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Post by wiz on Jan 30, 2015 20:14:12 GMT -6
dude ya who knew that coming form the land down under, was really about currency devaluation, musicians ?? who knows what the fuck their lyrics are on about eh ? well if you need to sell that summing mixer to buy some converters just let us know from my cold dead hands... 8)
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kcatthedog
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Post by kcatthedog on Jan 30, 2015 20:44:13 GMT -6
isn't it great when you take a bit of a flyer with a piece of gear and its just thrill to use it !
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Post by svart on Feb 2, 2015 9:19:16 GMT -6
Did some listening tests over the weekend while I worked on the studio's wiring. I don't hear much difference between the AC coupled and DC coupled versions of the ADC.
I think I'll bring both up to Nashvegas next week and see what others think before choosing which version to ship.
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kcatthedog
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Post by kcatthedog on Feb 2, 2015 10:15:08 GMT -6
So, the user can do coupling if they want as you are leaving it out of the build or include it for safety if it is sonically neutral ?
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Post by svart on Feb 2, 2015 10:43:03 GMT -6
So, the user can do coupling if they want as you are leaving it out of the build or include it for safety if it is sonically neutral ? There will be 2VDC coming out of the input connectors unless the capacitors are populated. Most signal sources have some kind of AC coupling on their outputs, but not all do. Because of this, it would be safer for me to populate the capacitors. They would be the only ones in series with the audio on the ADC board, so there wouldn't be much of a performance hit at all. On the other hand, I can't expect everyone to know or understand the whole AC/DC coupling aspect of something like this. Someone might read the documentation (IF they read it at all) and simply disregard it and end up damaging their system or the ADC board. Then what happens? However, I'm still finding it hard to decide to include them simply because so many people have been convinced that all caps are bad caps and I don't want to alienate customers. That's simply not true in most situations (and for good quality caps) including electrolytic caps, but I can't spare the time or energy to debate with those who would fight to protect their capacitor beliefs. I also don't want folks messing around too much with the internals, especially with soldering.. Solder slag tends to fall off irons and stick between IC pins, traces get pulled up, etc. Installing a DAC board is about the most I want someone to do, and even then it's not totally trivial.
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Post by jimwilliams on Feb 2, 2015 10:45:26 GMT -6
Did some listening tests over the weekend while I worked on the studio's wiring. I don't hear much difference between the AC coupled and DC coupled versions of the ADC. It's pretty easy to hear that here, especially if I only use an electrolytic cap alone. Add a small quality poly film cap bypass and it's much harder to hear the differences. Most of my studio is all direct coupled, no caps. Where I have them I use quality film cap bypasses to avoid a sonic quality drop. A small computer jumper is a easy solution to add a user selectable AC or DC coupling choice.
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Post by svart on Feb 2, 2015 10:54:08 GMT -6
Did some listening tests over the weekend while I worked on the studio's wiring. I don't hear much difference between the AC coupled and DC coupled versions of the ADC. It's pretty easy to hear that here, especially if I only use an electrolytic cap alone. Add a small quality poly film cap bypass and it's much harder to hear the differences. Most of my studio is all direct coupled, no caps. Where I have them I use quality film cap bypasses to avoid a sonic quality drop. A small computer jumper is a easy solution to add a user selectable AC or DC coupling choice. The board is already done, no plans on doing a 2nd rev to add jumpers. Also, how do you reconcile the opinions of other top designers that have effectively proven that adding film bypassing does not affect electrolytic frequency response, nor does it change series impedance at audio frequencies?
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Post by Johnkenn on Feb 2, 2015 11:10:34 GMT -6
Lets just listen and see...
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Post by tonycamphd on Feb 2, 2015 12:34:06 GMT -6
how many caps would you need to use? I'd just put elna silmic ll's in there, they sound as good as any electro out there, have super low esr and DA, put the film cap across the top of the leads just under the cap, and leave a little bit of lead exposed so an end user can cut them out if they choose? I know i'm FOS 8) but I can indeed hear diffs in caps also, i've proven this in blinds set up by buds, on many occasions.
