|
|
Post by yotonic on Dec 10, 2019 2:01:36 GMT -6
I made the switch from Pro Tools to Logic, and my two biggest pet peeves about Logic (as a songwriter) are how unintuitive it is to bounce sections of audio and how wonky it is to place markers on the fly. Both functions being super useful in grabbing and marking "keeper" chunks in the songwriting process. Pro Tools is simple, you highlight a section of audio and bounce it or drop a marker that leaves a long vertical line of your chosen color. Can Logic users share any tips on how they handle this. Going into "cycle record" and setting endpoints is a drag compared to Pro Tools. I'm not married to Logic either.
|
|
|
|
Post by kcatthedog on Dec 10, 2019 6:27:54 GMT -6
I hear you: took me about 3-6 months to stop thinking PT snd start thinking L!  you cdn just highlight above the markers the section you want with your mouse and bounce that, there are key commands to, not so complicated. |
|
|
|
Post by kcatthedog on Dec 10, 2019 6:29:43 GMT -6
You might like this:
|
|
|
|
Post by kcatthedog on Dec 10, 2019 6:32:03 GMT -6
|
|
|
|
Post by mrholmes on Dec 10, 2019 15:34:35 GMT -6
I made the switch from Pro Tools to Logic, and my two biggest pet peeves about Logic (as a songwriter) are how unintuitive it is to bounce sections of audio and how wonky it is to place markers on the fly. Both functions being super useful in grabbing and marking "keeper" chunks in the songwriting process. Pro Tools is simple, you highlight a section of audio and bounce it or drop a marker that leaves a long vertical line of your chosen color. Can Logic users share any tips on how they handle this. Going into "cycle record" and setting endpoints is a drag compared to Pro Tools. I'm not married to Logic either. Give it time I know a few composers who made the switch and they where totally happy after they understood that Logic is highly customizable. It's a wise idea to create your own key commands. The most often used ones are the background of one of my osx virtual desktop....just in case I forget one.... |
|
|
|
Post by kcatthedog on Dec 10, 2019 16:59:19 GMT -6
here is how I bounce either section or session: same process: 4 screenshots: showing highlighted timeline (yellow orange) bounce section drop down confirmation screen actual bounce command screen and where you name it really just 4 things.     |
|
|
|
Post by sirthought on Dec 12, 2019 3:49:52 GMT -6
I made the switch from Pro Tools to Logic, and my two biggest pet peeves about Logic (as a songwriter) are how unintuitive it is to bounce sections of audio and how wonky it is to place markers on the fly. Both functions being super useful in grabbing and marking "keeper" chunks in the songwriting process. Pro Tools is simple, you highlight a section of audio and bounce it or drop a marker that leaves a long vertical line of your chosen color. Can Logic users share any tips on how they handle this. Going into "cycle record" and setting endpoints is a drag compared to Pro Tools. I'm not married to Logic either. You find the marker options under the Navigate menu. Create a marker: Option 'You can select a region and create a marker for that selection with: Option Shift 'I sometimes just keep the side panel for list editors open and edit the markers as I go. I like to label them and it's easy for me there. Type: DI never really bounce unless I want to print with a plugin effect sometimes, and then you can select the region, do a right click and there is the "Bounce and Join" options. Bounce in place is: Control ^ B |
|
|
|
Post by telecastertube on Dec 12, 2019 10:44:40 GMT -6
Bounce in place always creates a new track and you manually have to delete the old one (I find that a bit convoluted)
|
|
