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Post by Johnkenn on Jul 18, 2021 21:04:00 GMT -6
Maybe I missed someone posting this…
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Post by Vincent R. on Jul 19, 2021 7:27:49 GMT -6
I'd be curious to hear what people think about this new budget range. A lot of it is from the SSL Six mixer they put out.
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ericn
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Balance Engineer
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Post by ericn on Jul 19, 2021 10:56:51 GMT -6
On first impression they seam cool but if I were at the point of spending money I would be looking at these and be thinking; 1 the channel strip looks cool on a feature sheet but, everything is really not all that feature rich, would I really use the stripped down EQ or Dynamics? Or would I be better off with a real EQ and Comp?. Stereo EQ is cool, but it’s 2 spaces and stereo pots don’t always track that well. I can use a stereo EQ as a mono, but I can use 2 mono almost as well and I can tweak for channel differences. Now when I first heard about the strip I was thinking “ OK if they took a full channel of the Six and let me connect them via ribbon cables in 500 series chassis for bussing and I could build a 24 ch summing system based on the 6, that would be cool. This isn’t that.
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Post by Johnkenn on Jul 19, 2021 12:49:19 GMT -6
My question would be if it's any sort of improvement over software.
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ericn
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Balance Engineer
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Post by ericn on Jul 19, 2021 13:14:50 GMT -6
My question would be if it's any sort of improvement over software. That’s kind of a loaded question, I mean OK maybe the overall sonics might be better, but with just about any plugins I’m going to be able to dive deep and do more, plus for the price of one of the strips I can probably grab a EQ and dynamics package that I could put on everything. It really feels like baby’s first SSL. I’m sure GC will sell a ton $400 isn’t bad for what it is. I suspect like say the Austin mics they will sell a bunch and in 6-12 months we see 2 pages full of used ones because the customer out grew them.
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Post by Tbone81 on Jul 19, 2021 13:34:25 GMT -6
I really like the idea behind this channel strip. Been eye balling it for a while. I don’t use much eq during tracking, and when I do my eq moves are very “tilt” like. Boost some highs cut some lows, or vice versa. And a simple comp to gently control the dynamics I think is very useful. If the preamp is good, which I suspect it is, you could load a 10 slot lunch box and have a baby console for a very reasonable price.
If I was starting over I would seriously consider these.
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ericn
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Balance Engineer
Posts: 14,919
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Post by ericn on Jul 19, 2021 13:49:24 GMT -6
I really like the idea behind this channel strip. Been eye balling it for a while. I don’t use much eq during tracking, and when I do my eq moves are very “tilt” like. Boost some highs cut some lows, or vice versa. And a simple comp to gently control the dynamics I think is very useful. If the preamp is good, which I suspect it is, you could load a 10 slot lunch box and have a baby console for a very reasonable price. If I was starting over I would seriously consider these. I don’t completely disagree, but the problem with 2 bands of fixed point EQ is it’s probably never going to be where you want it. In the days when most small studios and clubs had EQ’s with 3 or 4 fixed band EQ’s my Rack of 4 AudioArts Parametrics were my best friend, not because of all the bands but because I could put the EQ where I wanted. The guy who buys these is not going to have a ton of mic choices so I see it as very limited as a problem solver. Maybe my days selling gear makes me biased against little do everything strips, but that’s because they always seamed to come back . If you can solder and are chasing the SSL tone for not much more the link audio EQ and pre are going to give you the SSL sound that everybody really wants, granted you would lose the comp, but still if someone says SSL I think 4K!
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Post by thehightenor on Jul 19, 2021 14:53:38 GMT -6
My question would be if it's any sort of improvement over software. Exactly my thoughts. Software is so good these days that unless a hardware piece is full of tubes and huge transformers I struggle to see the point in bothering. CAPI pre-amps aside :-)
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Post by Tbone81 on Jul 19, 2021 15:47:36 GMT -6
I really like the idea behind this channel strip. Been eye balling it for a while. I don’t use much eq during tracking, and when I do my eq moves are very “tilt” like. Boost some highs cut some lows, or vice versa. And a simple comp to gently control the dynamics I think is very useful. If the preamp is good, which I suspect it is, you could load a 10 slot lunch box and have a baby console for a very reasonable price. If I was starting over I would seriously consider these. I don’t completely disagree, but the problem with 2 bands of fixed point EQ is it’s probably never going to be where you want it. In the days when most small studios and clubs had EQ’s with 3 or 4 fixed band EQ’s my Rack of 4 AudioArts Parametrics were my best friend, not because of all the bands but because I could put the EQ where I wanted. The guy who buys these is not going to have a ton of mic choices so I see it as very limited as a problem solver. Maybe my days selling gear makes me biased against little do everything strips, but that’s because they always seamed to come back . If you can solder and are chasing the SSL tone for not much more the link audio EQ and pre are going to give you the SSL sound that everybody really wants, granted you would lose the comp, but still if someone says SSL I think 4K! I guess I missed that they were fixed point eqs, that does take a lot of the utility out of it. For comparison my LA610 has a very limited high and low shelf but with 3 eq points each and I find those incredibly useful.
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Post by Vincent R. on Jul 19, 2021 16:21:06 GMT -6
I really like the idea behind this channel strip. Been eye balling it for a while. I don’t use much eq during tracking, and when I do my eq moves are very “tilt” like. Boost some highs cut some lows, or vice versa. And a simple comp to gently control the dynamics I think is very useful. If the preamp is good, which I suspect it is, you could load a 10 slot lunch box and have a baby console for a very reasonable price. If I was starting over I would seriously consider these. I don’t completely disagree, but the problem with 2 bands of fixed point EQ is it’s probably never going to be where you want it. In the days when most small studios and clubs had EQ’s with 3 or 4 fixed band EQ’s my Rack of 4 AudioArts Parametrics were my best friend, not because of all the bands but because I could put the EQ where I wanted. The guy who buys these is not going to have a ton of mic choices so I see it as very limited as a problem solver. Maybe my days selling gear makes me biased against little do everything strips, but that’s because they always seamed to come back . If you can solder and are chasing the SSL tone for not much more the link audio EQ and pre are going to give you the SSL sound that everybody really wants, granted you would lose the comp, but still if someone says SSL I think 4K! Those Link Audio pieces look really nice. I posted about them here: realgearonline.com/thread/13010/link-audio-designs-preamps-series
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