This one is reference CD for me: Saint Saens Carnaval Des Animaux code: 416 841-2 by Philips Digital Classics. Recorded in 1985. Now their catalogue is sold by Decca. Also I heard other CDs from Philips Digital Classics and all are high resolution. Hope to have more of their catalogue. thank you for joining RGO and sharing your ideas. I will try this dither, at least a free trial. I’m not a fan of subscription of course, but at least the price is less than 2 fast food meals where I live. I figure.. If it’s worth $27/yr just for some noise, then it’s SUPER worth the price. I am doubtful… but heh, I get it. When it comes to dither, it’s a strange topic. The first dither I knew about was Apogee UV22(I think in 2001–needed a pci card I think). I asked what makes it special, and I was told it’s like listening to Coca-Cola. It’s that sort of recognition. Well.. here we are and I’m not sure anyone is UV-22ing these days. Maybe that’s where I went wrong? 🤔 I looked up that release. I’ve been listening to classical lately, not sure what’s wrong(right) with me. I will try to find the CD. Thank you! 😊
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Post by mozzaikaudio on Apr 8, 2024 8:36:18 GMT -6
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Post by christopher on Apr 10, 2024 22:05:26 GMT -6
Ok.. I listened to these examples and think I can hear what dither is doing But I haven’t downloaded Mozzaik and tested on my own yet. Well.. first I noticed, the CD doesn’t sound great. Pretty mucked up. Probably cheap disk making these days. Next I noticed the HiRes sounds absolutely incredible. Piano and Rhodes(?) really sound great, cymbals full of air. So sad that the world refuses to admit higher res isn’t placebo. And make fun of bat ears etc when you try to mention it. What can you do. TPDF - I feel dynamics of the highs are similar to high res, so that’s nice. However the lows seem like they build up and push forward in a somewhat mucky way. Versus the HiRes it’s a little disappointing.. Mozzaik - I feel like the lows don’t get as mucked up as TPDF. So that is something welcome. The highs are less bright to me, less shine. So kind of opposite TPDF. I hope to do some tests soon My take away so far - I deal with this kind of frustration when I try to master things myself.. and now I guess I have to watch that Down sampling actually can and does screw up a great thing
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Post by viciousbliss on Apr 11, 2024 4:04:12 GMT -6
Ok.. I listened to these examples and think I can hear what dither is doing But I haven’t downloaded Mozzaik and tested on my own yet. Well.. first I noticed, the CD doesn’t sound great. Pretty mucked up. Probably cheap disk making these days. Next I noticed the HiRes sounds absolutely incredible. Piano and Rhodes(?) really sound great, cymbals full of air. So sad that the world refuses to admit higher res isn’t placebo. And make fun of bat ears etc when you try to mention it. What can you do. TPDF - I feel dynamics of the highs are similar to high res, so that’s nice. However the lows seem like they build up and push forward in a somewhat mucky way. Versus the HiRes it’s a little disappointing.. Mozzaik - I feel like the lows don’t get as mucked up as TPDF. So that is something welcome. The highs are less bright to me, less shine. So kind of opposite TPDF. I hope to do some tests soon My take away so far - I deal with this kind of frustration when I try to master things myself.. and now I guess I have to watch that Down sampling actually can and does screw up a great thing I think the hi-res thing matters most when the audio is coming from a DAW. On Tidal, if I listen to the 24-bit versions of classic albums and then a 16-bit of another classic, I don't feel like there's a real difference. But if it's a modern album done on a DAW, you definitely lose something in the conversion. So far, I've found that RX does the best job of not making it sound like the highs ran into a wall. Saracon has that issue. Converting 24 to 16 or 96k to 44k does compromise stuff done in a DAW for sure. And for the record, I'm only comparing high dynamic range versions of these older albums that somehow made it onto Tidal instead of remasters with all that unnecessary limiting. Stuff that's still in that DR12 category.
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Post by christopher on Apr 11, 2024 10:52:55 GMT -6
I downloaded the wavs and realized they aren’t wavs, they are FLAC
“FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio, and you can play back compressed FLAC files in your favorite player (or your car or home stereo, see supported devices) just like you would an MP3 file.”
Just like the money refuses to allow the public to consider some CD manufacturing sounds better.. they refuse to let us believe that FLAC isn’t 1:1 with wav. The reason is money. The amount of savings in storage savings is in the millions, maybe billions. Bandwidth savings is definitely billions. I’ve never heard FLAC match up to wav. This HiRes example is the best I’ve heard, but I bet a wav would be even better..
