Post by Deleted on Aug 30, 2023 22:38:41 GMT -6
www.production-expert.com/production-expert-1/pro-tools-sketch-announced-new-music-creation-feature-in-pro-tools
Avid rips off Ableton the moment the company was sold instead of fixing bugs, misbehavior, or including better stock inserts.
www.sonnox.com/toolbox/voca
WTF kind of Izotope bs did Focusrite commission? As a mixer who has been abusing Oxford Dynamics heavily on vocals since purchasing it needing something low CPU for older computers, I must say that this reeks of prosumer sellout and I am disappointment. And I am saying this as a long term Sony / Sonnox fanboy. I am very disappointed in many aspects of the design of this by the new Focusrite owned Sonnox and this has no reason to exist other than for people incapable of operating the older plugin.
Avid rips off Ableton the moment the company was sold instead of fixing bugs, misbehavior, or including better stock inserts.
www.sonnox.com/toolbox/voca
WTF kind of Izotope bs did Focusrite commission? As a mixer who has been abusing Oxford Dynamics heavily on vocals since purchasing it needing something low CPU for older computers, I must say that this reeks of prosumer sellout and I am disappointment. And I am saying this as a long term Sony / Sonnox fanboy. I am very disappointed in many aspects of the design of this by the new Focusrite owned Sonnox and this has no reason to exist other than for people incapable of operating the older plugin.
Voca has serial dynamics processing leading to over modulation of the sound. Voca has an auto leveler that hits a colored de-esser, then what claims to be an 1176 model with lookahead, then an LA2A model, and finally a saturator that sounds pretty good. The old school, Sony developed, Oxford Dynamics algorithm was so good because it ran multiple detectors but only picked one! So you could level and limit at the same time and it would only pick the one it needed to get the job done. You could even gate, expand, level with the compressor, and crush the overshoots with the limiter and it would select only one process of them at a time. This is what made Oxford Dynamics so good. You could give a problematic vocalist the sledgehammer they needed without needing to pound the peaks with an 1176, then feed the paillard into a leveling amp, and automate anything bad the compressor did.
Plugin emulations from developers that used to criticize them in their heyday is weird. I remember Paul Frindle criticized LA2A emulations on Gearslutz and gave very good reasons for as to why Sony never made one. In real world use, the LA whatever emulations never speed up with greater gain reduction like even a cheap ART VLA can. The Oxford Dynamics allows an infinite to one ratio and much more aggressive attack and release for the peakier parts of the sound.
Kotelnikov, Powair, and MDWDRC2 are cleaner and more CPU efficient than this with their multiple detector compression.
Kotelnikov, Powair, and MDWDRC2 are cleaner and more CPU efficient than this with their multiple detector compression.