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Post by Martin John Butler on Aug 14, 2015 15:18:52 GMT -6
John, the Svartbox is a good idea, but for me, I have a Duo without thunderbolt, so an Apollo Quad 8 would double my dsp power and get me into thunderbolt. If my Apollo was already a quad with thunderbolt, your suggestion would be a smart move.
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Post by category5 on Aug 15, 2015 12:29:19 GMT -6
Interesting results. Would love to know more about what we are hearing here though, as well as the original source for control. The fellas at BLA are no slouches, and I think they can probably figure out a way or two to gain some performance from any interface. Also, their clock is the exception to all my previous listening tests. It's the only time I've ever admitted to hearing a difference (improvement?) in a converter when implementing and external clock. I did not always prefer it, however. On some content I thought the MC brought additional detail and depth but at the cost of some warmth. When using the Dangerous DA the effects of the MC were negated, and as far as I'm concerned inaudible.
The BLA mod to the original Apollo was a worthwhile upgrade IMO. I still have mine and like it a lot. Aside from their "special method" of decoupling the AD and DA they swapped all the JRC 5532s with OPA2134s (they are everywhere). They also replaced signal path surface mount capacitors with audiophile grade (Nichicon Fine Golds) or high grade polypros. The clock is left alone unless you opt for the external clock, but that upgrade can be added to any system regardless of whether you mod the box.
Yep, the mods are expensive, but they usually improve performance enough that people love em, and the surface mount parts on these interface are SMALL and really close together. Even a DIY pro stands a good chance of screwing something up, even if you have the eyesight to see what you're doing. I guess they can only do so many mods, and so they charge what they need to be profitable. Keep in mind they do pretty extensive testing and experimentation to find the sweet spot, so if you like the results it's probably worth it. Usually their mods have better re-sale too, so it's not as big a hit when you sell.
As for the new Apollos, the 8 channel box that I have seen and heard is certainly an upgrade from the original, non-modded Apollo. The converters are decoupled from the factory, they are now doing parallel conversion on the inputs (same chips, just twice as many of them), and they have replaced the Crystal DA chip with AKM's recently released flagship DA. I know the 16 uses the sabre chips everyone wishes were in the 8 channel boxes, but I guess UA has to differentiate somehow. They also stopped using the cheaper JRC op-amps throughout, and while they are still using 5532s they are now using genuine TI parts. The NJM2068s (also dumped by the BLA gen 1 mod) are replaced by National 49720s, which are quality op-amps and up to the task. You still have the same clock system, and some surface mount capacitors in the signal path so sure, there's still room for the BLA treatment here. I trust BLA so if they swap parts I'm sure there's good reason.
That said, I like the new version better than the stock silverface. I may like it better than my BLA silverface, but I haven't had the time to get really deep into comparing them. FWIW, I am not using the BLA clock anymore. My intent was to do a deep dive into the differences and do some meaningful comparisons but summer never leaves me with a lot of free time.
When jim Williams speaks I always listen, but curious as to why he felt the crystal chips were a limiting factor in the silverface (BTW, as noted they are gone from the new version). They are an older chip yes, but have been utilized in some great sounding interfaces (Aurora, Orpheus to name a couple) so they can work well with good design. Sure you won't find them in a true mastering grade converter, but for a multi-channel interface they always seemed up to the task. Anyway, the new AKM DA looks pretty nice on paper, and the AKM AD chip was always their flagship part.
I wish BLA would give us details about what we are hearing in the samples, as well as provide the original. Also, I think it's a pretty lame cut for this type of test. I certainly wouldn't want to drop my money on a mod based on that alone. Frankly, their reputation would do more to sway me.
