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Post by tonycamphd on Jul 14, 2014 21:37:42 GMT -6
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ericn
Temp
Balance Engineer
Posts: 16,098
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Post by ericn on Jul 15, 2014 7:33:59 GMT -6
The price is right, but as a contractor you have to admit Home brew Diffusors are scary if you don't know who built them! I remember a guy who built a Diffusors cloud and simply used Elmer's white glue on the bottom of the sticks, no fastener, he was smart enough to use balsa but I remember doing a mix and having these Balsa Bombs hiring me in the head! !
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Post by gouge on Jul 15, 2014 18:30:24 GMT -6
yes I agree, I think it's just loose terminology as most absorbers are in reality tuned to suit certain frequencies whether broadband or tuned. but to me tuned means membrane absorber, Helmholtz, slat resonator, perforated absorbers etc. all of those treatment rely on a sealed space, whether it be sealed due to a wall behind or as in the rpg example you linked a sealed box they are all really relying on the sound entering, going through insulation, hitting the rear surface and resonating back out to work as designed.
in the mobile version we are looking at in this thread, the sound goes thorough the holes and keeps on going. all the holes are doing if anything is returning some hi freq but at a level I think it would hardly be noticeable. I doubt it's going to do anything to the bass frequencies either because the surface of the sides is just not big enough to have an effect.
I've been fortunate to be a part of the design team on multi use halls and a couple of lecture theatres. all of those projects involved perforated absorbers. mainly because they work well with reduced depths and they are very good at the frequencies from 500hz and up which are the problem areas for those spaces.
I also built my first studio solely out of perforated panels of depths varying up to 12". in effect each internal wall became a sealed perforated panel. it cost a fortune to get all of that plywood laser cut but it looked the part and was very quick to install. in retrospect it worked amazingly well for such a tiny room. these types of treatments are really better suited for medium to large rooms. (not including bad panels in that statement)
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Post by Johnkenn on Jul 15, 2014 18:50:48 GMT -6
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Post by tonycamphd on Jul 15, 2014 18:55:18 GMT -6
The way i read it, it's 3 complete pieces for that... no? i think the shipping is free if you buy 9(3 orders?), if they are accurately built, and you have a tall ceiling, these would be killer up their and out of harms way, it make not much diff if they're made from styrofoam, but clearly more fragile.
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Post by tonycamphd on Jul 15, 2014 19:08:38 GMT -6
I also built my first studio solely out of perforated panels of depths varying up to 12". in effect each internal wall became a sealed perforated panel. it cost a fortune to get all of that plywood laser cut but it looked the part and was very quick to install. in retrospect it worked amazingly well for such a tiny room. these types of treatments are really better suited for medium to large rooms. (not including bad panels in that statement)
hey man, wait till you see the bad panels configurations i'm working on...8)
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Post by gouge on Jul 15, 2014 19:16:28 GMT -6
:-)
am keen!
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Post by mobeach on Jul 16, 2014 4:41:00 GMT -6
What's the reasoning behind the different lengths of wood attached to the back?
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Post by gouge on Jul 16, 2014 5:39:07 GMT -6
it's a 2d diffuser referred to as a skyline.
it diffuses sound waves in an Omni directional pattern. other types of diffusers can be more directional.
diffusion is good because it adds air to a room by making the space sound bigger and also evens out the reverb time around the room giving a more consistent response regardless of your position.
there is a real science involved in their use and design but that's my basic grasp.
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