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Post by kcatthedog on Jun 6, 2023 16:54:38 GMT -6
Musictechhelpguy has a great Logic video how to series, very extensive.
Very happy here on m1 mini, tbolt, aurora n and logic.
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Post by gmichael on Jun 6, 2023 17:35:46 GMT -6
Musictechhelpguy has a great Logic video how to series, very extensive. Very happy here on m1 mini, tbolt, aurora n and logic. What is an example of your primary work type? Do you use soft synths and cpu intense plugins? I don't mean to be too nosey, just want to get an idea of how your machine is used to handle tasks. I primarily record and produce on one machine or the other and have a dedicated rig for mix. Because I collaborate, I have to move between multiple DAW environments and other reasons for multi machines etc
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Post by Deleted on Jun 6, 2023 19:01:32 GMT -6
The thing with these advances like 13th Gen intel DDD5 and Apple M2 Ultra and super fast Apple RAM. In the real world if you want to work at 96KHz and 32 buffers and then pull up Toontrack SD3 (full bleed, all mics, max voices) Spitfire Audio Chambers stings (full sample set) UHE Pro Repro 1 and 5 (high quality mode) Ivory piano (full sample, set max voices) Omnisphere, Keyscape, Kontakt with CPU Hungry Orange tree sample guitars (for example) and then some great plugins DMG Equiliburm (long impulse length) etc etc etc. Even after spending $5000+ The flippin thing just falls over. So then it's reduce the sample rate, increase the buffers, freeze tracks. Sooooooo ...... ?? Is a Mac Studio M2 Ultra going to be the one that can achieve the above at 96KHz - 32 buffers super low latency. I'm sceptical, but if I'm hearing it can achieve this .... well I'm all in. 100%. We share this scenario almost verbatim.
I don't hang out on 32 buffers though, I track and lower to a stable setting and on some jobs wind up all the way down. It's less about 1 particular synth and kind of more what a given combination of them is. Anything U-he gets frozen on sight, it will not share it's toys or play nicely with others like SD3 and a big ABR Spitfire patch, for examples sake
My other underlying motivation is I'm strongly considering moving to Logic full time. I no longer need to be exclusively PT so I want to pull the plaster off and make enroads to get this change over done in the next few months. Some stuff I will continue with my monster PC's, mainly heavy lifting on tuning audio restorations ARA integration etc. A lot about the Mac solutions really appeal to me.
Looking for that ideal situ to get my feet wet and see if the migration is something I can deal with and continue to make a living. Maybe I shouldn't word it quite like that, often my backup plans are more considered than my leaps into the advancing future with regards to tech stuff!
100% for me on under 24 raw track productions that often need everything I can throw at them. You’ll max out a single core or the buffer on your interface drivers long before ram or multi core for audio. These new mac pros might be barely better than a Mac mini if you’re maxing out a single core on a heavy fx send or bus processing. They’re for editing 8k video in final cut. I was maxing 4gb and then 8gb of ram with old school digitalfish phones and Sonnox plugs. 32-bit days were rough at the 4 gb limit on OS X. Now I have 128 gb of ddr 4 now so I can have web browser open while I mix hardcore. Ill hit 32 gb or so on windows 11 for reaper alone. My tracks have lots of uhe satin (runs at 384 khz), Tokyo dawn on insane (many functions running at 768 khz), sound radix and newer Sonnox plugs (lots of lookahead to kill your buffer and slow your faders to a crawl), tons of psp and fuse plugs sometimes, and the high end fx sends I use can really cripple a cpu. And I have cool stuff on everything. Usually at least… at least some Massenburg plugs on the lightest weight tracks. Guys refuse to commit in tracking now. They either need cool mix to have cool sound more than ever or it was recorded totally screwed up. Often both. I often have to freeze to 32-bit float to ride the faders at a lower buffer. Or I’ll render out stems out as dithered 24-bit (what hits the monitoring converter) and reimport to a new session if stuff gets really unwieldy with these crazy unwieldy sessions that just grow and grow and grow. Especially if I’ve edited stuff and was processing in sections totally differently with high overall track count. I did a master recently where I had to chop up, process, and eq a 20 minute track recorded and mixed in the late 90s and then fade it all together again verse by verse. Pita and gross.
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Post by BenjaminAshlin on Jun 6, 2023 19:30:15 GMT -6
The new m series ram is more efficient than previous ram. Do you have many very large sample libraries, use lots of vi, why do you think you need so much external drive space and memory ? Not really more efficient, macos just sends to swap more often as it is faster than previous storage solutions. The issue is that less ram means your SSD will wear out faster. (not sure if it has a real world impact)
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Post by BenjaminAshlin on Jun 6, 2023 19:32:11 GMT -6
100%. We share this scenario almost verbatim.
