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Post by Johnkenn on Jul 26, 2013 20:21:30 GMT -6
Jeff's recent grab at a Fairchild made me think of this while I was living vicariously though him...
Fairchild 660/670
RCA BA6
Gates Sta-Level
Early LA2A
Bluestripe 1176
Tele V76
Tele 251
Early AKG C12
V14 U47
What else?
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Post by sozocaps on Jul 26, 2013 20:27:49 GMT -6
Neumann M49
Neumann U67
Pultec
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Post by Johnkenn on Jul 26, 2013 20:28:40 GMT -6
Touche...
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Post by Deleted on Jul 26, 2013 20:29:53 GMT -6
how close are the clones by Drip/Hairball/MNats, tho?
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Post by tonycamphd on Jul 26, 2013 20:30:07 GMT -6
I'd say Marilyn Monroe and a young Raquel Welch  |
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Post by tonycamphd on Jul 26, 2013 20:38:30 GMT -6
how close are the clones by Drip/Hairball/MNats, tho? They're knock off circuits, they should be very, very close Sir Charles. The hairball/mnats 1176's are easypeasy, i made 8 of em, just need to wrap some wiring, and there ready to rock it. |
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Post by sozocaps on Jul 26, 2013 21:21:11 GMT -6
I'd say Marilyn Monroe and a young Raquel Welch Here Here... LOL |
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Post by matt on Jul 26, 2013 21:42:39 GMT -6
Jeff's recent grab at a Fairchild made me think of this while I was living vicariously though him... Fairchild 660/670 RCA BA6 Gates Sta-Level Early LA2A Bluestripe 1176 Tele V76 Tele 251 Early AKG C12 V14 U47 What else? Same desire, different gear type: 1959 Les Paul 'Burst 1958 split-headstock Explorer '50s Blackguard Tele 1967 45/100 100w Plexi Marshall previously owned by Hendrix previously unknown/lost early 18th century Stradivarius violin. 1721 was a very good year Buck Owen's Red/White/Blue acoustic and throw in an ELAM 251 for good measure, into the Helios console used to record Led Zeppelin II. Is it too much to ask? Nah. |
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Post by tonycamphd on Jul 26, 2013 22:09:25 GMT -6
Jeff's recent grab at a Fairchild made me think of this while I was living vicariously though him... Fairchild 660/670 RCA BA6 Gates Sta-Level Early LA2A Bluestripe 1176 Tele V76 Tele 251 Early AKG C12 V14 U47 What else? Same desire, different gear type: 1959 Les Paul 'Burst 1958 split-headstock Explorer '50s Blackguard Tele 1967 45/100 100w Plexi Marshall previously owned by Hendrix previously unknown/lost early 18th century Stradivarius violin. 1721 was a very good year Buck Owen's Red/White/Blue acoustic and throw in an ELAM 251 for good measure, into the Helios console used to record Led Zeppelin II. Is it too much to ask? Nah. Matt, you are a man after my own heart lol! Where do you live, we need to get it together and rock the Zep, i'm a drummer...and everyone i know tells me, "you sound like Bonham.......jason bonham" lol!! |
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Post by matt on Jul 26, 2013 22:24:49 GMT -6
Same desire, different gear type: 1959 Les Paul 'Burst 1958 split-headstock Explorer '50s Blackguard Tele 1967 45/100 100w Plexi Marshall previously owned by Hendrix previously unknown/lost early 18th century Stradivarius violin. 1721 was a very good year Buck Owen's Red/White/Blue acoustic and throw in an ELAM 251 for good measure, into the Helios console used to record Led Zeppelin II. Is it too much to ask? Nah. Matt, you are a man after my own heart lol! Where do you live, we need to get it together and rock the Zep, i'm a drummer...and everyone i know tells me, "you sound like Bonham.......jason bonham" lol!! I'm in Glendale, Arizona. And I need a drummer. I am finding drum programming with BFD highly problematic. It's actually show-stopping me right now. Maybe if the distance is too great we can collaborate via the Web. Are you a PT user? If people think you sound like Jason, that is a real compliment, he is a great drummer in his own right. He killed it at the O2 show! |
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Post by jsteiger on Jul 26, 2013 22:29:58 GMT -6
Mid '70's API console
Lang PEQ1
RS124
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Post by tonycamphd on Jul 26, 2013 22:39:04 GMT -6
Matt, you are a man after my own heart lol! Where do you live, we need to get it together and rock the Zep, i'm a drummer...and everyone i know tells me, "you sound like Bonham.......jason bonham" lol!! I'm in Glendale, Arizona. And I need a drummer. I am finding drum programming with BFD highly problematic. It's actually show-stopping me right now. Maybe if the distance is too great we can collaborate via the Web. Are you a PT user? If people think you sound like Jason, that is a real compliment, he is a great drummer in his own right. He killed it at the O2 show! I'm in san diego, i do use PT, my studio is on it's head right now, i'm in the midst of a huge DIY project since april, don't see myself being drum worthy for some time unfortunately. But i would be interested in hearing some stuff, i'm sure i could do something for you? your talking original material? PM me. Just kidding about the jason thing, old jokes, my friends used to tell me "you write songs like Lennon....sean Lennon" but now that's a compliment too, he's good! |
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Post by matt on Jul 26, 2013 22:50:26 GMT -6
