Post by jmoose on Dec 18, 2023 15:12:51 GMT -6
Tracking some session guys with the cheapest equipment you could find. I'm really coming around to the thought that it's like 50% the song, 40% the player(s) and 10% the recording. Maybe a scarlet interface with a cheap mic for everything...Then mix it as good as you possibly can.
So you wanna be a live guy now? Be on the FOH deck and make board tapes?
That's essentially what they do! Show up with a pile of SM57's and get things working... I should know I spent a loooooong time doing just that.
Nothing is gonna get your engineering chops together faster then having to mix a band without a soundcheck in front of a packed house. Read an interview with CLA years ago where he said that was his background that taught him how to mix... and he's totally right its sink or swim. Great band, shitty band all the same you've got about 2 songs to pull a mix halfway together.
Maybe a dozen years a really good friend said "what happened to you? You've turned into an anti-gear gear snob"
It was the live gigs, but it was more specifically the live recording/production... getting into live broadcast and other direct to 2-track situations. Spending a handful of years as the production manger of a club with nationals coming through every week certainly didn't hurt either!
And while there's a few distinct memories, one real clincher was a tape I ran for Steve Kimock & his group off our clubs monitor desk almost as an afterthought but with intent... Kimock's an excellent guitarist & one of the most brilliant musicians I've ever worked with. Everyone was blown away by quality of that one and it made me start to question all the fancy pants gear...
Another was this one for Mike Farris (screaming cheetah wheelies) and his Lester Fury thing...
mooseaudio.bandcamp.com/track/apartment-323-live
Recorded live to 2-track off the club's FOH matrix. Pile of SM57's and a pair of Earthworks omnis about 20 feet over the stage into a Midas venice, dbx 166 compressors, reverb was PCM80... right onto to a fostex DAT machine in all its 16 bit glory.
No apologies for the way too loud guitar solo! Remember Mike hanging on my shoulder at soundcheck all pumped up - "When Kenny takes a solo you jam that in their ears! Make it louder! Cut their heads off!"
Fun times!! I get paid for this??!