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Post by thecolourfulway on Nov 3, 2023 15:34:10 GMT -6
Anyone here an "expert" on these things? Seems everyone made one, they're all the same, 4 buttons to select delay time from flange to delay, and an LFO. I realized the other day I've had a Digitech RDS900 in my studio in one capacity or another for over 25 years now! What I'm wondering is the difference between the many, many manufacturers. For instance, a Lexicon PCM41 goes for like $1000, and the Digitechs go for $100. How dramatic are the actual differences? Analog>digital conversion? What the heck makes one great and one dirt cheap? Or is it all just hype on certain units. Curious if anyone has expertise in these matters, cheers!
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Post by drbill on Nov 3, 2023 19:12:10 GMT -6
Sonics. A>D - D>A. Analog electronics surrounding the I/o. How they balanced the signals. There is a reason the Lex is a classic. But yeah - they essentially did all the same thing. But there were some that had some tricks built in as well.
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Post by drumsound on Nov 3, 2023 20:47:07 GMT -6
This reminds me to use my PCM41 more often. It's great for guitar solos, but a ton of other things, too. Messing with the LFO you can get crazy bending pitch shifts with high feedback. If you're inclined, you can play the thing in real time...
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Post by thecolourfulway on Nov 4, 2023 12:09:49 GMT -6
Well, I was hoping the answer would be that I didn’t HAVE to get a PCM41 but so much for that!
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ericn
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Post by ericn on Nov 4, 2023 12:26:25 GMT -6
Well, I was hoping the answer would be that I didn’t HAVE to get a PCM41 but so much for that! No you need a TC 2290😁. All of the reasonable early digital delays have very distinctive sounds because the designers either embraced the sound of early digital or tried to overcome it. Personally a arack with a couple of Deltalabs, Roland SDE 1000s maybe some Lexicon or Yamaha Multi effects and a couple of TC D-2s would be fun, wait I have had that rack, it was useful and fun.
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Post by Ward on Nov 7, 2023 13:12:09 GMT -6
Besides the great ones mentioned . . .
Ibanez put out a delay/harmonizer that was fantastic for guitar solos. The ping pong delay setting (71?) in the Alesis Midiverb 2 was the tits for guitar and sax solos.
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Post by geoff738 on Nov 7, 2023 13:18:36 GMT -6
Dont Forget thé Sony and Klark Teknik stuff either.
Cheers, Geoff
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ericn
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Post by ericn on Nov 7, 2023 14:45:26 GMT -6
Besides the great ones mentioned . . . Ibanez put out a delay/harmonizer that was fantastic for guitar solos. The ping pong delay setting (71?) in the Alesis Midiverb 2 was the tits for guitar and sax solos. m If we are going to dive into old Alesis For around $150 used the Alesis Q2 is a really powerful box, it could run a single Lexicon 480 algorithm, pre sets aren’t bad but if you take the time to dive in pretty damn powerful and fun for $150!
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ericn
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Post by ericn on Nov 7, 2023 14:53:48 GMT -6
Dont Forget thé Sony and Klark Teknik stuff either. Cheers, Geoff Both are excellent, the Sony’s have reliability issues but when they work are awesome, KT are off the beaten path but are powerful as hell, but like the stereo TC 1280 there are a couple of boxes that are just really designed for delay lines. Before you buy anything look at the manual and make sure it isn’t strictly a contractor piece.
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Post by mattbroiler on Nov 7, 2023 14:58:49 GMT -6
big fan of the 80's rack fx and delays here still rolling with Digitech time machine RDS 7.6 and 8000 ADA 1280 and 2.56i and the Ibanez DM1100 all excellent rack delays and the Alesis Microverbs 1 2 and 4 still using one of these in the guitar rig to this day been interested in the Alesis desktop wedge in the past but just don't need another reverb unit especially with plugins being what they are these days
not an expert on what is inside of these things but I really prefer the old sounds and especially the way the delay times work compared to a lot of newer stuff pet peeve modern delay emulations that "flutter" and don't pitch shift when you twist the time knob wtf
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Post by Deleted on Nov 7, 2023 15:00:31 GMT -6
Effectron & Bel BD80
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Post by guitfiddler on Nov 7, 2023 16:11:22 GMT -6
I have some older Sony R7 and D7 units, they are nice, but they need repairs. Anyone have any idea where I can get them serviced? Not to hijack the thread, carry on please…
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Post by antbar on Nov 7, 2023 18:01:20 GMT -6
I recently grabbed an Effectron II - ADM 1024. I plugged my Prophet 5 into it and the two haven't been parted since. Curious, though... I had an Effectron II as a teen and thought the feedback could hit self-oscillation when cranked to full. Maybe I'm misremembering, but my "new" one doesn't do this...
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Post by Ward on Nov 7, 2023 18:30:29 GMT -6
I recently grabbed an Effectron II - ADM 1024. SNIP I forgot about that one! Great delay
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ericn
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Post by ericn on Nov 8, 2023 7:47:13 GMT -6
I recently grabbed an Effectron II - ADM 1024. I plugged my Prophet 5 into it and the two haven't been parted since. Curious, though... I had an Effectron II as a teen and thought the feedback could hit self-oscillation when cranked to full. Maybe I'm misremembering, but my "new" one doesn't do this... There is something about those old Deltalab boxes.
