|
Post by ChaseUTB on Oct 29, 2016 9:38:15 GMT -6
swurveman that vid is pathetic and the fact they call them self westlake pro is odd ( I know they are a dealer ) that's why it is laughable... you release a product demo and not even use the reverb plug in properly in a send and return setup... no examples of how the drums sound together in the room, the Ld vox the dry is around 30%, no way the listeners are experiencing the true decay of 4.2 seconds when the dry wet is 30% dry.... IDK not a good demo and yes will confuse a noob in an instant, not good!
|
|
|
Post by Martin John Butler on Oct 29, 2016 10:52:15 GMT -6
Cool, good luck Paddy!
|
|
|
Post by johneppstein on Oct 29, 2016 11:39:01 GMT -6
You put each verb on its own aux send, then bring each one back into the main mix through a regular channel and fader. Since the returns are full featured channels you also have the ability to EQ each separately and to run one into another for more complex effects. I also do this with delays. One of the problems for young engineers today is that they are learning on the internet. Check out this Westlake Audio Reverb tutorial, where they're using the reverb as a channel insert and tweaking the dry/wet knob.They probably did it for convenience for the tutorial, but somebody new to mixing may think that using different reverb as insert's on every channel is how it's done. There is altogether too much stuff on the internet that was written by people who know little (if anything) more than the people they're teaching, some of it from allegedly authoritative sources. Using time based effects in inserts is a prime example, as it precludes so many interesting and creative uses that are easy to accomplish using busses and returning through channels.
|
|