I don't hang out on 32 buffers though, I track and lower to a stable setting and on some jobs wind up all the way down. It's less about 1 particular synth and kind of more what a given combination of them is. Anything U-he gets frozen on sight, it will not share it's toys or play nicely with others like SD3 and a big ABR Spitfire patch, for examples sake
My other underlying motivation is I'm strongly considering moving to Logic full time. I no longer need to be exclusively PT so I want to pull the plaster off and make enroads to get this change over done in the next few months. Some stuff I will continue with my monster PC's, mainly heavy lifting on tuning audio restorations ARA integration etc. A lot about the Mac solutions really appeal to me.
Looking for that ideal situ to get my feet wet and see if the migration is something I can deal with and continue to make a living. Maybe I shouldn't word it quite like that, often my backup plans are more considered than my leaps into the advancing future with regards to tech stuff!
100% for me on under 24 raw track productions that often need everything I can throw at them. You’ll max out a single core or the buffer on your interface drivers long before ram or multi core for audio. These new mac pros might be barely better than a Mac mini if you’re maxing out a single core on a heavy fx send or bus processing. They’re for editing 8k video in final cut. I was maxing 4gb and then 8gb of ram with old school digitalfish phones and Sonnox plugs. 32-bit days were rough at the 4 gb limit on OS X. Now I have 128 gb of ddr 4 now so I can have web browser open while I mix hardcore. Ill hit 32 gb or so on windows 11 for reaper alone. My tracks have lots of uhe satin (runs at 384 khz), Tokyo dawn on insane (many functions running at 768 khz), sound radix and newer Sonnox plugs (lots of lookahead to kill your buffer and slow your faders to a crawl), tons of psp and fuse plugs sometimes, and the high end fx sends I use can really cripple a cpu. And I have cool stuff on everything. Usually at least… at least some Massenburg plugs on the lightest weight tracks. Guys refuse to commit in tracking now. They either need cool mix to have cool sound more than ever or it was recorded totally screwed up. Often both. I often have to freeze to 32-bit float to ride the faders at a lower buffer. Or I’ll render out stems out as dithered 24-bit (what hits the monitoring converter) and reimport to a new session if stuff gets really unwieldy with these crazy unwieldy sessions that just grow and grow and grow. Especially if I’ve edited stuff and was processing in sections totally differently with high overall track count. I did a master recently where I had to chop up, process, and eq a 20 minute track recorded and mixed in the late 90s and then fade it all together again verse by verse. Pita and gross. Depends how the DAW handles multicore audio. Is one core dedicated to the monitor path/whole project/certain busses/single VIs?
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Post by Deleted on Jun 6, 2023 20:12:02 GMT -6
The new m series ram is more efficient than previous ram. Do you have many very large sample libraries, use lots of vi, why do you think you need so much external drive space and memory ? Not really more efficient, macos just sends to swap more often as it is faster than previous storage solutions. The issue is that less ram means your SSD will wear out faster. (not sure if it has a real world impact) Mainland Chinese composers killed off the the shelf m1 Mac mini sku ssds with sample libraries larger than the ram before they even got off the cargo ship to the west coast of the USA. 8 gb model was far too small and 16 gb wouldn’t have lasted much longer for that sort of workflow.
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Post by gmichael on Jun 6, 2023 21:22:55 GMT -6
100% for me on under 24 raw track productions that often need everything I can throw at them. You’ll max out a single core or the buffer on your interface drivers long before ram or multi core for audio. These new mac pros might be barely better than a Mac mini if you’re maxing out a single core on a heavy fx send or bus processing. They’re for editing 8k video in final cut. I was maxing 4gb and then 8gb of ram with old school digitalfish phones and Sonnox plugs. 32-bit days were rough at the 4 gb limit on OS X. Now I have 128 gb of ddr 4 now so I can have web browser open while I mix hardcore. Ill hit 32 gb or so on windows 11 for reaper alone. My tracks have lots of uhe satin (runs at 384 khz), Tokyo dawn on insane (many functions running at 768 khz), sound radix and newer Sonnox plugs (lots of lookahead to kill your buffer and slow your faders to a crawl), tons of psp and fuse plugs sometimes, and the high end fx sends I use can really cripple a cpu. And I have cool stuff on everything. Usually at least… at least some Massenburg plugs on the lightest weight tracks. Guys refuse to commit in tracking now. They either need cool mix to have cool sound more than ever or it was recorded totally screwed up. Often both. I often have to freeze to 32-bit float to ride the faders at a lower buffer. Or I’ll render out stems out as dithered 24-bit (what hits the monitoring converter) and reimport to a new session if stuff gets really unwieldy with these crazy unwieldy sessions that just grow and grow and grow. Especially if I’ve edited stuff and was processing in sections totally differently with high overall track count. I did a master recently where I had to chop up, process, and eq a 20 minute track recorded and mixed in the late 90s and then fade it all together again verse by verse. Pita and gross. Depends how the DAW handles multicore audio. Is one core dedicated to the monitor path/whole project/certain busses/single VIs? This has long been my experience. On top of this, some plugins do not make efficient use of muliprocessing engines meaning even if multi processing is selected, plugin load balancing can't be utilised and often performs better when this feature is left unchecked while multiprocessing. Reaper seems to load balance well, rarely am I drastically lowering buffers in Reaper.