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Post by sentientsound on Nov 8, 2023 12:43:56 GMT -6
The 42 is really playable and, even hands-off, capable of extreme manipulation with the rate multiplier and modulation. The x2 (halving sample rate) button is fun too.
There's a limiter at the input stage and another IIRC in the conversion within the feedback path, so you can hit it at varying levels for different sounds, or get controllable infinite feedback.
It does great standard delays and flanging too, but the high used price probably comes down to studio/guitar rig infamy.
The Delta labs, MXR, Digitech etc are nice if you can get them cheap. Not sure if they're worth more than a few hundred unless you love their specific sounds.
I got a Symmetrix 606 for about $200 and really like it. The encoders are a bit sketchy but it's MIDI controllable. Definitely an underrated gem.
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Post by sentientsound on Nov 8, 2023 12:54:30 GMT -6
Here's a great demonstration of the more sound-design territory the PCM 42 can get into.
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ericn
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Post by ericn on Nov 8, 2023 13:10:08 GMT -6
The 42 is really playable and, even hands-off, capable of extreme manipulation with the rate multiplier and modulation. The x2 (halving sample rate) button is fun too. There's a limiter at the input stage and another IIRC in the conversion within the feedback path, so you can hit it at varying levels for different sounds, or get controllable infinite feedback. It does great standard delays and flanging too, but the high used price probably comes down to studio/guitar rig infamy. The Delta labs, MXR, Digitech etc are nice if you can get them cheap. Not sure if they're worth more than a few hundred unless you love their specific sounds. I got a Symmetrix 606 for about $200 and really like it. The encoders are a bit sketchy but it's MIDI controllable. Definitely an underrated gem. The thing with so many of these is if you want that sound or a particular trick in driving the Limiters in a 42 nobody has nailed it in plugin form, so if your chasing that tone your going hardware. The problem with going hardware is you’re not the only one chasing that tone and almost every classic digital box has loads of unobtainium inside. So what you could have picked up for less than $100 5 years ago is now $400 and has seen even more use. The sad part is that a lot of these boxes were designed by true geniuses, the audio biz doesn’t attract guys like that anymore, sure we have some pretty smart guys programming plugins and a few designing analog gear but we don’t have many of those guys who could do it all. The Symetrix is a sleeper, many think of it as a poor man’s PCM 42, but it wasn’t intended to be used like 42, it was supposed to be an alignment delay for large scale installations. The designers just happened to sneak in a lot of Lexicon inspired features.
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Post by Ward on Nov 8, 2023 16:47:20 GMT -6
Some of the Roland units could outdo the Lexi 41 and 42 at their own tricks too!! I still have examples of each in my 'guitar rack'
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Post by sentientsound on Nov 8, 2023 18:14:49 GMT -6
The thing with so many of these is if you want that sound or a particular trick in driving the Limiters in a 42 nobody has nailed it in plugin form, so if your chasing that tone your going hardware. The problem with going hardware is you’re not the only one chasing that tone and almost every classic digital box has loads of unobtainium inside. So what you could have picked up for less than $100 5 years ago is now $400 and has seen even more use. The sad part is that a lot of these boxes were designed by true geniuses, the audio biz doesn’t attract guys like that anymore, sure we have some pretty smart guys programming plugins and a few designing analog gear but we don’t have many of those guys who could do it all. The Symetrix is a sleeper, many think of it as a poor man’s PCM 42, but it wasn’t intended to be used like 42, it was supposed to be an alignment delay for large scale installations. The designers just happened to sneak in a lot of Lexicon inspired features. All good points! ITB I'm pleasantly surprised by the PSP 42 v2, worth a try if you haven't done so. Much better than the older version. The Symetrix 606 f/x has LFO and ENV mod sources that can be routed to various destinations, a primitive raytracing style reverb algorithm, as well as a diffusion block. Plus you can use it as two mono units or a stereo setup with cross-feedback, stereo phasing with the modulatable notch filter, etc. Super deep box and wacky factory presets too. Mine came with a laminated print out of delay compensation times for various speaker distances, hah!
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Post by thecolourfulway on Nov 17, 2023 13:09:20 GMT -6
The 42 is really playable …the high used price probably comes down to studio/guitar rig infamy. Do you know what the differences are btwn the 41 and 42? Thanks!
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Post by thecolourfulway on Nov 17, 2023 13:28:05 GMT -6
Oh wow I guess all I had to do was watch the video haha. The 42 is a huge leap from the 41!
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Post by drumsound on Nov 17, 2023 13:29:09 GMT -6
The 42 is really playable …the high used price probably comes down to studio/guitar rig infamy. Do you know what the differences are btwn the 41 and 42? Thanks! I'm not sure that the 41 has the limiter on the input, it also doesn't have the delay time display. I have a 41 and it is totally cool. I actually need to use it more often...
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Post by thecolourfulway on Nov 25, 2023 17:34:19 GMT -6
So I got a 41 despite the absurd price haha…but the LFO doesn’t work aggghh! Returning. It did sound absolutely sweet though. Back to the hunt…
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Post by timcampbell on Nov 25, 2023 17:51:58 GMT -6
My alltime go to rack delay was always the incredible TC Electronic 2290.
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