I did some tests in Reaper down sampling to WAV 1644, no dither and it was great. I then used Reaper’s built in dither, it would be hard to hear a difference.
But yes.. we DO deal with compression. I use Google drive too much and it butchers the wav or even 320kbps MP3 and streams it in some undeclared compression. Life sucks. Then again free is nice ☺️.
So this isn’t really a good test, it’s compressed.
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Post by Blackdawg on Apr 11, 2024 14:36:36 GMT -6
I downloaded the wavs and realized they aren’t wavs, they are FLAC “FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio, and you can play back compressed FLAC files in your favorite player (or your car or home stereo, see supported devices) just like you would an MP3 file.” Just like the money refuses to allow the public to consider some CD manufacturing sounds better.. they refuse to let us believe that FLAC isn’t 1:1 with wav. The reason is money. The amount of savings in storage savings is in the millions, maybe billions. Bandwidth savings is definitely billions. I’ve never heard FLAC match up to wav. This HiRes example is the best I’ve heard, but I bet a wav would be even better.. I did some tests in Reaper down sampling to WAV 1644, no dither and it was great. I then used Reaper’s built in dither, it would be hard to hear a difference. But yes.. we DO deal with compression. I use Google drive too much and it butchers the wav or even 320kbps MP3 and streams it in some undeclared compression. Life sucks. Then again free is nice ☺️. So this isn’t really a good test, it’s compressed. FLAC is lossless just like wav. It just uses data compression to make the files smaller. In fact, every file you upload to a distributor is converted to a FLAC to save storage space and bandwidth. It does not loose any quality of a wav file. Comparing a FLAC file you downloaded and played back locally to an online could service's streaming compression is not the same thing at all. Most cloud services will stream a lossy format to your machine from the cloud to save bandwidth(usually mp3). Data compression and audio compression are two different things.
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Post by Dan on Apr 11, 2024 17:42:06 GMT -6
I downloaded the wavs and realized they aren’t wavs, they are FLAC “FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio, and you can play back compressed FLAC files in your favorite player (or your car or home stereo, see supported devices) just like you would an MP3 file.” Just like the money refuses to allow the public to consider some CD manufacturing sounds better.. they refuse to let us believe that FLAC isn’t 1:1 with wav. The reason is money. The amount of savings in storage savings is in the millions, maybe billions. Bandwidth savings is definitely billions. I’ve never heard FLAC match up to wav. This HiRes example is the best I’ve heard, but I bet a wav would be even better.. I did some tests in Reaper down sampling to WAV 1644, no dither and it was great. I then used Reaper’s built in dither, it would be hard to hear a difference. But yes.. we DO deal with compression. I use Google drive too much and it butchers the wav or even 320kbps MP3 and streams it in some undeclared compression. Life sucks. Then again free is nice ☺️. So this isn’t really a good test, it’s compressed. reaper’s dither on the render page is inadequate. It is only 1.5 bits instead of the correct two bits. Insert good dither with the maximum level of flat dither. I also use Oxford limiter and psp xenon for dither and control of overs over 0 when monitoring sometimes.
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Post by christopher on Apr 12, 2024 0:01:24 GMT -6
I deleted my prior comment. I think it’s just easier to read between the lines of this quote from the FLAC website:
“Why doesn't the same file compressed on different machines with the same options yield the same FLAC file?
It's not supposed to, and neither does it mean either encoding was bad. There are many variations between different machines or even different builds of flac on the same machine that can lead to small differences in the FLAC file, even if they have the exact same final size. This is normal.”
So.. the wavs are different and not the same? And they are not supposed to be? Not very accurate then.
It may be the same size, but that doesn’t mean it has the same information. CD burning has this happen very commonly, and a bad burn sounds murky like the CD example. Wavlab used to have a file comparison tool which was helpful after you burn: multiple rips would be identical, indicating the reading is accurate.. but multiple burns would rip very different against the wav, indicating the actual laser burning is hit and miss. Some burns had very few errors, and didn’t have the murky sound problem. Glad those days of burning multiple CDs to get a good one are over
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Post by christopher on Apr 12, 2024 0:26:37 GMT -6
This place makes very good CDs these days by the way.. (no affiliation) www.groovehouse.com/why_useFYI- Amazon is a terrible place to buy CDs. In the late 2000’s they spent 30-100 million to make all CD/DVD’s on demand .. they have their own crappy CD burning service and make them only when you order, total cheapest quality. The top labels got on board and I doubt they’ve changed at all
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Post by mozzaikaudio on Apr 15, 2024 4:35:41 GMT -6
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