There are some tasks I won't even use Protools for anymore, perhaps because of the version I am on is the reason but, I'll switch to a DAW that does ARA well enough for those ancillary tasks and then reimport the treated audio into PT. Bunch of stuffing around but I've become so accustomed to it, it all happens as efficiently as I can make it happen. It's not ideal and regardless of computer performance, I find most of the performance issues are in fact DAW, not PC or Mac or any of that nonsense. Perhaps this post is dabbling with heresy talk. It feels safer to speak more openly on this forum though..
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Post by gmichael on Jun 6, 2023 21:27:01 GMT -6
The new m series ram is more efficient than previous ram. Do you have many very large sample libraries, use lots of vi, why do you think you need so much external drive space and memory ? Not really more efficient, macos just sends to swap more often as it is faster than previous storage solutions. The issue is that less ram means your SSD will wear out faster. (not sure if it has a real world impact) Interesting point. I rarely hear about PC users chewing through their ssd drives. The instances I have heard and discussed are always mac. In a sealed unit like an mini or studio, that could be a real concern. Thanks for including this thought Mr Ashlin
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Post by gmichael on Jun 6, 2023 21:32:31 GMT -6
100%. We share this scenario almost verbatim.
I don't hang out on 32 buffers though, I track and lower to a stable setting and on some jobs wind up all the way down. It's less about 1 particular synth and kind of more what a given combination of them is. Anything U-he gets frozen on sight, it will not share it's toys or play nicely with others like SD3 and a big ABR Spitfire patch, for examples sake
My other underlying motivation is I'm strongly considering moving to Logic full time. I no longer need to be exclusively PT so I want to pull the plaster off and make enroads to get this change over done in the next few months. Some stuff I will continue with my monster PC's, mainly heavy lifting on tuning audio restorations ARA integration etc. A lot about the Mac solutions really appeal to me.
Looking for that ideal situ to get my feet wet and see if the migration is something I can deal with and continue to make a living. Maybe I shouldn't word it quite like that, often my backup plans are more considered than my leaps into the advancing future with regards to tech stuff!
100% for me on under 24 raw track productions that often need everything I can throw at them. You’ll max out a single core or the buffer on your interface drivers long before ram or multi core for audio. These new mac pros might be barely better than a Mac mini if you’re maxing out a single core on a heavy fx send or bus processing. They’re for editing 8k video in final cut. I was maxing 4gb and then 8gb of ram with old school digitalfish phones and Sonnox plugs. 32-bit days were rough at the 4 gb limit on OS X. Now I have 128 gb of ddr 4 now so I can have web browser open while I mix hardcore. Ill hit 32 gb or so on windows 11 for reaper alone. My tracks have lots of uhe satin (runs at 384 khz), Tokyo dawn on insane (many functions running at 768 khz), sound radix and newer Sonnox plugs (lots of lookahead to kill your buffer and slow your faders to a crawl), tons of psp and fuse plugs sometimes, and the high end fx sends I use can really cripple a cpu. And I have cool stuff on everything. Usually at least… at least some Massenburg plugs on the lightest weight tracks. Guys refuse to commit in tracking now. They either need cool mix to have cool sound more than ever or it was recorded totally screwed up. Often both. I often have to freeze to 32-bit float to ride the faders at a lower buffer. Or I’ll render out stems out as dithered 24-bit (what hits the monitoring converter) and reimport to a new session if stuff gets really unwieldy with these crazy unwieldy sessions that just grow and grow and grow. Especially if I’ve edited stuff and was processing in sections totally differently with high overall track count. I did a master recently where I had to chop up, process, and eq a 20 minute track recorded and mixed in the late 90s and then fade it all together again verse by verse. Pita and gross. lol. I'm just laughing in part knowing I'm not the only one having to have a tactical plan in addition to a strategy!!! Yes, that is a way to keep moving forward. If I'm producing, it can just stop me in my tracks if I wobble it by pushing it one uhe too many or too much oversampling that I can't off load to ram
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Post by kcatthedog on Jun 7, 2023 1:46:10 GMT -6
Musictechhelpguy has a great Logic video how to series, very extensive. Very happy here on m1 mini, tbolt, aurora n and logic. What is an example of your primary work type? Do you use soft synths and cpu intense plugins? I don't mean to be too nosey, just want to get an idea of how your machine is used to handle tasks. I primarily record and produce on one machine or the other and have a dedicated rig for mix. Because I collaborate, I have to move between multiple DAW environments and other reasons for multi machines etc
I track with ob and have an ssl clone on my 2 bus for mixing. Typically hsve 30-50 tracks and use aux and busses. I typically have 3-5 vi, soft synths ( logic, arturia, uvi) and use logic drummer and duplicate that , turn to midi and use ssd5.5 drum library. I use 3 rd party plugs: fab filter, liquid sonics, ect..
