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Post by the other mark williams on May 12, 2019 9:34:38 GMT -6
I'd heard this song on the car radio quite a few times in the last year, and always thought it had an earworm / addictive quality to it. So much so I would sometimes turn the station. But I started listening to it in the studio a couple days ago. It's interesting, and I'm curious to hear y'all's thoughts from an engineering standpoint.
It sounds fine in my nearfields, but is strange on headphones. On my Sennheiser HD600s, it is practically unlistenable for me. The esses on Chris Martin's voice are so harsh and pronounced it is quite frankly unbelievable. To the point of me wondering if my HD600s are broken. On my ATH-M50s, it's fine. The esses are controlled enough to not bother me. But I'm hearing so much high frequency distortion on the M50s that it's just crazy. Am I nuts?? Are any of you hearing something similar?
This is the original mix I'm talking about, not the bizarre number of "remixes" available.
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Post by the other mark williams on May 12, 2019 9:39:02 GMT -6
Also, I want to note that I love the engineering on some of Coldplay's earlier work. A couple songs off "A Rush of Blood to the Head" are in my mix comparison folder. So it's not a natural quality of Chris's voice, as far as I can tell.
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Post by jampa on May 12, 2019 15:15:50 GMT -6
I'm not qualified to say whether you're nuts or nots (although you work in audio... willingly I might add), but I definitely hear what you're talking about. The esses are taking my head off.
Bonus points: I listened on HD6xxs and ATH-M50s and it was worse on the HDs
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Post by chessparov on May 12, 2019 15:54:27 GMT -6
This is why I love ribbon and ribbon-ish LDC's. Much easier/less ess-ier, especially on digital recordings! Chris
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Post by hio on May 12, 2019 17:53:53 GMT -6
I couldn't get past the minute mark on my HD650s, ATH-M50x, and my Sonys plural.
Classic textbook classroom example that even hurts to listen to and will probably be used for years to come.
Audiologists are gonna have a hey day one day soon selling hearing aids to the iPhoners and those who produced that mix.
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Post by Bat Lanyard on May 12, 2019 21:35:54 GMT -6
The vocal ss-ing is a really interesting point. That song's been on my mix reference list for a bit just due to the whole spread/dynamics of it, plus the pumping, but you're right, the ss-ing is awful.
Love the mids of his vocal. Wonder if they left it ss-y as an extreme or something? Interesting.
Low end in the bridge is killer though.
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Post by iamasound on May 13, 2019 1:56:22 GMT -6
Ouch, as soon as they doubled the voice I had to get outta Dodge, fast. I was listening with ATH-M50x cans.
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Post by hio on May 13, 2019 3:29:58 GMT -6
At least I didn't hear Autotune but I wasn't listening for it.
Anybody want my UAD one, I got it with an Apollo package deal but I guess you cannot even give it away with their current modus operandi.
To my ears I would rather hear a pitchy vocalist.
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