U47/C12 clones over shoulder stereo acoustic gtar sample

Hey wiz, thanx man, you mean the stereo foot steps? yeah i thought that was cooler than my playing lol, the U47 is the Ioaudio MK47 with a Thiersch blueline M7 capsule, and the C12 is the Matachung C12 with the Tim Campbell CT12 capsule, i believe you will be able to pick up both from studio 939 shortly. 
store.studio939.com/

levon, thanx broman, the C12 is on a stand behind my back, and coming over my right shoulder. Im facing it almost straight at the bridge, just a slight turn in toward the sound hole, I would normally put some headphones on, and really dial both mics particularly into what i want to hear, but it was just me and the gear tonight, so it is what it is.

Haven't heard the track yet, but can we get a picture of now the mics look set up?

...nice work, Tony!...love the sound!...well done!

Yeah, Tony...you might have just sold me on DIY mics...

I'm curious about where you were in relation to the walls. It felt right heavy and almost like the left had a hair of delay. Maybe a little Haas going on. Cool sound.

thanx fella's, It's still set up, i'll post a pic in a bit(you're gonna laugh at the location of the set up 8), but really there's not much more to tell that hasn't been stated in the first couple of posts.. I will try to answer a couple things further about what i did. Honestly it took about 15 minutes to set up, then i hit record, played a little, went back home and listened? a little too much boom, so i raised and backed off the mics.. I think i did this twice? then i said "ok, quick and dirty", and there you have it.

cowboycoalminer , thanx man, i always appreciate your guitar tones! the phase was not flipped anywhere, it is multiple mono,U 47 hard left, and C12 hard R, and thats it.

jcoutu1 no implemented Haas effect, there are 0 effects/eq on this, mic placement only(and like i said above, not particularly dialed in) the U47/C12 eq curves are very complimentary of each other IMV, and such that they pull across the image a little(in this case right to left) due to the hi extension hitting your ear faster from the C12, it really dramatizes the stereo effect i think, i thought that really came to life with the footsteps across the field of the mics, thats why i left it in there 8)

Hope this helps
T

edit; BTW, 1993 taylor 710(sorry guys   )

well... like i said, i don't care much how they look(my kicked dog guitar proves that lol), but i'm inclined to get the 47 an accurate house because she sounds so nice, she deserves a good home 8)
This IS the (still) set up i tracked the sample with last night, right in front of my washer/dryer lol, it's a friggin mess in here!   This is the front of my converted garage, the cotton insulation you see on the left is the long wall of my main mix/cutting room(still under construction), it's about 20' long x 16' wide at the far end, and tapering down to as small as 13.5' or so on the console end, the entry door is on the left of the first pic. Garage doors, welding tables and paint cans on sale now at Ethan Winers site 

hope this helps

Nerds

when i set up the mics, if i turned the vp28 input for the 47 a click higher it was too much, if i moved the 47 closer, it was too boomy, i left both Vp inputs at unity, PT faders at zero as i said i would touch nothing, i like the contrast myself, in a mix i'd put ambience on the left side, i could bump the left channel up a few db if anyone wants to hear that, it sounds different, still has a sweet little pull right to left, and still sounds just as "fine" to me