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Post by Johnkenn on Apr 16, 2016 16:18:52 GMT -6
spock have you made a step by step with it yet? Maybe run some mono drums through it? Or send it to me
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Post by spock on Apr 18, 2016 20:23:32 GMT -6
spock have you made a step by step with it yet? Maybe run some mono drums through it? Or send it to me Right now I only have this one final prototype on hand, however, we're already building production units...
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Post by spock on Jun 30, 2016 10:37:50 GMT -6
The TG Microphone Cassettes have been shipping for a couple weeks...
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Post by pope on Jul 1, 2016 1:37:38 GMT -6
Are the opto's input/output balanced? I can't find any info.
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Post by Johnkenn on Jul 1, 2016 17:27:37 GMT -6
The TG Microphone Cassettes have been shipping for a couple weeks... I just pawed at the screen like a new puppy.
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Post by joseph on Jul 1, 2016 17:35:27 GMT -6
I read on other site that the opto compressor is kinda fiddly, but what I really want to know is in limit mode, how fast does it get and what's the knee like. Is it really like the TG1?
LA2A or Cl1B can sound great on kick, and LA3A on overheads, guitars and occasionally snare. So where does this fit in?
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ericn
Temp
Balance Engineer
Posts: 14,958
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Post by ericn on Jul 1, 2016 17:40:27 GMT -6
The TG Microphone Cassettes have been shipping for a couple weeks... I just pawed at the screen like a new puppy. I see you and the dog pawing at the screen!
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Post by spock on Jul 1, 2016 18:21:10 GMT -6
I read on other site that the opto compressor is kinda fiddly, but what I really want to know is in limit mode, how fast does it get and what's the knee like. Is it really like the TG1? LA2A or Cl1B can sound great on kick, and LA3A on overheads, guitars and occasionally snare. So where does this fit in? It's not 'fiddly', it was an Digi003 issue and not the Cassette. Funny, I was just on the phone with the guy and he sent me a great track he used the TG Microphone Cassette on for multiple pieces in the arrangement during mix. The 'SHARP' knee is 'LIMIT' mode on the TG1. The TG1 Opto covers an insane amount of ground, 'ROUNDED' really opens up and retains attack similar to the RS124. The one unit I had is on its way to Dave Cobb to play with.
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Post by joseph on Jul 1, 2016 19:26:33 GMT -6
Yeah I saw that, I was referring to the second comment that followed. I'm sure it's fine and flexible enough once you get the hang of it, if an unproven quantity at this point.
Am curious as to how this sounds tonewise for hitting a room mic, overhead or acoustic guitar in parallel.
Generally when I think opto I think soft knee, but clearly this has something interesting going on.
I understand that sharp is TG1 in limit, but TG1 is diode right? So what is your impression of the feel of the element in faster release situations? Is it two stage or what?
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Post by spock on Jul 2, 2016 10:24:12 GMT -6
Yeah I saw that, I was referring to the second comment that followed. I'm sure it's fine and flexible enough once you get the hang of it, if an unproven quantity at this point. Am curious as to how this sounds tonewise for hitting a room mic, overhead or acoustic guitar in parallel. Generally when I think opto I think soft knee, but clearly this has something interesting going on. I understand that sharp is TG1 in limit, but TG1 is diode right? So what is your impression of the feel of the element in faster release situations? Is it two stage or what? Spoke with the other one too, his was more conceptual because operationally the meter and how the 'HOLD' knob adjusts/places the needle is done the way it was on the TG console. Once people get the hang of it conceptually and its relationship to the makeup gain knob, it covers wide range. In 'SHARP' you can easily get that TG1 drum obliteration and puts the hammer down. What's dramatic and awesome is when you switch to 'ROUNDED' while keeping everything else the same, save for then having to roll back the makeup gain (black output knob)... It's a different beast, like two comps in one. Really expressive... This is what I posted to help those get their heads wrapped around it... Per the manual and EMI, Prior to the take, adjust the 'hold' knob while observing the meter and positioning the needle for the amount of compression desired. HOLD COUNTERCLOCKWISE = MORE COMPRESSION SOME BASIC SETTINGS for the TG1 Opto CompressorWith this setting, try both Acoustic Guitar and Drums with the same settings and switching back and forth between knees (ROUNDED/SHARP).[/B] JUST SHOWING EXTREME OBLITERATION FOR FUN - Use Drums for this one below.
