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Post by Johnkenn on Mar 11, 2024 16:30:11 GMT -6
Got a line on both...but need to tell one of them no lol. The Hedd at $2100 seems to be maybe the better deal as it's cheaper than others ...it's the 192 not the quantum, though. The Hilo at $2k is priced about right comparatively. I really have zero idea about the Hedd - never heard anyone diss it though. I've had a Hilo before...and even have been known to say I got "the best sounding vocal" I've ever gotten through it...and then I sold it. lol
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Post by drsax on Mar 11, 2024 16:38:05 GMT -6
Got a line on both...but need to tell one of them no lol. The Hedd at $2100 seems to be maybe the better deal as it's cheaper than others ...it's the 192 not the quantum, though. The Hilo at $2k is priced about right comparatively. I really have zero idea about the Hedd - never heard anyone diss it though. I've had a Hilo before...and even have been known to say I got "the best sounding vocal" I've ever gotten through it...and then I sold it. lol I haven’t tried the HEDD, but love the Hilo. So much so that I just bought a second Hilo. It’s so musical but still retains the accuracy of the highs and lows. Not harsh, very natural - and the lows stay tight and big on this thing more than any converter I’ve tried.
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Post by Johnkenn on Mar 11, 2024 16:52:54 GMT -6
Got a line on both...but need to tell one of them no lol. The Hedd at $2100 seems to be maybe the better deal as it's cheaper than others ...it's the 192 not the quantum, though. The Hilo at $2k is priced about right comparatively. I really have zero idea about the Hedd - never heard anyone diss it though. I've had a Hilo before...and even have been known to say I got "the best sounding vocal" I've ever gotten through it...and then I sold it. lol I haven’t tried the HEDD, but love the Hilo. So much so that I just bought a second Hilo. It’s so musical but still retains the accuracy of the highs and lows. Not harsh, very natural - and the lows stay tight and big on this thing more than any converter I’ve tried. Thanks! I noticed the Hilo 2 is coming out...which means I'd probably be over paying for this one...the supposed improvements are really just the Line outs I guess. Would a MkII coming out make you nervous about buying one? www.soundonsound.com/news/lynx-announce-hilo-2-dd-converter-interface"Key improvements include more transparency in the device's line inputs and outputs thanks to reductions in both distortion and noise. The sample clock now features SynchroLock 2, ensuring faster locking and precise tracking of external clocks with 7ppm absolute accuracy. The Hilo 2 boasts an upgraded LCD with a capacitive touch panel, which Lynx say provides improved brightness, uniform off-axis viewing, and better touch responsiveness."
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Post by drsax on Mar 11, 2024 18:15:20 GMT -6
I haven’t tried the HEDD, but love the Hilo. So much so that I just bought a second Hilo. It’s so musical but still retains the accuracy of the highs and lows. Not harsh, very natural - and the lows stay tight and big on this thing more than any converter I’ve tried. Thanks! I noticed the Hilo 2 is coming out...which means I'd probably be over paying for this one...the supposed improvements are really just the Line outs I guess. Would a MkII coming out make you nervous about buying one? www.soundonsound.com/news/lynx-announce-hilo-2-dd-converter-interface"Key improvements include more transparency in the device's line inputs and outputs thanks to reductions in both distortion and noise. The sample clock now features SynchroLock 2, ensuring faster locking and precise tracking of external clocks with 7ppm absolute accuracy. The Hilo 2 boasts an upgraded LCD with a capacitive touch panel, which Lynx say provides improved brightness, uniform off-axis viewing, and better touch responsiveness." I spoke with Lynx last week about this very thing. They said that the new version has a slightly better clock, and very slight improvement on headroom/noise. But they said that it’s very close to the original. They think it’s splitting hairs. And for that matter, the original is a lot more bang for the buck.
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Post by viciousbliss on Mar 11, 2024 18:26:19 GMT -6
The Hedd 192 is what Access Analog has in the Magic Garden chain. You should be able to try it for free. Otherwise it's like $100 an hour or something like that to use it. They also have a few things going through the Aurora N. You could always ask Dan or someone else at Access Analog what they think. The saturation in the 192 is quite good, probably one of the best. Are you going to want to use that saturation? If the Hilo's headphone out is on par with the Aurora N's, that's pretty valuable. What are the main saturation devices these days? Hedd, VSM-2, Overstayer MAS, Culture Vultures, Black Box, Looptrotter Sa2rate? Anything else? If I recall, our Dan said something was better in the Aurora N over the Hilo recently.
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Post by aremos on Mar 11, 2024 22:16:01 GMT -6
Also posted on your other thread: Hilo! Not only soundwise but am using it also as a monitor controller for 3 sets (2 analog + 1 digital) of speakers & 1 headphone with it's own convertor.