I think jim uses his ears to make judgements beyond what his Precision rig tells him with his eyes. I've learned Jim has tremendous ears, much better than mine, maybe it's because he before/after listens for a living and has learned through experience how to focus in on certain things? i don't know, but it's DEFINITELY there.
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Post by svart on Feb 2, 2015 12:45:17 GMT -6
how many caps would you need to use? I'd just put elna silmic ll's in there, they sound as good as any electro out there, have super low esr and DA, leave a little bit of lead exposed so an end user can cut them out if they choose? I know i'm FOS 8) but I can indeed hear diffs in caps, i've proven this in blinds set up by buds, on many occasions. 4 caps. It'd be two on each input. One on each of the + and - differential signals. So in effect each signal only sees a single series cap. I'm not arguing that certain caps can have an effect on sound, but so many have set out to prove stuff like parallel caps, and DA and all that and none have come up with any concrete evidence. Some of the best in the industry have very good data that says that caps do not make a big of a difference as people argue that they do, if at all. As for my own testing, I was once part of the "No caps" movement. Besides the crispy sound, I could never get things to "gel" in mixes. I since put the caps back and enjoy the smoother sound that makes things gel a lot better. That's my take on it, and my experience. So yeah, caps might change things, but I have never found them to make things terrible. Just slightly different. Then again, I always use quality caps. Anyway, I'm thinking I'm going to add them as a default. It's minimal change in sound for maximum compatibility. I still might have an ordering option to have them unpopulated though (with a disclaimer of course). We'll see though. I'll have the Nashville boys listen and tell me what is best.
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Post by jimwilliams on Feb 2, 2015 16:50:51 GMT -6
I also agree that adding bypass caps does not show measurable differences on my AP test gear. That test gear is very good but it's used to find errors and performance limitations. It won't tell you when something sounds good. The bypass caps do make a sonic difference that the best test gear cannot detect but the better ears do. Thousands of customers agree as do many audio manufacturers like Levenson and Mytek. Most higher end speakers use them as well, JBL has for decades. I doubt they would waste the money on them if they didn't make an improvement.
On the Soundcraft Delta current feedback suming amp re-design, I use 3 sections of caps to assure all the details are heard. There is a 1000uf Panasonic FR electrolytic, a .1uf MIT MultiCap and a 1000pf/1k volt WIMA FKP-3 polyprop film and foil. With .7 nv/hz/sq Renesas discretes and the 1900v/us slew rate, 130 mhz bandwidth LME49713 CFA, any caps removed are heard. Smoothing out the sonics using el caps alone is perhaps helpful with edgy, digital DAW productions, but a purest analog or high end digital acoustic performance will benefit from using the best caps where needed and no caps where not.
I make these suggestions not because I want to be a svart-@ss, but only because I want to see success on every level. I don't have a dog in this fight other than to want to see the best sounding stuff made by everyone. Pointing out pitfalls I've crossed before doing DAC designs is about all I can do, I hope it's taken without any offense.
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kcatthedog
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Post by kcatthedog on Feb 2, 2015 17:34:45 GMT -6
thx Jim !
Finally; its name the "Svart-@ss 1000", can we vote now, huh can we !!!!
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Post by svart on Feb 3, 2015 8:00:02 GMT -6
I also agree that adding bypass caps does not show measurable differences on my AP test gear. I make these suggestions not because I want to be a svart-@ss, but only because I want to see success on every level. I don't have a dog in this fight other than to want to see the best sounding stuff made by everyone. Pointing out pitfalls I've crossed before doing DAC designs is about all I can do, I hope it's taken without any offense. Thanks, I appreciate you sharing your opinions and having a willingness to discuss these topics. Don't worry, you weren't being offensive.
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Post by svart on Feb 3, 2015 8:05:52 GMT -6
The front panel PCBs are here!
Now we wait for the DAC boards. I should have enough parts for prototyping one DAC board, then I order the rest of the parts for 10 units.
