kcatthedog
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Post by kcatthedog on Dec 5, 2017 17:30:28 GMT -6
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Post by Johnkenn on Dec 5, 2017 18:00:08 GMT -6
I'm gonna try it out...and I bet I won't be able to resist...but my goodness...how many limiters do I need?
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kcatthedog
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Post by kcatthedog on Dec 5, 2017 18:20:40 GMT -6
Only one more I promise: just demoing it: goin to buy it for sure  |
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Post by levon on Dec 5, 2017 23:37:46 GMT -6
I'm gonna try it out...and I bet I won't be able to resist...but my goodness...how many limiters do I need? Yeah, don't limit yourself  |
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Post by levon on Dec 5, 2017 23:38:52 GMT -6
That said, FabFilter is really top notch
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Post by ragan on Dec 6, 2017 0:02:57 GMT -6
I love ProL and I've never known a FF V2.0 to not be a major upgrade so I'm almost certain I'll end up with this. Think my upgrade price is only like $80 anyway.
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Post by NoFilterChuck on Dec 6, 2017 1:20:30 GMT -6
did you check out POWAIR from SoundRadix?
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Post by iamasound on Dec 6, 2017 5:21:10 GMT -6
FF L 2 should be killer like a cat, though if you also want the meow, POWAIR can give you that...but perhaps it merits a different thread.
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Post by pope on Dec 6, 2017 7:15:56 GMT -6
Where do you use the limiters guys? I hardly ever use any |
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kcatthedog
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Post by kcatthedog on Dec 6, 2017 7:39:45 GMT -6
Last on the 2 buss, just a little.
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Post by ragan on Dec 6, 2017 9:37:37 GMT -6
Where do you use the limiters guys? I hardly ever use any I master my own music so that’s where, mainly. I usually use two instances, set for different algorithms. The “transparent” setting last. They’re the last two processors in my mastering chain. I do sometimes use ProL for non mastering applications. Sometimes something is just being a pain in the ass and a limiter is just the ticket for nailing it down. Like a pointy 12 string or some BGVs or something. |
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Post by notneeson on Dec 6, 2017 11:39:26 GMT -6
Can be helpful in parallel on kick and snare, but you have to be careful. Output needs to be somewhere useful, not -.02dBFS.
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Post by schmalzy on Dec 6, 2017 15:52:31 GMT -6
I use some limiting on my bass guitars in heavy mixes.
I'll oftentimes parallel process my bass stuff to a few channels if all I'm given is a DI. One might get distortion. One might focus on adding subs. One might focus on getting pick attack. They'll all get blended back with the original bass DI.
Sometimes those subs and pick attack channels get really crazy all over the place with levels. Step on 'em with a limiter and they can get really solid and consistent to blend back in with the dynamic performance of the original DI.
I'll also limit room mics, sometimes limit the drum overheads to push the snare back into the cymbals a little, and I've found a lot of use for limiters in controlling some non-expertly-played percussion/claps stuff.
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Post by adamjbrass on Dec 6, 2017 22:51:37 GMT -6
great limiter, used it tonight and it provided great results. will buy when 30 days expire..
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Post by Johnkenn on Dec 7, 2017 17:40:53 GMT -6
did you check out POWAIR from SoundRadix? I haven’t...what exactly is it? Pi had me so confused that I didn’t really look much into it. |
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Post by Johnkenn on Dec 7, 2017 17:44:19 GMT -6
Shoot me...I usually limit slightly on my drum bus.
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kcatthedog
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Post by kcatthedog on Dec 7, 2017 17:53:36 GMT -6
Very interesting usage examples, any clips shared would be cool ?
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Post by popmann on Dec 7, 2017 20:18:49 GMT -6
I think people will like this. I just spent 5min pushing an old DR14 mix to DR7 in Mixbus. So, some combo of the Mixbus tape emulation and the ProL2. 5min. If I were going to release it, I'd want to mitigate some odd resonances....you know--like once you remove the transients from triangles in a mix, um....that's a nasty sound....it unearthed (or created) some teenie nasties in the vocal....but, I mean all in all....normal mix to loud master that arguably most end users couldn't hear the flaws in....5min.
They will sell a lot of these to people who love loud masters.
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Post by allbuttonmode on Dec 8, 2017 4:21:33 GMT -6
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Post by Guitar on Dec 9, 2017 11:31:56 GMT -6
Aw damn... I guess I'm gonna have to buy this update for christmas. Pro-L is probably my most-used plugin of all time. It's the only plugin I have loaded into my bare project templates in Cubase on the mix bus.
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Post by Johnkenn on Dec 20, 2017 18:27:58 GMT -6
Really listening to a couple of limiters...I swear I think IK Stealth Limiter still wins for me...
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FF Limiter
Dec 20, 2017 21:03:47 GMT -6
via mobile
Post by lcr on Dec 20, 2017 21:03:47 GMT -6
Really listening to a couple of limiters...I swear I think IK Stealth Limiter still wins for me... Why? |
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Post by Johnkenn on Dec 20, 2017 21:07:26 GMT -6
No other reason than I just think it sound better. I usually use harmonics 1 and it just sounds bigger, punchier and deeper. Could just be attack settings on the Pro-L2...the stealth doesn’t have that option.
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FF Limiter
Dec 20, 2017 23:12:26 GMT -6
via mobile
Post by noah shain on Dec 20, 2017 23:12:26 GMT -6
Maybe sacrilege but I just got the new N2O8 bundle from isotope, which includes Ozone8...
Holy schnikes guys...are any of you on this?
It’s ridiculous useful and good.
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Post by Johnkenn on Dec 21, 2017 11:44:15 GMT -6
Maybe sacrilege but I just got the new N2O8 bundle from isotope, which includes Ozone8... Holy schnikes guys...are any of you on this? It’s ridiculous useful and good. Yeah...I left Stealth for Ozone 7...it's just as good if not better. www.realgearonline.com/thread/7644/ozone-7 |
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