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Post by Johnkenn on May 10, 2014 10:50:45 GMT -6
I've been kind of wondering whether a mod of some sort could be done to improve the headroom of the Helios 500. You have to gain stage it right and if you don't the distortion is NOT pleasing. I definitely love the Helios - whether it's the sound of the Olympic desk or not...but hey - if it can be improved, why not? Any thoughts?
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Post by svart on May 10, 2014 12:21:16 GMT -6
Find a schematic and we can take a look. Without one, it's impossible to say.
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Post by Johnkenn on May 11, 2014 14:39:15 GMT -6
Er...you're already over my head
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Post by Johnkenn on May 11, 2014 14:45:07 GMT -6
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Post by Johnkenn on May 11, 2014 18:22:20 GMT -6
Guess that's the original...
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Post by svart on May 12, 2014 8:14:49 GMT -6
I see. That's mainly the passive EQ network. the boxes that say "card 1" and "card 2" are the amps I believe. We'd need the schematics of those cards as well.
Card 1 would be a buffer and/or gain stage and card 2 would be makeup gain. I'm guessing that pin 16 on the cards is some kind of gain setting pin.
So the question would be, is there too much gain in card 1 and thus running out of headroom in the input of card 2, or do the cards just not have enough gain before headroom limitations?
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Post by tonycamphd on May 12, 2014 8:53:45 GMT -6
I've been kind of wondering whether a mod of some sort could be done to improve the headroom of the Helios 500. You have to gain stage it right and if you don't the distortion is NOT pleasing. I definitely love the Helios - whether it's the sound of the Olympic desk or not...but hey - if it can be improved, why not? Any thoughts? i have no doubt svart could design/modify your HO to give you that head room, but with mods come changes in tone, the Helios character is very cool sounding with it's design and it's limitations. This is totally not like me, and I know this will come as a shock to you, but i suggest leaving it alone, they are what they are, and Amazing sounding at what they do, get the staging right, and move along, nothing to see here.... JMO
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Post by svart on May 12, 2014 9:22:00 GMT -6
It looks like the input card is variable from 20-70 dB of gain, and the output card is set for something like 35dB-ish gain.. That's a ton of makeup gain, even for a passive network. It's hard to say how much loss is happening, but you probably don't need that much gain. I'd suggest opening R14 to bring the gain down to 20dB (IF they are the same circuit and the resistor to ground off of pin 16 IS the gain set resistor...) and see if you can go hotter into the module.
If not, and you distort at the same input level as before, then your input amp is clipping.
If that is the case, and your VCC is 24V(?), then the circuit itself is not operating rail-to-rail (AKA not swinging fully between power and ground). Older circuits like this generally weren't designed to operate RtoR as the signal levels were a lot lower back then.. And noise wasn't a big care either. Today we want everything to operate as hot as possible with lowest noise figure..
EDIT: If the input amp is compressing(clipping) then an option would be to pad the input down a little bit and adjust R14 to something lower, like 500 ohms, and see if that works. That sets more gain in the output, after the loss of the passive network and takes the gain off the front-end amplifier to relieve the clipping.
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Post by svart on May 13, 2014 7:47:07 GMT -6
Looks like this is the line amp cards in the schematic.. www.danalexanderaudio.com/OutboardPic/HeliosInputSchematic.jpgAnd yes, that's NEGATIVE 24VDC.. So gain is managed by using C5 as an AC bypass through a variable external resistor. This changes the AC gain while leaving the DC gain set. It's pretty standard stuff, although I don't personally like doing gain like this.