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Post by kcatthedog on Jun 7, 2023 1:53:10 GMT -6
The new m series ram is more efficient than previous ram. Do you have many very large sample libraries, use lots of vi, why do you think you need so much external drive space and memory ? Not really more efficient, macos just sends to swap more often as it is faster than previous storage solutions. The issue is that less ram means your SSD will wear out faster. (not sure if it has a real world impact) I think we are confusing the soc ram and some ssd. My understanding is the soc ram is more efficient due to its on chip proximity and design. Some macs ssd do swap which is related to demand and total ram: analysis I ‘ve seen suggests issues were blown out of proportion: for most a non issue in terms of computer longevity. I don’t worry about it at all, never seen my m1 mini, 256 ssd and 16 ram, break a sweat, heard fans come on or seen high cpu usage.
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Post by gmichael on Jun 7, 2023 2:05:38 GMT -6
What is an example of your primary work type? Do you use soft synths and cpu intense plugins? I don't mean to be too nosey, just want to get an idea of how your machine is used to handle tasks. I primarily record and produce on one machine or the other and have a dedicated rig for mix. Because I collaborate, I have to move between multiple DAW environments and other reasons for multi machines etc
I track with ob and have an ssl clone on my 2 bus for mixing. Typically hsve 30-50 tracks and use aux and busses. I typically have 3-5 vi, soft synths ( logic, arturia, uvi) and use logic drummer and duplicate that , turn to midi and use ssd5.5 drum library. I use 3 rd party plugs: fab filter, liquid sonics, ect.. Thanks CatTheDog.
That is quite a beefy load for 16gb of ram.
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Post by Deleted on Jun 7, 2023 2:48:09 GMT -6
100% for me on under 24 raw track productions that often need everything I can throw at them. You’ll max out a single core or the buffer on your interface drivers long before ram or multi core for audio. These new mac pros might be barely better than a Mac mini if you’re maxing out a single core on a heavy fx send or bus processing. They’re for editing 8k video in final cut. I was maxing 4gb and then 8gb of ram with old school digitalfish phones and Sonnox plugs. 32-bit days were rough at the 4 gb limit on OS X. Now I have 128 gb of ddr 4 now so I can have web browser open while I mix hardcore. Ill hit 32 gb or so on windows 11 for reaper alone. My tracks have lots of uhe satin (runs at 384 khz), Tokyo dawn on insane (many functions running at 768 khz), sound radix and newer Sonnox plugs (lots of lookahead to kill your buffer and slow your faders to a crawl), tons of psp and fuse plugs sometimes, and the high end fx sends I use can really cripple a cpu. And I have cool stuff on everything. Usually at least… at least some Massenburg plugs on the lightest weight tracks. Guys refuse to commit in tracking now. They either need cool mix to have cool sound more than ever or it was recorded totally screwed up. Often both. I often have to freeze to 32-bit float to ride the faders at a lower buffer. Or I’ll render out stems out as dithered 24-bit (what hits the monitoring converter) and reimport to a new session if stuff gets really unwieldy with these crazy unwieldy sessions that just grow and grow and grow. Especially if I’ve edited stuff and was processing in sections totally differently with high overall track count. I did a master recently where I had to chop up, process, and eq a 20 minute track recorded and mixed in the late 90s and then fade it all together again verse by verse. Pita and gross. lol. I'm just laughing in part knowing I'm not the only one having to have a tactical plan in addition to a strategy!!! Yes, that is a way to keep moving forward. If I'm producing, it can just stop me in my tracks if I wobble it by pushing it one uhe too many or too much oversampling that I can't off load to ram one too many colour copy or big sky sends and that will crash. my extreme control routing will also destroy crappy computers and crappy daws with poor delay compensation.