I also have been tied up with work, so I haven't gotten the software where I wanted it yet. I still have a generic pin setup that I can change and program into the microcontroller to change the settings, but I haven't gotten the menu tied to it yet. Last I worked on it I kept having issues with the main loop being slow, or the pins glitching when the loop runs through the function. I need to figure out a better way to do the routine.
I think I solved the problems I was having with the silkscreen ink. Now I need to have a test screen made and give it a try.
I've created a few front bezels in CAD, but I haven't had a lot of time to prototype one out yet.
That's about it for updates.
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Post by tonycamphd on Feb 3, 2015 11:38:23 GMT -6
I also agree that adding bypass caps does not show measurable differences on my AP test gear. That test gear is very good but it's used to find errors and performance limitations. It won't tell you when something sounds good. The bypass caps do make a sonic difference that the best test gear cannot detect but the better ears do. Thousands of customers agree as do many audio manufacturers like Levenson and Mytek. Most higher end speakers use them as well, JBL has for decades. I doubt they would waste the money on them if they didn't make an improvement. On the Soundcraft Delta current feedback suming amp re-design, I use 3 sections of caps to assure all the details are heard. There is a 1000uf Panasonic FR electrolytic, a .1uf MIT MultiCap and a 1000pf/1k volt WIMA FKP-3 polyprop film and foil. With .7 nv/hz/sq Renesas discretes and the 1900v/us slew rate, 130 mhz bandwidth LME49713 CFA, any caps removed are heard. Smoothing out the sonics using el caps alone is perhaps helpful with edgy, digital DAW productions, but a purest analog or high end digital acoustic performance will benefit from using the best caps where needed and no caps where not.I make these suggestions not because I want to be a svart-@ss, but only because I want to see success on every level. I don't have a dog in this fight other than to want to see the best sounding stuff made by everyone. Pointing out pitfalls I've crossed before doing DAC designs is about all I can do, I hope it's taken without any offense. (momentary OT) I think it's very cool for Jim to lend his expertise, this is way over my head of course, but i have to say since i own one of these, it does indeed sound ridiculously great, big buttery beautiful, but in a very transparent and realistic, conversational sort of way. I'm hyper sensitive to S's, this board is the closest thing i've ever heard to real life sound of language, especially in the sibilance ranges. Just what i hear, YMMV. I wonder how wiz feels at this point.
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Post by svart on Feb 3, 2015 11:57:45 GMT -6
I also agree that adding bypass caps does not show measurable differences on my AP test gear. That test gear is very good but it's used to find errors and performance limitations. It won't tell you when something sounds good. The bypass caps do make a sonic difference that the best test gear cannot detect but the better ears do. Thousands of customers agree as do many audio manufacturers like Levenson and Mytek. Most higher end speakers use them as well, JBL has for decades. I doubt they would waste the money on them if they didn't make an improvement. On the Soundcraft Delta current feedback suming amp re-design, I use 3 sections of caps to assure all the details are heard. There is a 1000uf Panasonic FR electrolytic, a .1uf MIT MultiCap and a 1000pf/1k volt WIMA FKP-3 polyprop film and foil. With .7 nv/hz/sq Renesas discretes and the 1900v/us slew rate, 130 mhz bandwidth LME49713 CFA, any caps removed are heard. Smoothing out the sonics using el caps alone is perhaps helpful with edgy, digital DAW productions, but a purest analog or high end digital acoustic performance will benefit from using the best caps where needed and no caps where not.I make these suggestions not because I want to be a svart-@ss, but only because I want to see success on every level. I don't have a dog in this fight other than to want to see the best sounding stuff made by everyone. Pointing out pitfalls I've crossed before doing DAC designs is about all I can do, I hope it's taken without any offense. (momentary OT) I think it's very cool for Jim to lend his expertise, this is way over my head of course, but i have to say since i own one of these, it does indeed sound ridiculously great, big buttery beautiful, but in a very transparent and realistic, conversational sort of way. I'm hyper sensitive to S's, this board is the closest thing i've ever heard to real life sound of language, especially in the sibilance ranges. Just what i hear, YMMV. I wonder how wiz feels at this point. I retrofitted the SSL9000J summing amp system into my mixer a few years ago. It certainly had a great improvement in the overall fidelity. Summing amps are certainly a good place for high speed opamps and low noise components, much more so than regular channels.