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Post by svart on May 13, 2014 8:18:33 GMT -6
and more information:
"The original console was noisy, had "crosstalk like you wouldn't believe, way up into RF", had little headroom and ran very low levels internally. The famed sound of the console and EQ came from these problems and the fact that they lead to the circuits distorting very easily. Distortion in the EQ, and most of the other circuits, is "badly asymmetrical" and the settling time from saturation to full recovery after removal of the signal is "about a weekend"! The engineers using the console frequently (almost routinely) drove it into (and kept it in) distortion by keeping the gain high and the fader low to get a warm sound and use the natural compression of the circuit saturation. "
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Post by jsteiger on May 13, 2014 9:35:25 GMT -6
I recall David Kean talking about modding and running the old modules at -36 instead of -24. That will not happen in a 500 series rack. John, you should message David on FB and invite him over. He is very knowledgeable on the vintage Helios stuff.
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Post by Johnkenn on May 17, 2014 15:45:33 GMT -6
I'm definitely in way over my head
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Post by jimwilliams on May 20, 2014 9:46:44 GMT -6
Up the rails to -30 or even -40 volts. Check the voltage ratings on the caps to be sure they can handle it. You may have to adjust a couple of resistors to match the current draw. Those transistors can also be replaced with low noise types like 2SA1084 PNP's and 2SC2545 NPN's. Use a scope to examine sine waves to determine if one stage clips before the other. Once you figure that gain staging out you can adjust the gain of each stage so clipping is evenly spread out.
Get an adjustable DC single ended power supply and test it all out. Installing sockets for the transistors will allow trying different types. Forget 500 supplies, this will be a custom job, if you want to expand the capabilities.
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arny
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Posts: 39
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Post by arny on Jun 21, 2014 11:23:55 GMT -6
I recall David Kean talking about modding and running the old modules at -36 instead of -24. That will not happen in a 500 series rack. John, you should message David on FB and invite him over. He is very knowledgeable on the vintage Helios stuff. Yes it can be done our Helios Type-69 for the 500 series is running on 32 Volt and I would not recommend 36V DC as RS and I carried out a lot of research into upping the DC to gain a bit more Headroom and 32V was perfect in order to interface with other manufactures Gear. Kind Regards Tony Tony Arnold (Director) Helios Electronics Ltd & Ampex UK (Sales, Parts & Service) Arny's Shack (Recording).
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arny
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Post by arny on Jun 21, 2014 11:30:38 GMT -6
I've been kind of wondering whether a mod of some sort could be done to improve the headroom of the Helios 500. You have to gain stage it right and if you don't the distortion is NOT pleasing. I definitely love the Helios - whether it's the sound of the Olympic desk or not...but hey - if it can be improved, why not? Any thoughts? We do carry supply an update for the Standard Size T-69 using a small Piggy-Back PcB but due to space on the 500 series T-69 its not been easy but I'm working on it John. We are bringing out our own Rack that will take both the Standard Size Helios products as well as the 500 gear, it will be much stronger as it will be in Flight Case Format. Paul of Millbrook is having five made in NY for some of our US clients . Kind Regards Tony Tony Arnold (Director) Helios Electronics Ltd & Arny's Shack (Recording). Ampex UK (Sales, Parts & Service)
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arny
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Post by arny on Jun 22, 2014 5:05:14 GMT -6
Sorry its almost impossible to edit so I start a new Post
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arny
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Post by arny on Jun 22, 2014 5:37:56 GMT -6