I'm in Glendale, Arizona. And I need a drummer. I am finding drum programming with BFD highly problematic. It's actually show-stopping me right now. Maybe if the distance is too great we can collaborate via the Web. Are you a PT user? If people think you sound like Jason, that is a real compliment, he is a great drummer in his own right. He killed it at the O2 show! I'm in san diego, i do use PT, my studio is on it's head right now, i'm in the midst of a huge DIY project since april, don't see myself being drum worthy for some time unfortunately. But i would be interested in hearing some stuff, i'm sure i could do something for you? your talking original material? PM me. Just kidding about the jason thing, old jokes, my friends used to tell me "you write songs like Lennon....sean Lennon" but now that's a compliment too, he's good! Yes, original material. I'll talk to my vocalist to get his OK and upload some raw tracks to soundcloud for you - and everyone - to listen to. |
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Post by tonycamphd on Jul 26, 2013 23:11:13 GMT -6
I'm in san diego, i do use PT, my studio is on it's head right now, i'm in the midst of a huge DIY project since april, don't see myself being drum worthy for some time unfortunately. But i would be interested in hearing some stuff, i'm sure i could do something for you? your talking original material? PM me. Just kidding about the jason thing, old jokes, my friends used to tell me "you write songs like Lennon....sean Lennon" but now that's a compliment too, he's good! Yes, original material. I'll talk to my vocalist to get his OK and upload some raw tracks to soundcloud for you - and everyone - to listen to. looking forward to hearing them Matt! pm me your email address, and i'll send you a file of a one mic screw around thing i did a couple nights ago with the tune "night flight", it'll give you an idea of what i got cookin ok back OT for reals |
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Post by cowboycoalminer on Jul 26, 2013 23:54:13 GMT -6
I've dreamed of owning an original console pair of 1081's. But I also dream of sending my kids to college so I defer.
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Post by Deleted on Jul 27, 2013 9:15:59 GMT -6
Not following the blue site anymore
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Post by Johnkenn on Jul 27, 2013 10:20:41 GMT -6
Well, if we're getting into guitars...  194X Martin D18/D28 194X Gibson J45 195X Gibson Les Paul Goldtop 196X Gibson 335 196X Fender Jazzmaster 196X Fender Strat |
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Post by Deleted on Jul 27, 2013 10:52:13 GMT -6
Mid '70's API console Lang PEQ1 RS124 lol don't you own a 70's API console that you based all the VP/VC stuff on?? |
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Post by tonycamphd on Jul 27, 2013 10:52:46 GMT -6
i'm goin big!, rolling stones helios console mobile rig, with a fairchild 670 thrown in(was there one in there?)!, a bottomless Fueling gift card, and a time machine! all 4 of these possess about the same probability rating  |
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Post by pma on Jul 27, 2013 12:21:40 GMT -6
My old API discrete. Or, maybe it's not vintage .. Sorry.
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Post by LesC on Jul 27, 2013 13:13:25 GMT -6
Well, if we're getting into guitars... 194X Martin D18/D28 194X Gibson J45 195X Gibson Les Paul Goldtop 196X Gibson 335 196X Fender Jazzmaster 196X Fender Strat I was 13 in 1966 when I got my first Stratocaster. I modified it to stereo and used an amp on each side of the stage. Running one side through a Maestro Fuzz-Tone, I could get a double-lead effect, which was great for playing Hendrix stuff in my three-man band. The actual sound of the guitar itself was terrible, worst I've ever had. Fortunately I kept the original parts, and was able to sell it for a lot of money in 1996. In it's place, at the time, I got an American Stratocaster with the built-in Roland hex pickup, unusual because most of the midi Strats were made in Mexico. The 1996 Strat sounds so much better than the '66, I can't believe it. I think a lot of what we remember about "vintage" guitars is romanticized by faulty memory. Or maybe I just had a lemon. |
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Post by Johnkenn on Jul 27, 2013 13:26:00 GMT -6
The same could be said about pro audio...
But I've played a couple vintage strats that were badass...Then again, I've got a Squier Classic Vibe 50's strat that is fantastic...I bought it with the intention of swapping out the pickups. They sound good enough that I haven't pulled the trigger...
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Post by tonycamphd on Jul 27, 2013 13:32:00 GMT -6
I think the difference back then was people built things to be good, so you had more winning pieces show up, now they spitem out, and 1 in 500 squires you get lucky, i've played a few squires that were surprisingly nice, when i stripped the finish off my american strat, it was 5 pieces, and the metal staples were visible lol! still sounded nice though?
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Post by littlesicily on Jul 29, 2013 21:37:09 GMT -6
I had a Blue Stripe and had it restored beautifully by a real pro. It def had a "thing" but wasn't something I had to have. I actually prefer my rev F for vocals and acgtr. If I cut drums and bass I could see using it more, but alas, I sold it.
That's one more off the list :-)
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Post by Johnkenn on Jul 29, 2013 22:52:09 GMT -6
My add to the list Studio gear : - Helios console Like this?  |
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