Excuse any typos. i have a 4 year old on my back begging me to come play as I type this! lol
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Post by tonycamphd on Aug 15, 2015 13:19:21 GMT -6
Interesting results. Would love to know more about what we are hearing here though, as well as the original source for control. The fellas at BLA are no slouches, and I think they can probably figure out a way or two to gain some performance from any interface. Also, their clock is the exception to all my previous listening tests. It's the only time I've ever admitted to hearing a difference (improvement?) in a converter when implementing and external clock. I did not always prefer it, however. On some content I thought the MC brought additional detail and depth but at the cost of some warmth. When using the Dangerous DA the effects of the MC were negated, and as far as I'm concerned inaudible. The BLA mod to the original Apollo was a worthwhile upgrade IMO. I still have mine and like it a lot. Aside from their "special method" of decoupling the AD and DA they swapped all the JRC 5532s with OPA2134s (they are everywhere). They also replaced signal path surface mount capacitors with audiophile grade (Nichicon Fine Golds) or high grade polypros. The clock is left alone unless you opt for the external clock, but that upgrade can be added to any system regardless of whether you mod the box. Yep, the mods are expensive, but they usually improve performance enough that people love em, and the surface mount parts on these interface are SMALL and really close together. Even a DIY pro stands a good chance of screwing something up, even if you have the eyesight to see what you're doing. I guess they can only do so many mods, and so they charge what they need to be profitable. Keep in mind they do pretty extensive testing and experimentation to find the sweet spot, so if you like the results it's probably worth it. Usually their mods have better re-sale too, so it's not as big a hit when you sell. As for the new Apollos, the 8 channel box that I have seen and heard is certainly an upgrade from the original, non-modded Apollo. The converters are decoupled from the factory, they are now doing parallel conversion on the inputs (same chips, just twice as many of them), and they have replaced the Crystal DA chip with AKM's recently released flagship DA. I know the 16 uses the sabre chips everyone wishes were in the 8 channel boxes, but I guess UA has to differentiate somehow. They also stopped using the cheaper JRC op-amps throughout, and while they are still using 5532s they are now using genuine TI parts. The NJM2068s (also dumped by the BLA gen 1 mod) are replaced by National 49720s, which are quality op-amps and up to the task. You still have the same clock system, and some surface mount capacitors in the signal path so sure, there's still room for the BLA treatment here. I trust BLA so if they swap parts I'm sure there's good reason. That said, I like the new version better than the stock silverface. I may like it better than my BLA silverface, but I haven't had the time to get really deep into comparing them. FWIW, I am not using the BLA clock anymore. My intent was to do a deep dive into the differences and do some meaningful comparisons but summer never leaves me with a lot of free time. When jim Williams speaks I always listen, but curious as to why he felt the crystal chips were a limiting factor in the silverface (BTW, as noted they are gone from the new version). They are an older chip yes, but have been utilized in some great sounding interfaces (Aurora, Orpheus to name a couple) so they can work well with good design. Sure you won't find them in a true mastering grade converter, but for a multi-channel interface they always seemed up to the task. Anyway, the new AKM DA looks pretty nice on paper, and the AKM AD chip was always their flagship part. I wish BLA would give us details about what we are hearing in the samples, as well as provide the original. Also, I think it's a pretty lame cut for this type of test. I certainly wouldn't want to drop my money on a mod based on that alone. Frankly, their reputation would do more to sway me. Excuse any typos. i have a 4 year old on my back begging me to come play as I type this! lol Nice Shane! always nice to hear diffs on a nicely recorded acoustic track, but i thought this sample illustrated the diffs pretty well.
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Post by kcatthedog on Aug 15, 2015 15:47:48 GMT -6
I asked bla for the session file they politely said no!
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Post by tonycamphd on Aug 15, 2015 15:49:32 GMT -6
I asked bla for the session file they politely said no! Why would u do that?
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Post by kcatthedog on Aug 15, 2015 16:24:44 GMT -6
Because people here asked for it to run through their interfaces: I guess for further comparisons ?
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Deleted
Deleted Member
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Post by Deleted on Aug 17, 2015 10:43:19 GMT -6
I guess this was forseeable. Their business is to make a piece of gear sounding better than it was before. Therefore this direct comparison is a marketing argument. They do gain nothing, if people can shoot out their different converters at home against their files. Let's face it: People might make different decisions...some might be better off spending their money on a different piece of stock gear instead of having something mod-upgraded.
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Post by tonycamphd on Aug 17, 2015 10:50:10 GMT -6
Because people here asked for it to run through their interfaces: I guess for further comparisons ? Having the files serves exactly 0 purpose unless u have a modded, unmodded apollo, and a mk3.
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Post by jdc on Aug 17, 2015 11:05:08 GMT -6
would it tell you how your system sounds in relation to the modded and unmodded apollo's off with the mk3?