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Post by kcatthedog on Jun 7, 2023 3:14:55 GMT -6
I track with ob and have an ssl clone on my 2 bus for mixing. Typically hsve 30-50 tracks and use aux and busses. I typically have 3-5 vi, soft synths ( logic, arturia, uvi) and use logic drummer and duplicate that , turn to midi and use ssd5.5 drum library. I use 3 rd party plugs: fab filter, liquid sonics, ect.. Thanks CatTheDog.
That is quite a beefy load for 16gb of ram.
And, never a problem ! I understand peeps who buy say 32 gig ram or more, if they use massive, multiple libraries or video rendering: or pros for-whom time is money, but I think many recordists can be served well, by an m1-3, with less ram, depends on your pocket book !
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Post by kcatthedog on Jun 7, 2023 3:22:59 GMT -6
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Post by kcatthedog on Jun 7, 2023 6:50:09 GMT -6
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Post by BenjaminAshlin on Jun 7, 2023 16:01:20 GMT -6
Not really more efficient, macos just sends to swap more often as it is faster than previous storage solutions. The issue is that less ram means your SSD will wear out faster. (not sure if it has a real world impact) I think we are confusing the soc ram and some ssd. My understanding is the soc ram is more efficient due to its on chip proximity and design. Some macs ssd do swap which is related to demand and total ram: analysis I ‘ve seen suggests issues were blown out of proportion: for most a non issue in terms of computer longevity. I don’t worry about it at all, never seen my m1 mini, 256 ssd and 16 ram, break a sweat, heard fans come on or seen high cpu usage. I was thinking in general about library size. I think 8gb will get filled up very quickly with a big daw session because all the instruments have to be stored in ram or moved to swap as its about size not efficiency. SOC design does improve RTL and buffer size processing, because the system only has a certain amount of time to fill up the buffer before it has to be sent out. Any requirement to access memory is improved and those improvement do make a difference for realtime audio.
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Post by kcatthedog on Jun 7, 2023 16:20:03 GMT -6
I never recommended 8 gig nor would I, i think 16 g ram is the minimum, but as I said, no probs here .
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Post by BenjaminAshlin on Jun 7, 2023 17:00:32 GMT -6
I never recommended 8 gig nor would I, i think 16 g ram is the minimum, but as I said, no probs here . Yeah 16gb is fine.
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Post by the other mark williams on Jun 7, 2023 17:47:22 GMT -6
I need to buy a new machine for my wife. Probably looking at the Mac Studio M2 Max with 38 GPU cores, upgrade to 64GB RAM, upgrade to 1TB system drive. And a Studio Display.
And then I need to buy myself a new machine, too.
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Post by plinker on Jun 7, 2023 18:05:31 GMT -6
I need to buy a new machine for my wife. Probably looking at the Mac Studio M2 Max with 38 GPU cores, upgrade to 64GB RAM, upgrade to 1TB system drive. And a Studio Display. And then I need to buy myself a new machine, too. Wifey needs some muscle! What's she working on?
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Post by kcatthedog on Jun 7, 2023 18:25:25 GMT -6
Here’s a link to a brand new musictechhelpguy logic series:
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Post by kcatthedog on Jun 7, 2023 18:26:34 GMT -6
I need to buy a new machine for my wife. Probably looking at the Mac Studio M2 Max with 38 GPU cores, upgrade to 64GB RAM, upgrade to 1TB system drive. And a Studio Display. And then I need to buy myself a new machine, too. Wifey needs some muscle! What's she working on? She’s analyzing Mark’s roi on equipment purchases!
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Post by plinker on Jun 7, 2023 18:42:22 GMT -6
This reminds me of the classic Simpsons, "Homer gives Marge a Football" episode.
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Post by gwlee7 on Jun 7, 2023 19:32:49 GMT -6
I need to buy a new machine for my wife. Probably looking at the Mac Studio M2 Max with 38 GPU cores, upgrade to 64GB RAM, upgrade to 1TB system drive. And a Studio Display. And then I need to buy myself a new machine, too. That’s how I got my M2 mini pro… by starting out deciding to get my wife a new Ipad. I came home with the M2 mini pro and TWO Ipads.
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