Dyn lyd-48

The 03's are a very different design than the 01 and 02's though. In terms of a classic 3-way, I think it's a much much better design for mix translation purposes, this design will have more midrange clarity imo. I'm interested in hearing them. Haven't seen many reviews yet. 

Oh wow. Had no idea about the Mesanovic monitors. They look really interesting.

Went out to store to demo the 48s vs the lyd 5, I know two very different monitors, same tweeters i think though ?.

I had forgotten how balanced the 48 sound, everything set flat and free, the 5 did not fair well.

So, spent most of time listening to 48s, while they sounded really good, the cabinets were more beat up then I would have liked.

They offered to discount them further, but tomorrow’s a holiday here so I’ll just think about it.

The 48s and the Bettermaker limiter are pretty well the same money, but even one is a stretch right now.

I have an engineering friend that went dynaudio core sevens and couldn’t stop talking about how awesome they were. And it made me rethink my monitors. I’m currently using Genelec 1030a’s , and several other monitors in between, including focal twins. Just can’t seem to find the right monitor for me. Currently using Adams a77X, I have a pretty good sized good sounding control room, and it’s very tight, as in very controlled. Still monitor searching, Bearfoot, I really wanted to like these, ugh, I think I need an analog console and tape to be happy with these. Moved on to JBL and very happy with these, however the Dynaudio Cores are haunting me! More info please! Is it possible my monitor of choice is Dynaudio all these years! I remember another session that I worked with Tim Pierce several years ago with a 48 channel Rembrandt Amek console with Bm15’s. Sounded great!
The endless search for happiness is real!!! Spent several years in Nashville in different studios and rooms of all different sizes, and sessions. Ready to figure out what’s good for my rooms as I am picking up more work than I ever had with singer/songwriters. Need the right monitor for me! The endless search is real!!! And I’m not deaf, but feel I’m splitting hairs!!! TBH I could probably mix on any monitor after going through several monitors over the years in 4 different rooms. 🤷🏼. I was co-engineering a session at Fly by West Studios with a Carl Tatz room on with the Phantom Focus system with the subwoofers in the walls, with Dynaudio Bm6aMk1’s. Just a killer room and just sounded right! I’ve been focused on chasing that special sauce I heard in that room, it really makes a difference when you can hear what different preamps impart on a source! Keith Urban’s drummer was in that session, it was a cool gig! I’ve been working on my rooms like crazy lately, but I’m in search of a monitor that does it for me! I really like my PMC’s. I need a bigger set though. Getting ready to throw down the cash for some Dyn’s! Dammit Shadow, your not helping me! 😆

@guit if Shadowk is serious about those new monitors, although there’d be the shipping cost, no harm chatting about his Core?

What didn’t you like about the Barefoot (1-2?) , my sense is peeps, lov or hate em!

I liked the barefoots when using an analog console and tape, but when I used them in a hybrid daw/different room, just didn’t like them. I guess I needed more time with them. I liked the BM-15’s, but that was so long ago I just remember liking them and a lot has changed since then, and there is so much to choose from.

My room sounds pretty good. Even my 1030a’s sound really good and they are fine with a solid center. They are very old(bought in 93)and my a77’s took a dump, my left speaker has a low 50hz hum in it and the led goes dim after about 15 minutes after I turn the left one on and it’s annoying. I pulled the JBL’s LSR’s out of the closet and they sound pretty good because I have done a lot to my room since they’ve been up on the desk last(several years ago). I can do good work on all of them, but the dream of getting something new and a bit more higher end has been in the works for a few years now. Focused on renovating a few rooms instead of gear. Dyn’s are on my list, but to clarify, those Adams sound great in my room and I was surprised how much I liked them, and that’s why they are still in my desk. I have the smaller 6” two way PMC’s and they sound really good, but need a sub with them. I forgot the model, but they were not cheap and I sprung for them because they were blowing them out for half off. I ended up putting them in my stereo listening room and I like them much better hooked up to my stereo with a definitive supercube sub. They really sound good that way, but as a mixing monitor I need a different amp as they are passive. I was looking at the PMC amps that attach to the back of them, but they are very hard to find. I was also told to get a Bryson 4b amp for them. They are finicky monitors because the amp really makes a difference, and the two different amps I had on them just didn’t do it for me.
I’ve been looking at the Dyn Core’s and also the new Iloud’s by IKmultimedia. I guess the Iloud’s are getting killer reviews. I’ve had several monitors in this room over the years and never really hated any monitor, even my Mackie HR824’s sounded decent in my room, and was ok, but due to my increased work, I’m kind of focused on my next piece of gear, and my monitors are my next upgrade. Are you fond of your Core 59’s? I have read several posts on your Dyn’s and with my engineering buddy that has the core 7’s, she just talked about them like she was so happy that she found the perfect monitor for her. She is very experienced and has been in studio work for several decades and I trust her ears, but I’m not about to demo everything on the planet to figure which direction I’m going. The Iloud’s Precisions have a killer sale going on right now. I might go that route. I’ve had Focal twins in my room and didn’t really care for them, they weren’t that bad either, but things got weird in the mid bass, and it wasn’t my room because my other monitors didn’t have that issue. In fact my Adams blew the Focal’s away in my same room. and I took them to another really nice studio with super nice rooms and I still liked the Adams better, and so did the engineers there in their space. In fact, they sold their Focal’s and got the Adams after we shot them out that day! 😆 I much preferred them in my room. That was one of those hmmm moments. Everything I was doing just sounded better to me with the Adam’s. Some say their hyped, but tbh I think I’m very happy with my broken Adam monitors right now and thought about stepping up into the 4 way Adams to the H series.😆 I tried using Sonorworks and hated it. I mixed with it and without it, and my mixes were much better without it. That was another hmm moment.

Ya, but that’s your police oversight, what about recording ?

drumsound, I take it you have the Dynaudio 3 ways? Which ones? I thought I read somewhere you have the Lyd48’s? I don’t have time to research the forum at this time.

I ended up with a 'csutom' set made locally that are a sealed 8" and dipole 8" ribbon midrange and 2" ribbon tweeter. Triamped and DSP controlled. 

The builder told me his has a new slightly larger version, and I'd be happy to hook you up with him.  He make amazing stuff!

Correct.  Though the Lyds and Neumann 310 were on my radar.