|
Post by sozocaps on Jul 25, 2013 23:00:23 GMT -6
I have an Apogee 16x AD and DA and some outboard GR EQ 2NV , PCM91 reverb, and 5043 Compression. I use Nuendo and have an RME Raydat PCIe. I have used the latency compensation for my reverb before but that's blending with the ITB dry track so its not as critical to have the reverb tail "PERFECT" although It did seem to to a good job with its measurement. How do I mix in the box and use hardware at the same time with no latency and when you add plugs you have to change the buffer size...
|
|
|
Post by sozocaps on Jul 26, 2013 7:13:33 GMT -6
U guys tools users ?
|
|
|
Post by sozocaps on Jul 26, 2013 16:38:17 GMT -6
bump...
|
|
|
Post by jcoutu1 on Jul 26, 2013 17:45:41 GMT -6
I'm using pro tools, but I'm going through a console. Can't comment on the round trip stuff.
|
|
|
Post by tonycamphd on Jul 26, 2013 17:51:43 GMT -6
I wish i could answer, but same deal here, once OTB, i stay that way till 2 tracking the mix
|
|
|
Post by keller on Jul 29, 2013 8:31:46 GMT -6
Sometimes Delay Comp works with hardware inserts and sometimes it doesn't. I have found that it works MUCH better on a HD rig than a native version. I end up printing all of my outboard processing back into ProTools on another track even if there is no latency. Mostly because I'm lazy and don't want to make recall notes, but sometimes to fix latency. Just pust a sharp transient or triangle wave out in front of the audio and make sure those line up after printing. Annnd... Boom! Mind Blown!
|
|
|
Post by Johnkenn on Jul 29, 2013 10:37:08 GMT -6
Yeah - I haven't been able to wrap my head around the delay comp hardware thing...Just been dragging the files and matching after processing.
|
|
|
Post by sozocaps on Jul 29, 2013 11:27:56 GMT -6
Sometimes Delay Comp works with hardware inserts and sometimes it doesn't. I have found that it works MUCH better on a HD rig than a native version. I end up printing all of my outboard processing back into ProTools on another track even if there is no latency. Mostly because I'm lazy and don't want to make recall notes, but sometimes to fix latency. Just pust a sharp transient or triangle wave out in front of the audio and make sure those line up after printing. Annnd... Boom! Mind Blown! Cool, ill try it out, I'm sure there has to be a way to do this that's repeatable... I bet they run the whole mix out all 16 DA and back in the AD to make sure all of it is exactly the same. The latency in the hardware world is super negligible and non negotiable anyway lol.
|
|
|
Post by jimwilliams on Jul 29, 2013 11:43:02 GMT -6
You would need to be a master of time and space to figure out all those permutations and delays. I can't think of a better vibe killer than trying to mix that way.
"Left brain, no, RIGHT brain!"
If I did, I'd have to lock up all my guns and give my wife the key, otherwise there would be .223" sized holes in my computers!
(They do make fine targets out in the Borrego Desert).
I tried the ITB stuff out a few years ago, borrowed it. Glad I didn't sell off all that analog stuff.
|
|
|
Post by dandeurloo on Jul 29, 2013 12:21:34 GMT -6
Sometimes Delay Comp works with hardware inserts and sometimes it doesn't. I have found that it works MUCH better on a HD rig than a native version. I end up printing all of my outboard processing back into ProTools on another track even if there is no latency. Mostly because I'm lazy and don't want to make recall notes, but sometimes to fix latency. Just pust a sharp transient or triangle wave out in front of the audio and make sure those line up after printing. Annnd... Boom! Mind Blown! Keller is this really you? If so my mind is blown!
|
|