I've been kind of wondering whether a mod of some sort could be done to improve the headroom of the Helios 500. You have to gain stage it right and if you don't the distortion is NOT pleasing. I definitely love the Helios - whether it's the sound of the Olympic desk or not...but hey - if it can be improved, why not? Any thoughts? Sorry John this is going to be a long reply but those suffering with insomnia might find it useful But here Goes First there are a few things to make note of: We have sold well over 500 X the 500 Series Type-69 and only a handful of complaints about headroom problems First there are a few things to make note of: We have sold well over 500 X the 500 Series Type-69 and only a handful of complaints about headroom problems The same applies to the Standard Size Helios Type-69, in fact even owners of the original Helios Consoles have sold their console as they have found our Helios Type-69 reissue quite satisfactory for their needs: ie Ethan Johns, and two others who wish to remain anonymous. But we do understand that many of our clients are used to using the Helios Type-69 and take all the precautions it demands, also in the original consoles they were used as a direct output, but in most cases they went via another Pre-amp before arriving at either the Final part of the Tracking busses or the Mix-Busses.. The reason you had a problem with yours is the same reason that Paul of Millbrook Studios NY (Knobtwiddler as he's know by GS) It was discovered that to output pot was only 1k and the PSU was not sufficient, once that was rectified Paul ordered more & more Helios Type-69's he has over 16 now as well as two of our Helios F760's After we completed the design of the Helios F760 one of the Helios Engineers involved, designed a small Pre-amp which was part of the Helios F760 Push-Pull output, we had 100 little PCB's made up and posted a couple of Type-69's to Paul with these tiny Push-Pull Pre-Amps piggy backed onto these two T-69's this was for Paul to compare, with his Standard Type Re-Issues He felt that it changed the sound slightly and decided not to have his 16 Helios Type-69's updated with this adjustable up to 10dB Pre-Amp. But At the same time we posted one of our own Lunchboxes to Larry at Silvertone Mastering LINK www.gearslutz.com/board/high-end/745434-should-i-get-helios-69-mic-pre-eq.htmlNote the line:Tony also sent the Type 69 with the hotter output... what a great pre-ampSo this goes to show that "One mans meat is another mans Poison" as Larry liked the Hotter output produced by our Piggy Back Pre-Amp. but Paul preferred not to use it. The problem is, the 500 Series T-69 is so tight for space we can't see where we can Piggy-Back this tiny six Transistor Pre-Amp, but, what we can do is bring out an even smaller one exactly as the original Helios Line-Amp 15-C1, as used in the very early Helios Consoles, this only has three Transistors and also considering that there was never a complaint about a sound difference when the user of these consoles sometimes went direct from the T-69 Mic-Pre or whether the sound caught a bus to go via the 15-C1 Line-Amp. When Richard & I first decided to bring out a Re-issue it was never intended to be used as a stand-alone unit, it was to upgrade the many Helios Consoles that only had 16 Channels and even some of the 24 Channels Consoles were being overstretched. It also has to be considered that most engineers gear these days runs on a Duel PSU Rail, with a balanced DC of a Plus and minus Voltages which, can be from +12V & -12V up to as much as +18V & -18V both with an earth running as a centre rail. this in can greatly improve the Headroom up to as much as 36dB. where as discrete Pre-Amps run on a single rail and on a good day can only achieve max 18dB adding that added to the fact that the Helios Type-69 is totally passive and is only OVU output = .775mv instead of our moderne gear running at +4dB = 1.23V, furthermore the EQ being totally Passive, so with this in mind, one has to be very careful how they use the Helios Type-69. So in order to help the those who find it difficult to manage the headroom we have now decided to Re-Issue the original 15-C1 Line-Amp, when we took over Helios Electronics Ltd we adopted over 200 of these little cards as either M.M.C. 1 or as the 15-C1 either can be used for a Line Amp, we have maybe just over 100 left for sale if anyone wants to experiment with these by fitting them in their racks. The Push-Pull PCB is available F.O.C, to owners of the Standard Helios Type-69 reissue, but if they want the components to fit DIY then there is a small charge of $20 USD, if they would like them Populated or (Stuffed which I understand is the US term) then they are $75 USD each Kind Regards Tony Helios Electronics Ltd & Arny's Shack (Recording). Ampex UK (Sales, Parts & Service) Four original Helios Pre-Amps as used in their Lustraphone Type-69 but, also used as a Buffer Amp or Line-Amp.Here is our Variable up to + 10dB Piggy-Back Pre-Amp for boosting the output of our Standard Helios Type-69, the lower one is unpopulated with components.This picture show the size Differance and this being the case we may be able to Piggy this onto the Type-69 x 500 Series
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Post by henge on Jun 22, 2014 6:06:34 GMT -6
Very cool!!
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