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Post by tonycamphd on Feb 3, 2015 12:52:28 GMT -6
funny you should mention that, one of the reasons i'm lagging bringing my delta 8 master to JW for mods is because i want to Post a comparison thread. I will run some audio through a pair of stock delta strips into the stock delta 8 master section and recapture. Then i'm going to run the same exact audio with identical settings through 2 JW modded channel strips into a JW modded master section(I already own this, done as JW mentioned above). Then i will repeat the process of running both modded and unmodded ch strips into the modded master to see just how much the channel strips improve things on their own? I've already done the latter, and it's significant to my ears, curious to how others will hear it? i believe wiz has done this as well, maybe he'll chime in with his thoughts eventually?
sorry, back to the not so secret secret project AKA "Svarticus RGO Limited edition™"
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Post by baquin on Feb 3, 2015 13:24:11 GMT -6
Hey wiz kcatthedog not to be proud of, but here the USD is almost the same price as the Euro. Maybe we should go first ADC or DAC, later when the price goes down (it's only temp--as my economy teacher always said--) we can add either one. I'm pretty sure the shipping for a single card is gonna be cheap...I might be letting my imagination go way up.
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kcatthedog
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Post by kcatthedog on Feb 3, 2015 15:07:58 GMT -6
false economies of scale, its all in one box so the cost of shipping the DA afterwards ; doesn't make sense!
where is here ?
those in the US , have no exchange rate concerns, but I guess wiz , you and I are all prepared to pay for conversion for , ah, better conversion; right, wiz, that's way we do it ? ?
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Post by wiz on Feb 3, 2015 15:55:10 GMT -6
false economies of scale, its all in one box so the cost of shipping the DA afterwards ; doesn't make sense! where is here ? those in the US , have no exchange rate concerns, but I guess wiz , you and I are all prepared to pay for conversion for , ah, better conversion; right, wiz, that's way we do it ? ? Sorry for the derail of sorts... our dollar has been going well against the US for quite some time.. its now almost back to where it was when I visited the USA in 94. Then the Oz Buck was worth 74 cents USD... last night it was worth 76 Cents. Unbelievable... oh well.. 8)
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druu
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Post by druu on Feb 5, 2015 9:00:15 GMT -6
Interesting project! Definitely interested. I use a RMA Superbeast with the ADA's so expect this will perform just as well.
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Post by Johnkenn on Feb 5, 2015 10:04:46 GMT -6
Welcome, druu - how you like the Superbeast? I'm sure it sounds great...this project was kind've thought up as an alternative because of the 10 month wait on RM's products.
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Post by svart on Feb 5, 2015 11:10:28 GMT -6
Speaking of which, I may or may not have the settings working in the software now. More testing is needed. I might have it fully working by sunday, but that might be a longshot.
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druu
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Post by druu on Feb 5, 2015 16:13:21 GMT -6
Welcome, druu - how you like the Superbeast? I'm sure it sounds great...this project was kind've thought up as an alternative because of the 10 month wait on RM's products. Thanks John! The Superbeast is great, I use it for monitoring and have relocated the internals to my own 1RU case along with the TPA6120 headphone amp. Also installed a 10K Alps RK27 for level control, works out well. I'm actually hoping to use both 1794A and 4222 to replace the Apogee I'm currently using for my analog chain so this looks ideal! Agreed on the silly wait times with Ross, I had to wait 6 months then another 3 months for a replacement due to 'hiss' on the first dac I received.
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druu
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Post by druu on Feb 5, 2015 16:25:17 GMT -6
BTW Are there any plans to offer this project as DIY?
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