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Post by joseph on Jul 2, 2016 10:31:33 GMT -6
Yeah I saw that, I was referring to the second comment that followed. I'm sure it's fine and flexible enough once you get the hang of it, if an unproven quantity at this point. Am curious as to how this sounds tonewise for hitting a room mic, overhead or acoustic guitar in parallel. Generally when I think opto I think soft knee, but clearly this has something interesting going on. I understand that sharp is TG1 in limit, but TG1 is diode right? So what is your impression of the feel of the element in faster release situations? Is it two stage or what? Spoke with the other one too, his was more conceptual because operationally the meter and how the 'HOLD' knob adjusts/places the needle is done the way it was on the TG console. Once people get the hang of it conceptually and its relationship to the makeup gain knob, it covers wide range. In 'SHARP' you can easily get that TG1 drum obliteration and puts the hammer down. What's dramatic and awesome is when you switch to 'ROUNDED' while keeping everything else the same, save for then having to roll back the makeup gain (black output knob)... It's a different beast, like two comps in one. Really expressive... Does look great, thanks! Would be nice to hear some demos, I'll await the audio reviews
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Post by spock on Jul 2, 2016 10:42:22 GMT -6
Spoke with the other one too, his was more conceptual because operationally the meter and how the 'HOLD' knob adjusts/places the needle is done the way it was on the TG console. Once people get the hang of it conceptually and its relationship to the makeup gain knob, it covers wide range. In 'SHARP' you can easily get that TG1 drum obliteration and puts the hammer down. What's dramatic and awesome is when you switch to 'ROUNDED' while keeping everything else the same, save for then having to roll back the makeup gain (black output knob)... It's a different beast, like two comps in one. Really expressive... Does look great, thanks! Would be nice to hear some demos, I'll await the audio reviews When I have my pair here, I'll be more than happy to run some audio for you too... They've been super popular, hence I had to give up my one show unit.
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Post by Johnkenn on Jul 2, 2016 10:47:02 GMT -6
Just send one to me
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Post by joseph on Jul 2, 2016 10:49:52 GMT -6
Thank you kindly.
Right now I'm learning toward either this or RS124 for a different flavor. Something that will sound good on room or FOK mics, bass and vocals.
Not really feeling the 1176 thing anymore. Kinda bored of it, and more into 60s tones now anyway.
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Post by spock on Jul 2, 2016 11:03:08 GMT -6
Thank you kindly. Right now I'm learning toward either this or RS124 for a different flavor. Something that will sound good on room or FOK mics, bass and vocals. Not really feeling the 1176 thing anymore. Kinda bored of it, and more into 60s tones now anyway. RS124 is a stunner... Superfuse take it to another level, they never had back then too.
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Post by joseph on Jul 2, 2016 11:09:46 GMT -6
Thank you kindly. Right now I'm learning toward either this or RS124 for a different flavor. Something that will sound good on room or FOK mics, bass and vocals. Not really feeling the 1176 thing anymore. Kinda bored of it, and more into 60s tones now anyway. RS124 is a stunner... Superfuse take it to another level, they never had back then too. Yeah all the demos I've heard have sounded phenomenal. And funny thing I heard a demo of the superfuse on a snare I thought it would sound pretty damn cool in parallel. Will probably get one here to try out. How fast is the fastest attack roughly, like 10-15ms?
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Post by spock on Jul 2, 2016 11:13:49 GMT -6
RS124 is a stunner... Superfuse take it to another level, they never had back then too. Yeah all the demos I've heard have sounded phenomenal. And funny thing I heard a demo of the superfuse on a snare I thought it would sound pretty damn cool in parallel. Will probably get one here to try out. How fast is the fastest attack roughly, like 10-15ms? where are you?
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Post by joseph on Jul 2, 2016 11:19:29 GMT -6
Yeah all the demos I've heard have sounded phenomenal. And funny thing I heard a demo of the superfuse on a snare I thought it would sound pretty damn cool in parallel. Will probably get one here to try out. How fast is the fastest attack roughly, like 10-15ms? where are you? New York Usually I go through Sweetwater, as their credit plans are pretty easy do deal with.
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Post by pope on Jul 3, 2016 9:23:38 GMT -6
Are the opto's input/output balanced? I can't find any info. I'm not sure why this question is ignored. I have nothing against unbalanced gear but it'll be good to know.
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Post by unit7 on Jul 3, 2016 12:16:07 GMT -6
Are the opto's input/output balanced? I can't find any info. I'm not sure why this question is ignored. I have nothing against unbalanced gear but it'll be good to know. Probably a question for Chandler. Their support is excellent so just email and you'll most likely get a reply from the Creator Himself :-)
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Post by Johnkenn on Jul 3, 2016 13:41:52 GMT -6
Are the opto's input/output balanced? I can't find any info. I'm not sure why this question is ignored. I have nothing against unbalanced gear but it'll be good to know. spockRGO Chandler Support
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Post by spock on Jul 3, 2016 13:50:47 GMT -6
I'm not sure why this question is ignored. I have nothing against unbalanced gear but it'll be good to know. spock RGO Chandler Support Hey all, sorry I missed this! The pre-amp/EQ is bal i/o, the comp is unbal/bal i/o all sections +4.
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Post by pope on Jul 3, 2016 14:05:19 GMT -6
spock RGO Chandler Support Hey all, sorry I missed this! The pre-amp/EQ is bal i/o, the comp is unbal/bal i/o all sections +4. Thanks spock! So, the comp is unbalanced input and balanced output? I presume the output is electronically balanced right? Thanks again for the info.
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Post by spock on Jul 3, 2016 14:31:38 GMT -6
I presume the output is electronically balanced right? Thanks again for the info. Transformer
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Post by john on Oct 12, 2016 11:29:26 GMT -6
is anyone using a mic cassette on a regular basis? not much user review out there yet. considering taking the plunge.
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