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Post by tonycamphd on Aug 17, 2015 11:17:35 GMT -6
would it tell you how your system sounds in relation to the modded and unmodded apollo's off with the mk3? isn't that what you already get with the current files they offer? I may be confused....
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Post by category5 on Aug 17, 2015 11:27:18 GMT -6
Because people here asked for it to run through their interfaces: I guess for further comparisons ? Having the files serves exactly 0 purpose unless u have a modded, unmodded apollo, and a mk3. If you're after a neutral converter as opposed to a "musical" one that could be of interest. The original file would tell you which of the three samples is truest to the source though, unless this is strictly a digital project rendered out of the DA. Did they specify whether this is a comparison of the AD, DA or both? Also, if it's a DA comparison, do they specify what the final AD converter used to make the samples was? It would also be of interest to know that the same set of outputs was used to record each sample. The Apollo's main outs are slightly hindered by the Burr Brown digitally controlled volume chip in the signal path. I'm not assuming BLA are up to anything sinister here, but knowing the fine details would make this example much more meaningful. The previous mod (silverface) absolutely improved both AD and DA, so I expect this one does the same. Knowing the details would only further support their claim if it's an honest test. I'd also kind of like to hear the stock Apollo with the clock upgrade too.
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Post by tonycamphd on Aug 17, 2015 12:16:25 GMT -6
Having the files serves exactly 0 purpose unless u have a modded, unmodded apollo, and a mk3. If you're after a neutral converter as opposed to a "musical" one that could be of interest. The original file would tell you which of the three samples is truest to the source though, unless this is strictly a digital project rendered out of the DA. Did they specify whether this is a comparison of the AD, DA or both? Also, if it's a DA comparison, do they specify what the final AD converter used to make the samples was? It would also be of interest to know that the same set of outputs was used to record each sample. The Apollo's main outs are slightly hindered by the Burr Brown digitally controlled volume chip in the signal path. I'm not assuming BLA are up to anything sinister here, but knowing the fine details would make this example much more meaningful. The previous mod (silverface) absolutely improved both AD and DA, so I expect this one does the same. Knowing the details would only further support their claim if it's an honest test. I'd also kind of like to hear the stock Apollo with the clock upgrade too. I hear ya S, but if it were my co following their experience, i'd say "here it is, come n get it", i'd offer no more info than what is right here for your naked ears to listen too". BLA was subject to immense amounts of naysaying from everyone(mostly loud guys who've never used their mods) when they first came out, they have persevered through it because their stuff is really very good, and I believe now they press forward with a well earned, and righteous chip on their shoulder, so would I. secondly i'd add, in recent months i've learned that their is no such thing as a "neutral/transparent converter", all that i've heard add something different to what they're fed ime. What chip is UAD using to drive the lines? I actually asked ross change his design to accommodate very good op amps in place of sub par line drivers, i wonder if the same could be done to these Apollo's? I realise that everything is made to a price point, but if they just took care of this stuff from the onset, it wouldn't have cost that much more, and the difference a vastly superior product would make in the quantity of sales, would have made up for a loss of profit by smaller unit sales expectations, and went toward building a great reputation for their stuff(cheaper than advertising). This BLA sample will hurt them, as it should, it proves that profit is put over sonics at UAD, even if that isn't the goal of their business model, they can never let it get out that that is the case, BLA just outed them. of course JMO, YMMV
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Post by category5 on Aug 17, 2015 18:36:23 GMT -6
Agreed on most counts TC. No audio processing is really invisible. You know I love what they do, and I know you do too. The silverface mod was a nice upgrade so I'm sure the blackface upgrade gets you an even nicer sounding box. Still, are we hearing just DA, just AD? What outs are they using? What was the final converter, and how was it clocked? Sound files are fun, but without knowing the details that's all they are. I'm sure they will sell the heck out of this mod though, so no doubt they know what they are doing. I'd love to get my hands on one. I'll provide an Apollo 8 if they'll provide the mod, and I'll do a full write up on their ninja skills. BTW, the SM parts on the new blackface are even smaller than the previous generation. I have no idea how the hell they have the agility and steadiness to mod these things by hand. Their precision is commendable on its own.
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