SideWinder • Summing Array
Nov 11, 2020 18:38:11 GMT -6
Johnkenn, tasteliketape, and 3 more like this
Post by Pueblo Audio on Nov 11, 2020 18:38:11 GMT -6
Back in 2008 summing boxes were quite the rage for achieving OTB mixes which some felt were more musical than ITB mixes. It seemed like a cool product for Pueblo Audio to take a crack at so began work on a design. By the time I had cobbled the prototype together, the DAW world had made a significant shift. 64bit processors, coding and other peripheral advances came about and the ITB buss sounded fairy healthy after that. Summing amps didn't seem to solve such a big problem anymore, so I shelved it (never having even listened to the thing!)
Over the years, engineer friends have borrowed the unit for specific project tasks and have raved about the performance. Didn't really pay much attention but this past year I finally had the chance to listen to the work my friends were achieving and, well, WOW! We compared level matched ITB mixes with the corresponding OTB Pueblo buss and it was not even close. Didn't matter if it was orchestral material or a power rock trio, the speakers behaved like they were in love with the buss signals. I suppose performance of interface DACs may have come a long way since 2012 so that an OTB mix could eclipse the ITB in the right circumstances. Who would have thought?
So I received enough commissions to make a small run of these things. I'm calling it HJ482 "SideWinder". It has four banks of independent 8x2 summing amps organized for stereo stems and housed in a 1U rack. Each of the first three banks can be cascaded (routed) to the last bank forming various sized arrays, up to 32x2. All outputs still remain active for use as Sub Groups for parallel processing, etc.. Super flexible. Diagram attached below.
This thing sounds fast and resolved with a 3-D sound stage. Bandwidth DC-500kHz for solid, subterranean bass and sparkling highs that don't lose their cookies at high level. Massive headroom: input/output max achieves 0.0024% THD at +29.5dBu. Drives 600Ω with ease. Fully balanced through entire signal path. This is a clean unit but it is not sterile nor boring. My approach is that summing should be accurate, not erroneous. Therefore all the OTB color and character processors we all love to spice things with up can stand up proud and be noticed that much more deliciously in contrast to the clean mojo of the mix's balances.
Curious as to what the fine members of RGO might think of such an instrument?
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Over the years, engineer friends have borrowed the unit for specific project tasks and have raved about the performance. Didn't really pay much attention but this past year I finally had the chance to listen to the work my friends were achieving and, well, WOW! We compared level matched ITB mixes with the corresponding OTB Pueblo buss and it was not even close. Didn't matter if it was orchestral material or a power rock trio, the speakers behaved like they were in love with the buss signals. I suppose performance of interface DACs may have come a long way since 2012 so that an OTB mix could eclipse the ITB in the right circumstances. Who would have thought?
So I received enough commissions to make a small run of these things. I'm calling it HJ482 "SideWinder". It has four banks of independent 8x2 summing amps organized for stereo stems and housed in a 1U rack. Each of the first three banks can be cascaded (routed) to the last bank forming various sized arrays, up to 32x2. All outputs still remain active for use as Sub Groups for parallel processing, etc.. Super flexible. Diagram attached below.
This thing sounds fast and resolved with a 3-D sound stage. Bandwidth DC-500kHz for solid, subterranean bass and sparkling highs that don't lose their cookies at high level. Massive headroom: input/output max achieves 0.0024% THD at +29.5dBu. Drives 600Ω with ease. Fully balanced through entire signal path. This is a clean unit but it is not sterile nor boring. My approach is that summing should be accurate, not erroneous. Therefore all the OTB color and character processors we all love to spice things with up can stand up proud and be noticed that much more deliciously in contrast to the clean mojo of the mix's balances.
Curious as to what the fine members of RGO might think of such an instrument?
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