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Post by thehightenor on Mar 12, 2024 2:19:45 GMT -6
Don’t underestimate the HEDD FX knobs they’re very unique sounding and just a touch can add some unique magic to a mix.
The HEDD is also great for digital clipping (if you’re into that)
It’s just all round a better tool and will serve you well for tracking, mixing and mastering.
I’m going to add a Lynx A N or Burl to my rig for hybrid mixing but for tracking and my two bus mix chain and mastering I’ll still use the HEDD 192.
Imho Dave Hill achieved perfection with the HEDD 192 and now with a quantum clock (though I can’t personally hear any difference between the two units) I won’t ever change using my HEDD even when the tech gets to be 30 years old!
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Post by nick8801 on Mar 12, 2024 7:11:18 GMT -6
I have an Aurora N which I think is pretty close the Hilo. A friend of mine has the HEDD. I've never directly shot them out, but both are pretty incredible. Whichever one you get; I don't think you will feel the need to upgrade.
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Post by robo on Mar 12, 2024 10:05:43 GMT -6
I’ve owned both, though I know the Hedd has seen some changes over the years (it’s been about 10 years). The Hilo is more transparent and uncolored. The DA in the Hedd was also very good, but I was never in love with the AD. I preferred my BLA Sparrow Red at the time, which had a little eq curve but felt more natural to me.
The processing on the Hedd can be cool, though there are a lot more choices nowadays than when I was using it.
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Post by roundbadge on Mar 14, 2024 1:35:15 GMT -6
I had the Head Quantum when it first came out.backoredered forever took a year.nice unit, loved the DA.the Ad was nice but it felt a bit more gentle,diffuse/softer sounding than the other stuff I was comparing it too. I landed on the Savitr AD which basically cost me a kidney.
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Post by thehightenor on Mar 14, 2024 2:46:17 GMT -6
I have an Aurora N which I think is pretty close the Hilo. A friend of mine has the HEDD. I've never directly shot them out, but both are pretty incredible. Whichever one you get; I don't think you will feel the need to upgrade. I’m in a quandary between getting an Aurora N or a Burl Mothership B16 for 8 channels of hybrid mixing. Have you compared the two? Which lends itself best to mixing? I’m touch concerned with the Burl I’m stuck with transformer colouration, which might be nice for tracking at times but too much for hybrid channel mixing? Thanks
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Post by vvvooojjj on Mar 14, 2024 3:31:48 GMT -6
If you end up with Hilo get the TB version. You'll have more computer resources with it than the USB one. I have the USB version and would acquired the TB version had I known this. I noticed this while doing some editing at home with Apollo (TB). The difference is quite big. I contacted Lynx regarding this and they said it was due to the USB. The TB card costs nowadays almost 1000€ with VAT which is rather outrageous pricing.
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Post by nick8801 on Mar 14, 2024 3:51:38 GMT -6
I have an Aurora N which I think is pretty close the Hilo. A friend of mine has the HEDD. I've never directly shot them out, but both are pretty incredible. Whichever one you get; I don't think you will feel the need to upgrade. I’m in a quandary between getting an Aurora N or a Burl Mothership B16 for 8 channels of hybrid mixing. Have you compared the two? Which lends itself best to mixing? I’m touch concerned with the Burl I’m stuck with transformer colouration, which might be nice for tracking at times but too much for hybrid channel mixing? Thanks I used to have a B2 with my old Apollo. I much prefer the Lynx. But, you can run those Burls clean if you want. You just dial back the output control.
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Post by thehightenor on Mar 14, 2024 5:34:11 GMT -6
I’m in a quandary between getting an Aurora N or a Burl Mothership B16 for 8 channels of hybrid mixing. Have you compared the two? Which lends itself best to mixing? I’m touch concerned with the Burl I’m stuck with transformer colouration, which might be nice for tracking at times but too much for hybrid channel mixing? Thanks I used to have a B2 with my old Apollo. I much prefer the Lynx. But, you can run those Burls clean if you want. You just dial back the output control. Thanks for the feedback, I think at this point I’m 80% learning towards the Lynx.
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Post by nick8801 on Mar 14, 2024 7:07:48 GMT -6
Can't really go wrong with either of them! I forgot to answer your mixing question...Lynx's N control software takes a little getting used to, but once you get the hang of it, you can dial up a nice template to integrate all your outboard. I have one setup for tracking, and one setup for mixing. It's actually really useful, as you can set it up in multiple ways, depending on your workflow. The Burl is much more straight forward. But I think a mothership would be much more expensive than Lynx on a per channel basis. I'm just rocking an 8 channel btw. That's more than enough for me, but the fact that you can get 32 channels into 1 rack space on the Lynx is pretty awesome.
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